Pair of French Art Deco Sconces Attributed to Albert Cheuret

Chromed metal and alabaster wall sconces after Albert Cheuret. electrified, UL listed.

Albert Cheuret’s work is distinct not only for his masterly execution in bronze and alabaster, but for his elegant depiction of the natural subjects that so inspired him—wild animals...

Stylish pair of bronze, brass wall fixtures with vintage glass shades, with later glass shades. This striking duo of French wall sconces, attributed to the iconic Jules Leleu, embod...

Jules Leleu (1883-1961) Pair of gilt bronze sconces with two arms of curved lights enclosing a glass disc on circular plate underlined by interlacing. Circa 1935-1940 A designer an...

Pair of Albert Cheuret boudoir lamps. They are hard to come by, personally is the first time i own them in about 35 years of dealing. They dirty but i can clean them at the buyer req...

Elegant pair of French Art Deco torch sconces / wall lights with fluted stems in brass and opaline crystal glass diffusers. The glass design and methods ar...

Beautiful and original Art Deco bronze and crystal sconces, both stamped in the back G. L. (Georges Leleu) 71 (model number). They can be pol...

Suite of 3 art deco wall lights circa 1930 in unsigned molded glass attributed to Hubens hammered iron frame, in perfect condition. Electrify E 14 screw bulb socket . Height 31 cm ...

1930's Pair French Art Deco Bronze Wall Sconces attrib. Jules Leleu. Beautiful design. Parisian estate.

Style: Art Deco Material: iron and wood Country: France We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. "Attributed Gilbert Poillerat" There have been many important French designers associated with Art Deco and through the 1930’s, ’40’s and beyond who worked in wrought iron. One usually thinks of Edgar Brandt, Raymond Subes, and Paul Kiss. For quite a while, when Art Deco was enjoying its first flush of recognition in the 1970’s, Gilbert Poillerat remained relatively unknown. This would soon change as the natural progression of design exploration began to move into the 1930’s and beyond, and Poillerat would emerge as one of the most original and important designers of his time. Gilbert Poillerat was born in 1902 in a small town in France that, oddly, had three names – Mer, Loir et Cher. Like many other furniture designers, he attended the famed École Boulle, where he trained as a metal chiseler and engraver, graduating in 1921. Following his graduation, he worked with arguably the best and most influential wrought-iron master – Edgar Brandt. He worked for Brandt for over seven years in both design and production. There can be no doubt that this time was hugely important, not only in furthering his training and perfecting his technique, but also exposing him to the new ideas that had blossomed forth during the Art Deco movement, when wrought-iron escaped the constraints of tradition that had kept it static for so long. In 1927, Poillerat left Brandt, and began working for Baudet, Donon and Roussel, a firm specializing in construction frameworks. He was placed in charge of their decorative iron-work division, which produced tables...