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Palle Suenson rare series of 4 opalin rounded Wall Lamps, Denmark finest
$17,881.18per set
£13,266.12per set
€15,000per set
CA$24,480.24per set
A$27,425.77per set
CHF 14,275.09per set
MX$333,993.35per set
NOK 181,845.57per set
SEK 171,247.21per set
DKK 114,212.55per set
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About the Item
This is a rarely seen series of 4 small opalin wall lamps by the master architect Palle Suenson. They have a unique shape rounded and elegantly open on the top of the scone. This makes it a true piece of art. They require only one screw to hang each on the wall. One lighting bulb inside. they can be wired directly to the wall or with a nice cotton cord. We can provide the cord on each lamp.
Palle Suenson (né le 6 juillet 1904 à Frederiksberg et décédé le 14 juillet 1987 à Holte) était un architecte moderniste danois, fils du professeur Edouard Suenson, ingénieur, et de Henriette Benedicte Hartmann.
Après ses études à l'Académie Royale des Beaux-Arts de Copenhague, Suenson a commencé sa carrière en coopération d'abord avec les architectes Kay Fisker et Søren Christian Larsen (1925-29) et ensuite avec Kaj Gottlob (1929-30), avant de lancer son propre bureau d’architecture en 1930. Il deviendra rapidement un des principaux architectes modernistes au Danemark, un pionnier dans son domaine. On se souvient de lui aujourd'hui pour de nombreux bâtiments emblématiques, tels que notamment le bâtiment B&W à Christianshavn. Ses bâtiments sont réputés pour leur style épuré et leurs proportions harmonieuses et ont exercé une influence majeure sur des architectes tels que Arne Jacobsen ou Poul Kjærholm.
En sus de ses très nombreux bâtiments, tant d'habitation que de bureaux (notamment des banques), ainsi que des meubles qu'il a dessinés, il s'est beaucoup intéressé à la restauration de bâtiments historiques. En 1943, il a acquis et restauré la Maison de l'alchimiste (Guldmagerens Hus) sur Nyhavn à Copenhague, et en 1950 il est chargé d'une restauration minutieuse du manoir Schæffegården à Gentofte.
Palle Suenson a participé à de très nombreuses exposition telles que Charlottenborg (1929, 1932, 1934, 1941, 1945, 1978), l'Exposition universelle de Bruxelles de 1935, et plusieurs autres expositions internationales dans des villes telles que La Haye, Paris ou Lyon.
Propriétaire du manoir Rygaard à Søllerød au nord de Copenhague, il y établit à grands frais pour lui-même le parc naturel local de 220 hectares.
Suenson aura aussi une activité d'enseignement significative et sera Recteur de 1956 à 1965 de l'Académie Royale des Beaux-Arts de Copenhague.
- Creator:Hans-Agne Jakobsson (Cabinetmaker)
- Dimensions:Height: 7.09 in (18 cm)Width: 6.5 in (16.5 cm)Depth: 3.55 in (9 cm)
- Sold As:Set of 4
- Power Source:Hardwired
- Style:Scandinavian Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1940's
- Condition:Wear consistent with age and use. Minor losses. Minor fading. Minor chips on the inside.
- Seller Location:Forest, BE
- Reference Number:1stDibs: LU8186245242492
Hans-Agne Jakobsson
Hans-Agne Jakobsson was a Swedish interior and furniture designer, who ran his own company from 1951. Jakobsson was especially famous for his lighting designs, which often had a softly glowing light and organic shape. His designs were inspired by great, modern Scandinavian designers such as the Finnish icon Alvar Aalto and Danish lighting master Poul Henningsen.
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Hans-Agne Jakobsson naît à Hvadhem sur l’île de Gotland en Suède. Menuisier de formation, il poursuit à Göteborg des études d’architecture qui lui permettent d’intégrer le département de design industriel au sein de General Motors.
Très vite, sa passion du bois le rattrape et il s’oriente alors vers des créations plus artisanales. Il devient ainsi le collaborateur de designers célèbres tels que Carl Malmsten ou le très radical Werner West. De ces années d’apprentissage naît une profonde passion pour la lumière, la subtilité et la magie de l’éclairage. Installé dès 1950 à Markaryd dans le sud de la Suède, il propose ses créations dans sa boutique du centre-ville.
L’anecdote raconte qu’un soir de Noël, trouvant son espace trop sombre, il crée dans l’urgence une suspension en pin. Son succès est tel qu’il décide de fonder en 1951 sa propre entreprise Hans-Agne Jakobsson A/B.
La région de Markaryd est une région bordée de lacs et de bois sombres. Jakobsson ne s’inspire pas directement de la nature mais de l’atmosphère si particulière qui se dégage de ces paysages, où la lumière semble être en conflit perpétuel avec la nuit. Influencé par le modernisme, il s’intéresse également très tôt aux nouveaux matériaux qui apparaissent dans les années 1950. Le laiton le passionne tout particulièrement. Il l’associe naturellement au verre pour créer des modèles dont les plus monumentaux orneront les bâtiments publics, les salles de concert ou les églises.
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