Set of Seven Marcel Bever Art Deco Mask Wall Lights

Playfully oversize wall mounted art deco light fixture completely hand made with cut and hammered sheet brass leaves and spun aluminum bowl reflector with scalloped edge. This lamp w...

Pair of flush mount or sconce fixtures in textured Murano glass in jagged relief Brutalist form by Mazzega, Murano, circa late 1960s early 1970s.  

Handsome heavy pair of gilt bronze wall appliques with gunmetal embellishments, brass rectangular wall mount and green glass-like plastic bobeches. These are signed and numbered but...

Wonderful metallic painted galvanized metal art deco corner wall light

We are excited to offer you this fabulous set of 6 Art Deco Matching shell wall lights in excellent condition. Each frame consists of a chrome surround (all in excellent condition), ...

Suite of 3 art deco wall lights around 1930. Wrought iron frame decorated with vine leaves and bunches of grapes. Molded glass tulip with geometric decoration. Wall lights attribute...

Stunning set of 4 Art Deco clam shell wall lights dating to Circa 1930. These beautiful lights boast the most unusual and attractive blood orange shades which are simply stunning. Th...

Zadounaïsky Suite of 4 Art Deco Wall Lights Elegant Art Deco sconces, circa 1930, in wrought iron. Electrified and in perfect condition. Mounted with lampshade clipped on the bulb. The 4 sconces are stamped Zadounaisky Height : 33 cm Width : 22 cm Depth : 12 cm Total weight : 6 kg You can contact me for more information and shipping costs. Son of Russian emigrants, Michel Zadounaïsky settled in France in 1916. I In 1920, he discovered the work of wrought iron by joining the Fournet chandelier factory. He also devoted himself to repoussage en ronde bosse, that is to say the confrontation with the metal with only a hammer for a tool, and with the help of fire, techniques in which he became a master. In 1924, he opened his first workshop in Lyon and worked there until 1953, becoming one of the emblematic figures of Lyon's decorative arts. Michel Zadounaïsky regularly exhibited pieces influenced by the Art Deco style in the Lyon Salons. From the 1930s onwards, his themes became more personal, and a whole bestiary of animals appeared, sometimes bordering on the fantastic and the strange. Naturalized in 1948, Michel Zadounaïsky continues to realize, in close and intimate collaboration with Buer (bookbinder) and Dumaine (glassmaker), objects intended for a wealthy and enlightened clientele. Desiring to abolish the frontier between the liberal arts and the useful arts, he is a craftsman, an artist, and perhaps the only iron sculptor...