Zeiss Ikon Industrial Wall Lamps from 1930, Model JS. 3 No.1, Bauhaus

With its organically shaped blown glass shade, especially rare in this opaline frosted glass version, the GA9 resembles a floating droplet. Designed by Swedish architect Erik Gunnar Asplund, widely regarded as the godfather of Swedish modernism, this lamp embodies his signature geometric clarity and structural ingenuity. Like his Stockholm City Library, it balances simplicity with innovation. A bent arm holds the glass, while another secures the light source at the luminaire’s center. The black lacquered metal curves organically, contrasting with polygonal backplates—an interplay of geometry and fluidity that defines Asplund’s vision. The large, mushroom-like shades diffuse light in a soft, mesmerizing glow, enhancing the atmosphere beyond mere functionality. Asplund’s influence extended to Scandinavian design icons such as Alvar Aalto, Erik Bryggman...

A fine example of Danish modernist design, the Model 190 daybed incorporates the core principles of Børge Mogensen: rational construction, respect for natural materials, comfort and ...

- Original wall brackets - Mercury glass shades - Takes E27 fitting bulbs - Made by Zeiss Ikon, Jena - German ~ 1930s - 24cm wide x 34cm deep x 24cm tall Zeiss Ikon/Adolf Mey...

Unique Bauhaus or Modernist pendant lamps. Designed by Adolf Meyer in 1920s and manufactured by Zeiss Ikon, in 1920s-1930s, Germany. On one of the glass shades is the mark of the mak...