19th Century Baroque Altar Candlestick Fashioned as a Table Lamp

An opulent Bohemian ruby cased and polychrome enameled cut glass decanter from the 19th century, now fashioned as a table lamp. Exquisitely handcrafted and detailed for the Islamic m...

A stunning antique, circa 1880s, Dresden porcelain figural flower encrusted candlestick - candelabra mounted as a lamp. Exquisitely handmade and painted in Germany in the late 19th century, developed by Ernst August Leuteritz, the very finest of quality, exceptionally executed in the decadent opulence and sophisticated elegance that is Meissen Rococo taste, featuring sculptural seated putti holding fruit and flower motif, having an architecturally articulated shaped baluster shaft, tripartite base rising on high volute C-scroll feet, elaborately decorated in the most intricate floral and fiolate applied and relief decoration in rich polychome and brilliant gold leaf gilt accents. Early 20th century and later light fixture elements, professionally electrified and fashioned as a large luminaire table lamp. The candlestick drilled, standard mounted with adjustable two light post, topped with removable rod retaining remnants of original paint finish with distressed chippy paint patina, surmounted with matching ornate porcelain flower bouquet...

An imposing pair of antique French Victorian Gothic Revival chenets (andirons) fashioned as table lamps. Exquisitely hand-crafted in France, 19th c., exceptionally executed Parisian work, most impressive large size, beautifully patinated gilt bronze and brass fireplace andirons in Neo-Gothic taste, featuring turned column with two pierced reticulated balls, grotesque lion mask with door knocker ring, rising on ornate acanthus topped stylized animal legs terminating in paw claw feet, mounted on a later rectangular wooden plinth base, surmounted by classical flame finials. circa 1860 Rare one-of-a-kind lighting, highly decorative and sculptural form, professionally electrified, these striking repurposed fireplace andiron table lamps are sure to become a focal point in any room! Provenance / Acquisition: The collection of oil magnate Jim Musselman. Musselman has an impressive track record of finding oil, leading multiple successful oil and gas ventures, including establishing Caelus Energy, JM Petroleum, founding partner of Kosmos Energy, Triton Energy, and various other oil explorations...

A stunning antique Italian Baroque style silvered metal gilded wood monstrance reliquary. circa 1770-1820 Handmade in Italy in the late 18th / early 19th century, commissioned by the church to display an important religious relic, sculptural painted wood form, mounted with decorative silver repousse metal facing, open oval window where the philatory relic was once housed, rising on a gold gilt painted shaped plinth base. Dimensions: (approx) 17" High, 8" Wide, 5" Deep, 1.25lbs History: Reliquaries (also referred to as a shrine or châsse in French), are containers used to protect and display relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory. A monstrance, also known as an ostensorium (or an ostensory), is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints. The use of reliquaries became an important part of Christian practices from at least the 4th century, initially in the Eastern Churches, which adopted the practice of moving and dividing the bodies of saints much earlier than the West, probably in part because the new capital of Constantinople, unlike Rome, lacked buried saints. Relics are venerated in the Oriental Orthodox, Eastern Orthodox, Roman Catholic and some Anglican Churches. Reliquaries provide a means of protecting and displaying relics. While frequently taking the form of caskets, they range in size from simple pendants or rings to very elaborate ossuaries. The relics were enshrined in containers crafted of or covered with gold, silver, gems, and enamel. These objects constituted a important form of artistic production across Europe and Byzantium throughout the Middle Ages. Many were designed with portability in mind, often being exhibited in public or carried in procession on the saint's feast day or on other holy days. Pilgrimages often centered on the veneration of relics. The faithful often venerate relics by bowing before the reliquary or kissing it; those churches which observe the veneration of relics distinguish between the honor given to the saints and the worship that is due to God alone. Sixteenth-century reformers such as Martin Luther opposed the use of relics since many had no proof of historical authenticity and objected to a cult of saints. Many reliquaries, particularly in northern Europe, were destroyed by Calvinists or Calvinist sympathizers during the Reformation...

An antique brass altar candlestick from 19th century France, that has been converted into an electrified lamp. This gorgeous fixture i...

Handsome pair of Italian carved giltwood altar sticks mounted as lamps. Very impressive! Circa 1880. 23w x 25h

This exquisite 18th-century French lamp showcases masterful craftsmanship and timeless design. Originally a carved wooden architectural element, this piece has been beautifully repur...

Exceptionally rare, 17th century, pewter candlestick upcycled into a table lamp, 20” high Elegant, classical form typical of the Baroque period, with all the surfaces reflecting l...