An Art Deco Cameo Glass Lamp by Verrier

Vibrant hand painted 19th century Faience and bronze urn now electrified. A maze yellow background with hand painted iris and leaf pattern. The basic shade is for photographic purpos...

A handsome 1960's acrylic and chrome desk lamp designed by J. T. Kalmar. The modern style with a round light olive glass with white inside. The chrome base with a leather covered s...

Magnificent hand gilt and enameled porcelain vase by Royal Worcester, circa 1870-80. The raised gilt and decorated surface with a coral background with gilt bronze and gold tones wit...

French gilt bronze and onyx table lamp. 23 1/4" tall to the top of sockets. Shade is for photos only. It is not included.

Rare Antique French Galle Signed Cut-Cameo Lamp with Original Signed Galle Cut-Cameo Shade, in Red and Yellow Sunset Colors. The lamp features a masterful design with a vibrant palet...

Breathtaking French Art Nouveau table lamp by Emile Gallé early 1900 model: ''Vosges Paysage'' simply exquisite. Multilayer glass lamp with engraved decoration in brilliant reserve of a blue and green Vosges landscape, on the foot, and on the hat of eagles in flight, on an opaque yellow background. Gilded bronze mount with three claws and two lights. Signed "Gallé" in reserve, on both elements. Looks amazing when lit, museum worthy Art Nouveau piece and a must have for any collector This original Emile Galle lamp...

A Schneider, LeVere Francais cameo glass lamp, circa 1920, the frosted glass internally mottled with lilac and overlaid in graduating shades of brown...

Statuesque and artfully etched, this exquisite cameo glass table lamp is the work of the famed Art Nouveau master Émile Gallé, one of the most highly regarded names in French glassmaking. The artist's appreciation of nature is on full display in the detailed Marguerite daisy pattern carefully etched in varying layers of colored glass. The blooms dance across the lamp's amber-colored form in mesmerizing shades of purple and red. When lit, the lamp emits an enticing warm glow. Nearly two feet in height, the lamp is much larger than is typical of Gallé's pieces, yet it maintains its grace and proportion. Émile Gallé opened a small woodworker's shop in 1885, where he began experimenting with marquetry in furniture and naturalistic glass designs. In 1889, he displayed his new glass creations at the Paris International Exhibition, where the designs and colors not previously seen caused an immediate sensation. The new style of Art Nouveau had begun to appear, and the movement's aesthetics and devotion to nature appealed greatly to the young Gallé. In 1894 Gallé built a manufacturing plant in Nancy and began creating his own designs from inception through production. Gallé personally developed many of the designs, and he was known to actively make alterations and approve the designs of his talented team of designers and craftsmen he employed at the "Cristallerie D'Emile Gallé." Signed "Gallé" on shade and base Circa 1920 Literature: A. Duncan, G. de Bartha, Glass by Gallé, London, 1984, p. 170, pl. 245 for another lamp of this model A. Duncan, G. de Bartha, Gallé Lamps...