Brass and Glass Table Lamp attributed to Bengt Karlby for Lyfa, Denmark

A good sized table lamp in brass by Hans Agne Jakobsson, and made by his company in Markaryd, Sweden, mid-20th century. Labelled to the base. A simple design with a height-adjustabl...

A simple brass pendant or flush mount light with decorative leaf details. First half twentieth century in art deco or Scandinavian modern style. Found in Sweden. Three available, pri...

Beautiful brass table lamp designed by Anders Pehrson and made by Atlejé Lyktan, Sweden, during the 1960s. Big model made in brass with a leather foot.

An early mordernist table lamp in brass and copper by Fog & Mørup of Denmark Standing on an Art Deco inspired 3 step base in brass with a push button on off switch. Brass upright with a brass cup for the E27 Bakelite bulb holder and lampshade holder also in brass. A turned copper lampshade mounted with a brass screw. Original white paint on the inside of the lampshade that has started to flake off in places but has been left completely original just like the rest of the lamp. The table lamp has been dismantled and all parts cleaned with no polishing in order to maintain all of the glorious color and patina to the surfaces. Rewired with a 3 meter brass colored twisted cloth flex and grounded. Can be fitted with an EU US or UK electrical plug. Responsible worldwide shipping. Ansgar Fog and E Mørup met in 1902 at the firm of Marinus Kock in Aarhus, Denmark. They rapidly became close friends and began to develop the idea of going into business together. On 22 February 1904 they answered an advertisement in the newspaper Jyllandsposten calling for ‘an energetic man to take over a well-established ironmongery and consignment warehouse’. Fog Morup TromboneThe warehouse contents encompassed paraffin lamps, gas lamps, gas pipes, hosepipes, pumps, glasscutters and ‘other marketable and profitable wares’. The pair borrowed the asking price of 3,000 Danish kroner and started business as agents and wholesalers on 1 July 1904 in three small rooms with cellars in Fiskergyde in Aarhus. Both Fog and Mørup were then 24 years old. Fog Morup Medio, Classic and DiskosIn 1906 Fog & Mørup moved to Copenhagen and began to specialise in lighting, taking over electrical dealership Dahls Brothers in 1913, and on 1 April 1915 they opened their first lighting factory at Nørregade 7. Rapid expansion of the company over the next two decades, together with the takeover of several other lighting companies, required the factory to move to larger premises more than once, and the Nørregade premises became the company's showroom. It was in the early 1960s that Fog & Morup really emerged as a significant force in lighting design, following the company’s appointment in 1957 of Johannes (Jo) Hammerborg as head of design, which initiated what was to prove the most creative and commercially successful period in its history. Hammerborg’s sleek and innovative modernist designs became the trademark style of Fog & Morup throughout the 60s and into the 70s, and propelled the company into the forefront of Danish modern lighting.Fog Morup Semi By the early 1970s Fog & Mørup had reached its prime, with sales in 1972 in excess of 50 million Danish kroner and an export market growing at 30 per cent per annum. The company’s belief that ‘presented with a challenge, designers as individuals or in design groups will achieve their finest work’ enabled them to attract many talented architects and designers to work under Hammerborg’s exacting eye, including Sophus Frandsen, Claus Bonderup and Torsten Thorup, Jørgen Bo, E Balslev, Karen and Ebbe Clemmensen, Sidse Werner, Hans Due and Peter Avondoglio.Fog Morup Arabia kitchen lights Perhaps the most widely recognised of Fog & Morup's lights today is the iconic Semi designed by Bonderup and Thorup in 1967 while they were still students, but the company also produced many other innovative, important and award-winning lights including Frandsen’s Fibonacci, Hammerborg’s Saturn, Tunica and Classic and Diskos, Werner’s Formland, Balslev’s Radius and Hans Due’s Optima...