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Gino Sarfatti Lamp Model 548 Polished Brass with Grey Difuser by Astep

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Gino Sarfatti Lamp Model 548 Polished Brass with Grey Difuser by Astep

$1,319.75per item

$1,759.67per item25% Off

£960.77per item

£1,281.02per item25% Off

€1,106.25per item

€1,475per item25% Off

CA$1,800.14per item

CA$2,400.18per item25% Off

A$2,015.44per item

A$2,687.25per item25% Off

CHF 1,056.76per item

CHF 1,409.01per item25% Off

MX$24,901.98per item

MX$33,202.64per item25% Off

NOK 13,315.83per item

NOK 17,754.44per item25% Off

SEK 12,569.61per item

SEK 16,759.49per item25% Off

DKK 8,419.06per item

DKK 11,225.41per item25% Off

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About the Item

Model 548 Design by Gino Sarfatti The table lamp designed in 1951 is a study in balance and light reflection through a screen, a recurring theme in Gino Sarfatti’s work. Model 548 provides both reflected and diffused light due to the adjustable spotlight that is directed up towards a reflecting screen. The large diffuser in orange, blue or white methacrylate provides a highly sophisticated light effect and is an essential part of the illusion and the play with perception. The spotlight in white painted aluminium is mounted on a tubular stem in polished or burnished brass, while a small brass bar at the base serves as a counterweight in the beautiful balancing act of the individual elements of Model 548. In the re-issue, the original incandescent bulb has been replaced by an LED source, and an optical dimmer switch has been integrated discreetly into the original design. Timeless Innovation 1951 / 2013 The table lamp designed in 1951 is a study in balance and light reflection through a screen, a recurring theme in Gino Sarfatti’s work. Model 548 provides both reflected and diffused light due to the adjustable spotlight that is directed up towards a reflecting screen. The large diffuser in orange, blue or white methacrylate provides a highly sophisticated light effect and is an essential part of the illusion and the play with perception. The spotlight in white painted aluminium is mounted on a tubular stem in polished or burnished brass, while a small brass bar at the base serves as a counterweight in the beautiful balancing act of the individual elements of Model 548. In the re-issue, the original incandescent bulb has been replaced by an LED source, and an optical dimmer switch has been integrated discreetly into the original design. Specifications Model 548 Typology table Materials brass structure, opaline methacrylate diffuser Dimensions Ø 500 x 500mm Diffuser diameter Ø 500mm Weight 3.10kg Control touch dimmer Light source integrated LED 11W 730lm 2700K Not UL Listed This lamp is wired for Europe, if used in US or any other country the client will need to convert it. Gino Sarfatti Born in Venice in 1912, Gino Sarfatti studied to become an aeronautical engineer until family circumstances compelled him to relocate to Milan where he had his first encounter with lighting, an engineering project to transform a glass vase into a lamp. This encounter with lighting design and engineering shaped the path of his life. In 1939 Gino Sarfatti founded his company Arteluce, which brought lighting into the 20th century combining innovative ideas with groundbreaking design. Arteluce won numerous prizes and awards including the Compasso d’Oro in 1954 and 1955, and the Honorary Diploma of the Milan Triennale, becoming an important meeting place for many leading Italian architects throughout the 1950s and 1960s. The first Milanese Arteluce retail space was designed with Marco Zanuso in 1951. Ten years later Gino Sarfatti and his lifelong friend Vittoriano Viganò designed their flagship location on Via della Spiga. Throughout his career, Gino Sarfatti explored and was inspired by new product typologies, innovative materials, lighting technologies, and production techniques. His hybrid talent as a designer and engineer enabled him to created refined products in both aesthetics and function. Gino Sarfatti was a significant figure in the history of Italian industrial design, developing more than 700 luminaires. In 1973 he retired on Lake Como, with Flos acquiring Arteluce and their expansive catalog. Gino Sarfatti died at Gravedona in 1985.

Creator:

Astep (Manufacturer),Gino Sarfatti (Designer)

Dimensions:

Height: 19.69 in (50 cm)Diameter: 19.69 in (50 cm)

Style:

Mid-Century Modern (In the Style Of)

Materials and Techniques:

Metal

Place of Origin:

Italy

Period:

2010-

Date of Manufacture:

Contemporary

Production Type:

New & Custom(Re-Edition)

Estimated Production Time:

8-9 weeks

Condition:

Seller Location:

Barcelona, ES

Reference Number:

Seller: RL.17.01.23.GB.561stDibs: LU1427232269472

Shop All Gino Sarfatti

Gino Sarfatti

That a spiky, futuristic chandelier named “Sputnik,” which was highly suggestive of the Soviet satellite of the same name, designed by an Italian engineer could predate the space age and the satellite’s launch by a few decades is the stuff of legend. But in 1939, Venetian-born Gino Sarfatti channeled his obsession with light and expert engineering skills into a design so bold it predicted the future. He would go on to design around 700 lighting products in his lifetime — each table lamp, wall light, pendant and chandelier superb and unorthodox in shape.

Sarfatti’s singular focus on creating opulent lighting designs that were rational in their use of resources makes him one of the most innovative lighting designers in history. He was studying to be an aeronautical engineer at the University of Genoa when his family’s financial troubles led him to drop out and move to Milan to help. During this time, he built a lamp for a friend using a coffee machine’s electric components and a glass vase. This exercise sparked his fascination with lighting, and he went on to found Arteluce in 1939. What followed was a period of working with skilled artisans and tinkering with materials instead of sketching. The self-taught designer soon established himself as a creator of provocative, sculptural luxury lighting. Through the company, he collaborated with some of the 20th century’s most influential designers, such as Vittoriano Viganò, who worked on Arteluce lighting between 1946 and 1960. In the 1950s and ’70s, Franco Albini, Franca Helg, Ico Parisi and Massimo Vignelli all contributed designs.

Sarfatti used resources mindfully and injected functionality into everything he designed. His light fixtures were lightweight, easy to take apart and reassemble and could be affordably repaired. This marriage of utilitarianism and glamour lent Sarfatti’s designs a clean, minimal yet arresting splendor, based on their graphical forms and construction.

After World War II, Sarfatti embraced new wiring technologies and materials like plexiglass, such as his 1972 project with Carlo Mollino that filled the Teatro Regio in Turin with hundreds of plexiglass pipes. In 1973, Sarfatti sold Arteluce to FLOS. His foresight, invention and fearlessness as a designer are revered to this day.

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