Maurizio Tempestini Italian Modern Desk Lamp

Italian architect and furniture designer Maurizio Tempestini is well-known among vintage outdoor furniture aficionados for his sculptural Clamshell line and other elegant mid-century modern furnishings for patios and gardens.

Born in Florence in 1908, Tempestini completed his studies in Industrial Decoration at the Porta Romana Art Institute in 1929. His career as an interior architect and furniture and lighting designer flourished during the early 1930s. It was during this time Tempestini was also active as a set designer for several Italian theater productions, including Mario Massa’s Osteria degli immortali and Luigi Bonelli’s comedy Il Gigli.

Tempestini then turned his attention from the stage to designing furniture and decorative objects. He crafted pieces for ceramics factory Cantagalli in Florence, as well as for Murano glass manufacturers Seguso and Cappellin.

In 1934, Tempestini worked on the external renovation of the Palazzo delle Esposizioni at the Parterre di San Gallo in Florence for the Littoriali Exhibition. Later, in 1938, he formed a studio with architects Nello Baroni and Pietro Porcinai before cofounding the legendary postwar Italian lighting maker Arteluce with designer and engineer Gino Sarfatti in 1939.

During the 1950s, Tempestini designed lighting fixtures for Lightolier and began to collaborate with Brooklyn, New York’s John B. Salterini Company. Salterini was an Italian emigree who initially worked in journalism before becoming an eminent producer of high-end wrought-iron furniture.

Tempestini’s modernist outdoor furniture for Salterini resembled indoor seating manufactured by the likes of Knoll or Artifort — his chairs and other seating boasted organic curves and seductive, unconventional shapes. His work complemented Salterini’s own handmade designs, which reflected Gothic Revival and Art Deco influences. Together the designers produced successful lines of garden and patio furniture for Salterini’s eponymous firm.

Tempestini’s name soon became widely known in the United States. His designs were first introduced to the American public in 1951 through Gimbels Department Store and Suniland Furniture in Houston, Texas. Today his bold and stylish patio furniture remains sought after by collectors everywhere.

On 1stDibs, discover a range of vintage Maurizio Tempestini garden elements, lounge chairs and tables.

Founded in 1904 in New York and family-operated through most of its history, Lightolier was one of the pioneering American electric lighting companies, best known for its embrace of stylistic and technical innovations.

Collectors focus on vintage Lightolier lighting fixtures produced from the 1950s and into the 1970s, when an in-house design team led by Gerald Thurston — and a stellar cast of international design contributors — created an array of practical yet aesthetically lively table lamps, floor lamps, sconces and chandeliers.

Amidst the post-World War II building boom, Lightolier — the name combines “light” and “chandelier” — aggressively boosted its residential lighting division. Thurston, who was strongly influenced by the sleek designs of Gino Sarfatti and his Italian lighting firm Arteluce, towards simpler lamp designs that offered flexibility of function. His best-known designs include the Cricket task light — a lamp with an adjustable enameled metal hood that toggles on a slender bent-metal base — and the three-legged Tripod floor lamp. At the same time, Thurston had a wonderful eye for talent and sought work from some of the lesser-known greats of the era, such as Paavo Tynell, the Finnish lighting designer, who designed several brass chandeliers for Lightolier with his trademark elegant flamboyance.

And more, Thurston recognized abilities in designers not known for their work in lighting.

Edward Wormley, head of furniture design for Dunbar, produced several noteworthy chandeliers employing canisters and reflective hoods. Alvin Lustig was famed as a graphic designer. His ca. 1953 Ring ceiling fixture for Lightolier had a minimalist techno look some 30 years ahead of its time. But this was par. Designed by Michael Lax in 1964, the Lytegem high-intensity lamp — included in the permanent collection of the Museum of Modern Art — features a ball-shaped shade attached with a chromed armature to a cubic base, a form that would be widely copied in the following decade. Chandeliers designed in the early 1970s by Gaetano Sciolari, with details such as acrylic diffusers and vertical, two-bulb arms, would define the look of lighting in their day.

A look through these pages reveals just how astonishingly wide a range of lighting pieces Lightolier produced. The company never flicked off its stylistic switch.

Find a collection of vintage Lightolier lamps and other lighting fixtures on 1stDibs.