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Nice Pair of Late 19th-Early 20th Century Gilt Bronze and French Crystal Lamps
$10,000per set
£7,567.42per set
€8,727.61per set
CA$13,964.31per set
A$15,644.54per set
CHF 8,142.97per set
MX$190,520.50per set
NOK 103,730.53per set
SEK 97,684.89per set
DKK 65,150.49per set
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About the Item
A Nice Pair of Late 19th Century Gilt Bronze and French Crystal Lamps
Fine cut crystal bodies with bronze mounts standing on lion paw feet.
Details:
Height – 22 inches / 56cm
Diameter – 8.5 inches / 22cm
- Dimensions:Height: 22 in (55.88 cm)Diameter: 8.5 in (21.59 cm)
- Sold As:Set of 2
- Style:Belle Époque (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1900
- Condition:Rewired. Wear consistent with age and use.
- Seller Location:Long Island City, NY
- Reference Number:Seller: CC7701stDibs: LU905616582041
About the Seller
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Pierre Gouthière (1732 – 1813) was the most celebrated bronze gilder in France during the eighteenth century, the title of ‘Gilder to the King’ being given to him by Louis XV. He perfected the most expensive type of gilding of this period, dorure au mat, which involved the use of lavish amounts of gold to create a rich, deep matte finish. As well as working for the King he created items for the Comte d’Artois, the Marquis de Marigny, and the duc d’Aumont.
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Beurdeley, Louis-Auguste and Emmanuel-Alfred (1808-1882 and 1847-1919). The firm exhibited and won awards at all of the major international exhibitions during the second half of the nineteenth century. The quality and skill employed in production was of exceptional quality; their ormolu mounts with mercurial gilding and hand chasing were often difficult to distinguish from late eighteenth-century examples, and were considered the finest in Paris. The firm was pioneered by Jean Beurdeley (1772-1853), later managed by his son Louis-Auguste-Alfred, and finally imparted to his son Alfred-Emmanuel-Louis in 1875. The firm was established at 32 and 34, rue Louis-Le-Grand, and also owned the pavillion de Hanovre, where it was based while Alfred-Emmanuel-Louis added two additional workshops at 20 and 24, rue Dautancourt by 1875. The Beurdeley workshops closed in 1896, although still partially active until 1898 and the stock was sold over a number of auctions conducted by the Galerie Georges Petit of Paris. Two auction catalogues of the collection were published in 1895 and sales were held between March 6-8 and May 27-28.
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