European Table Lamps

Beautiful iconic table lamp 'Rubus' designed by the Swedish ceramic artist and designer - Gunnar Nylund. This pretty lamp in ceramic glaze has warm soft and brown tones inspired by t...

Beautiful Swedish table lamp with 3 soft blue glass blocks. The lamp was made in Malmö, Sweden in ca. 1960. Including new high quality hand made lampshade. Height of the lamp is mea...

Genet et Michon Art Deco table lamp circa 1930 electricity checked

Height: 32 cm. Width: 26 cm. Depth: 14.5 cm. Ø glass sphere: 14.5 cm. The lamp has a large bulb holder (E27). Origin: Belgium, 1930s. Material: steel / glass.

Rare pair of clear glass and bronze flower table lamps in the style of Maison Baguès, France, circa 1950s. Socket: each 1 x E27 or E26 (US) ...

A beautiful zoomorphic lamp signed H.O... In a beautiful satin black. Very good original condition. A masterpiece by an unkown ceramist... France, 1950s

Modernist table lamp in Bauhaus style by Heinz Pfaender for Hillebrand Leuchten in 1961. Great (original) colour combination of black, chrome and red. The metal shade can be turned...

The sleek flat base, a hallmark of mid-century aesthetics, provides stability and a sense of balance to the lamp's unique form. Adding a touch of elegance to the design is the beauti...

If you are thinking about purchasing this great piece, feel free to ask for an additional video to be absolutely sure of your choice.

Great Condition

Iconic table lamp produced by the Franta Anýž Company and designed by Jaroslav Anýž, his son in early 1930s. This desk lamp is renowned for its distinctive joints, patented to allow the lampshade to pivot in any direction, with adjustable height. Franta Anýž, an influential figure in Czech design, studied at the Academy of Arts, Architecture, and Design in Prague. His notable achievements include work at Pragotron, camera design for Flexaret, and winning a gold medal at the Salon International des Inventions in Geneva in 1965 for his Beta 21 watch...

Pair of table lamps model 2466 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass, lacquered brass and original fabric shades. Stamped. Josef Frank was a true European...

Large, imposing vintage 1950s wrought-iron lamp. Heavy weight, measures 63cm and 39cm without shade. Personal delivery or free delivery in Paris.

Flygsfors Glass Factory Flygsfors Glasbruk was a glass factory in Flygsfors in Nybro municipality, founded in 1888 and closed in 1979. It was started in Flygsfors in 1863 as a hammer...

"Parola" table lamp from Studio Tetrarch, 1968 Bibliography: Casa Amica by Giuliana Gramigna.

Mid-Century Modern Table Lamp,Metal and Glass, Italy, 1950s

A very impressive large pair of antique brass table lamps, dating from around the 1950’s. They are of superb quality, with beautiful...

Postmodern table lamp produced by Brilliant Leuchten AG in the 1980s magnetic eyeball. Very original table lamp produced by Brilliant Leuchten AG in black and white plastic materia...

This very special unique piece is the last of a great series. The shade can be adjusted in any colour and size to either get a very modern or traditional outlook. The table lamp is a...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Philips desk lamp dating from the 1950s. Inspired by Charlotte Perriand in the way she designed objects that met the needs of life and were accessible to the greatest number of peopl...

Small presentation island made from an old Jieldé machinelamp, nice for lichting jewelry or other small items. Special “floating” effect with the switchable tree colored bottomlight ...

Gorgeous pair of Italian 1950 design table lamps/lights in the style of stilnovo. Patinated brass frame with white metal shades. The shades can be ...

Italian Art Deco desk lamp. Chromed metal and black enameled shade. Italy, circa 1940.

A fabulous vintage brass desk lamp, this was made in England, and dates from the 1950-60’s. It is very well made with a lovely design. The e...

A small desk lamp with chrome base and neck, with sky blue painted metal shade. The lamp is Italian (sourced from Italy). Fully rewired and fitted with an earth connection and E...

neoclassical table lamp in golden wrought iron circa 1950

A fantastic pair of vintage table lamps in solid bronze. They are in the antique neoclassical style, and they probably date from around the 1950’s. The quality is outstanding, they ...

Lámpara de mesa francesa con pantalla tipo Kaiser Idell en metal gris. Pieza de la segunda mitad del siglo XX con acabados de alta calidad y en muy bu...

MId-Century Modern Murano lamp. Beautiful red color with heavy amounts of gold throughout. Custom parchment shade is 6.5" high x 13" in diameter.

MId-century Venetian lamp with many controlled bubbles throughout. With applied aqua glass swirls. Custom parchment shade. New acrylic base. Shade dimension is 7" high x 13" in diame...

Desk or table lamp by Christian Dell (model 6840), who designed this light in the early 1930s (Bauhaus Period), with production continuing until the 1970s. It features a aluminum la...

Lisa Johansson-Pape Table lamp Manufactured by Orno Finland, 1950 Brass, leather, canvas shade From the archives of Side Gallery. Barcelona Measurements 10 cm x 10 cm x 69 H cm 3.93 in x 3.93 in x 27.10 H in Literature Design Musuem, Lisa Johansson-Pape, Helsinki, 1986; Ornamo, Helsinki, 1962 Bio Finnish designer Lisa Johansson-Pape enjoyed a long and varied career in lighting, furniture, textile, and ceramic design. She was one of Finland’s leading lighting designers in the 20th century and was instrumental in promoting Finnish design internationally. Born in 1907, Lisa Johansson-Pape studied at the Industrial Art Institute in Helsinki University of Art & Design (Now Aalto University of Art & Design), graduating in 1928. She worked as a furniture designer for Kylmäkoski and Stockmann and created carpets for the Friends of Finnish Handicraft, before turning her attention to lighting design. She collaborating with the Stockmann-owned lighting factory Orno from 1942, famously remarking, “it was quite by accident that I became a design light artist. By education, I am a furniture designer, but I had to make lamps during the war.” Notable designs include the Lisa (1947), Sipuli (1954), and Laura (1957) pendant lamps. The Sipuli, often referred to by the English translation Onion, resembles the form of the vegetable for which it was named. The angular design in opaline glass was awarded a gold medal at the Triennale di Milano in 1954, which was just one of several prizes Johansson-Pape received in her career; she was also awarded a silver medal at the 1951 Triennale...

Mid-Century Modern Brushed Chrome Arc Desk Lamp

Zuccheri Toni globe table lamp.

Absolutely gorgeous midcentury pottery table lamp by Fog & Mørup of Copenhagen for Aluminia of Denmark. This beautiful table lamp has such a classic midcentury design to the shape an...

A French cylindrical cerused oak table lamp. Includes coordinating harp and finial. Shade for display only. Lamp measures 32.5" H including h...

Set of 3 circa 1960's Italian capiz shades. Sold individually. Measurements: Height 5.5" Diameter 7.5".

A terrific Minimalist table lamp by Yki Nummi for Orno Finland, circa 1955. Taupe enamel paint over aluminum. This lamp has an adjustable height an...

A set of two Silhouette lamps in the form of a faux tortoiseshell. One red and the other blue with corresponding colored bases. Dimension for red 21.50 inches W x 27 inches H x 6 ...

Mid-Century Modern Ceramic Table Lamp by Thérèse Bataille, Dour Belgium

1960s Italian cube lamp in ceramic silver and gold - Ceramiche Zaccagnini.

Neck is 360 adjustable

A translucent alabaster lamp of the same model was featured in the July 1938 issue of Domus magazine, which was established and edited by Gio Ponti. They were made in the Volterra wo...

Impressive, sizable Venetian murano blown translucent glass table lamp with baluster form in periwinkle and pink stripes with gold flecks (ca. late 1...

Fantastic mid-century modern tripod table lamps designed by Josef Hurka. Featuring a beautiful 1950s design in the classic beige and black color scheme. Crafted by Napako in Czech Re...

Pair of brass table lamps by Hans-Agne Jakobsson in great original condition. Produced by Hans-Agne Jakobsson, Markaryd, 1960s. Signed. Measure: Height 50 cm.

Very rare French table lamp designed by Mathieu Matégot, executed by Atelier-Matégot. A beautiful lampshade in the shape of a diabolo, perforated metal which made Matégot famous. The...

The stem and base are comprised of alternating polished brass and black enameled brass bands. An elegant design with a slightly Space Age feel. Wired with a single upright socket. ...

Bellissima lampada Cubo di Carlo nason Mazzega “Le nuvole nel cielo “

Art Deco lamp with dancer Danseuse à la coupe by Max Le Verrier. Patinated art metal, stepped green marble base and glass. Signed and with foundry mark. France 1930 original. Illus...

Elegant brass table or desk lamp by Hans Bergström with an elongated shaft and adjustable shade. Rounded base, nice silhouette.

Very solid and rare brass piano lamp from the 1950s - 1960s. The lamp no longer has a manufacturer label. But it is either a lamp from the company JBS (Joseph Brumberg Sundern) or a ...

Introducing the exceptional industrial desk lamp designed by Christian Dell, the iconic Model 2768 Matador Bur produced by the esteemed Bauhaus in the 1930s. This lamp stands as a vi...

Very solid, heavy table lamp / piano lamp made of brass, probably from the 1950s in an Art Nouveau style. The lamp is made of brass with a heavy metal base. The umbrella and the arm ...

Very solid and rare brass piano lamp from the 1950s - 1960s. The lamp no longer has a manufacturer label. But it is either a lamp from the company JBS (Joseph Brumberg Sundern) or a ...

PAIR LARGE CLEAR CRYSTAL VAL SAINT LAMBERT TABLE LAMPS - BELGIUM 1950'S Pair large Val Saint Lambert table lamps. The crystal is gracefully twisted and the clear color give it time...

This lamp is a beautiful Marine style lamp, it is made of Brass and Wood. It was made in the 1960s in France, and is in good condition, its electrification is compatible with the Uni...