Pair 19th Century French Empire Ormolu Patinated Bronze Candelabra Lamps.

Pair of 19th century Victorian bronze and Ormolu figural candlesticks. Period Victorian deeply embossed bronze and ormolu candlesticks. This pair of the most beautiful and elegant English candleholders features an early impression of American Indians. Each holds a spear in the right hand and is dressed in robes with feather...

French Large 19th Century Patinated Bronze centerpiece Urn on Marble Base. Stunning French 19th century Napoleon III period bronze urn raised on a black marble base. The centerpiece urn has a molded rim on the top. Front and back are decorated with a central classical mask...

19th Century English Wedgwood Black Basalt Urn Table Lamp Stunning Wedgwood black porcelain urn of very fine quality. One of the highest pottery ...

19th Century Louis XV Style Bronze Two Light Table Lamp with Adjustable “Pare-feu“. Elegant late 19th century Louis XV style table lamp with adjustable screen. It is made with a high level of refinement in casting and chasing the bronze figure. The little horn blowing pan is seated on a granite base. It is framed by two gilded bronze candle...

Fine French Empire 19th Century Bronze Candelabras Mounted as Lamps, Pair A pair of fine French 19th century Empire bronze candelabras that have been electrified and converted to ta...

Tall 19th century French empire bronze ormolu lamp, circa 1860. Here we have a lamp of the finest quality, previously would have been a gas lamp but converted to electricity in the ...

An elegant and very high quality French 19th century Louis XIV st. patinated Bronze and Ormolu candelabra lamp. The lamp is raised by fine square mottled feet below the base with lov...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...