Pair of Five Light Candelabra Adapted as Lamps Adorned with Prisms, 19th Century

Pair of 19th century finely chased French doré bronze candelabras converted to lamps. The base diameter is 9 inches. The shades are included and are handmade of parchment paper. They...

Brass 19th Century Candelabra Mounted as a Table Lamp, Including a String Shade Offered for a sale is a heavy, solid brass candelabra, electrified and mounted as a table lamp. This ...

Pair of Very Fine 19th c. French Bronze and Coral Marble Candelabras Converted to Lamps. They have Cherub and Rose Carved Bronze Motif. The Shades are included and are Hand Made of P...

Pair of Late 19th c. French Bronze 2 Arm Candelabras Converted to Lamps with Child Figures.The Shades are included and are Hand Made of Parchment Paper. They are Hand Gilded and Deco...

Great pair of fine quality 19th century French bronze cassoullettes mounted as lamps and recently rewired. Original finials now used on the harps of the lamps. Could easily be return...

Grand 19th Century Carved Marble Urn, Mounted as a Lamp. This beautiful Urn is carved with Water Lily leaves around the body with the top opening li...

19th century, pair of French gilt bronze and marble candelabra The pair of three-light candelabra was made in the 19th century in France in the Louis XVI style. Each candelabra c...

An Exceptional Pair of Late 19th Century Napoleon III Gilt Bronze and Enamel Ten Light Candelabra Attributed to Maison Beurdeley The ten candle foliate designed branches with leaf drip pans, centered with an enamel vase and a gilt band with cherubs at play, topped with three bronze drapes and garlands of flowers. The triangle bases decorated with female masks and trailing floral motifs on plinth bases. After the 18th century model by Pierre Gouthière. This fine pair of candelabra are based on the model by Pierre Gouthière now conserved in the Petit-Trianon at Versailles. According to Pierre Verlet, the model corresponds to a large pair of candelabra with ten branches, drapery, foliage and fruit, richly carved and gilded in bronze, originally supplied by the marchand-mercier, Freres Darnault, for the Salon du Jeu de Mesdames at the Château de Bellevue. Pierre Gouthière (1732 – 1813) was the most celebrated bronze gilder in France during the eighteenth century, the title of ‘Gilder to the King’ being given to him by Louis XV. He perfected the most expensive type of gilding of this period, dorure au mat, which involved the use of lavish amounts of gold to create a rich, deep matte finish. As well as working for the King he created items for the Comte d’Artois, the Marquis de Marigny, and the duc d’Aumont. The collection of the duc d’Aumont was sold at auction in Paris in 1782 and many objects mounted by Gouthière were bought by Louis XVI and Marie Antoinette. His works, unsurpassed in creativity and execution, can now be found in the Wallace Collection and the Louvre. Beurdeley, Louis-Auguste and Emmanuel-Alfred (1808-1882 and 1847-1919). The firm exhibited and won awards at all of the major international exhibitions during the second half of the nineteenth century. The quality and skill employed in production was of exceptional quality; their ormolu mounts with mercurial gilding and hand chasing were often difficult to distinguish from late eighteenth-century examples, and were considered the finest in Paris. The firm was pioneered by Jean Beurdeley (1772-1853), later managed by his son Louis-Auguste-Alfred, and finally imparted to his son Alfred-Emmanuel-Louis in 1875. The firm was established at 32 and 34, rue Louis-Le-Grand, and also owned the pavillion de Hanovre, where it was based while Alfred-Emmanuel-Louis added two additional workshops at 20 and 24, rue Dautancourt by 1875. The Beurdeley workshops closed in 1896, although still partially active until 1898 and the stock was sold over a number of auctions conducted by the Galerie Georges Petit of Paris. Two auction catalogues of the collection were published in 1895 and sales were held between March 6-8 and May 27-28. Among Beurdeley’s most prestigious clients were Emperor Napoleon III and Empress Eugénie, the duc D’aumale, Richard Wallace, the Duc and Princess d’Hamilton, Tsarine Alexandra Féodorovna, The Rothschild and Vanderbilt dynasties and the Metropolitan Club...

Pair of 19th c. Italian Carved Wood Fragments converted to Lamps. The Shades are included and are Hand Made of Parchment Paper. They are Hand Gilded and Decorated. The lamps have be...

Three 19th Century Vases Mounted As Lamps. We will divide the pair from the single. Amazing color and excellent condition