1910s Table Lamps

Tiffany Studios Pomegranate Leaded Glass and Patinated Bronze Table Lamp. A beautiful Tiffany Studios ensemble with a rare and early patinated bronze base with original Bryant socket...

Tiffany Studios Empire Jewel Table Lamp Important and rare Tiffany Studios New York "Empire Jewel" Table Lamp, Only 2-3 known to exist and well documented in Alastair Duncans Tiffan...

Emile Galle A Rare Paysage Vosges table lamp with eagles France, c. 1910 Acid-etched cameo glass Dimensions: 23 Inches High x 11.25 diameter Signed in cameo to base and shade 'Gal...

Art Nouveau Brass table desk lamp with brass shade and wooden base. ca. 1920 Natural aged with small cracks in edge shade 2,5 meter black cotton flex with plug and switch in bulb h...

French Art Deco table lamp by Daum (Nancy) and CharlesRanc, France, circa 1915. Classy & genuine glass shade by Daum hung at its solid bronze eagle base by Charles Ranc. Height : 14....

Tiffany Studios New York "Vine Border" Shade and Library Base Table Lamp In perfect original condition which is extremely rare for a 115 yr old lamp. The glass is diachronic and lig...

Arts & Crafts period Heintz Art Metal Shop, Buffalo, NY (1906-1930), bronze boudoir table lamp with pierced floral metal shade. Bulbous base with floral overlay decoration, single so...

Tiffany Studios New York Greek Key table lamp New York, Circa 1910 Leaded glass, patinated and gilt bronze Dimensions: 21.75 Inches x 16 Inch di...

This beautiful Art Nouveau lamp is a very rare find. This lamp, which bears the name The Forest Fountain, is exceptional. This showpiece of Art Nouveau was masterfully crafted with t...

This exquisite Art Nouveau mushroom shaped lamp in the style of Galle in Nancy, France. a statement pieces in any room. The glass is multi-layered and decorated in pink, red, light ...

Jugendstil table lamp with fabric shade vienna around 1910 Brass polished and stove enameled The fabric shade is replaced ( new )

Tiffany Studios "Pomegranate" Table Lamp New York circa 1910 Leaded glass, patinated bronze Shade impressed "Tiffany Studios, New York, 1457-34" Base impressed "Tiffany Studios, New ...

Fantastic simple & elegant arts and crafts mission Oak desk table lamp. Beautiful Carmel Colored Slag Glass in a quarter sawn oak lamp frame. Perfectly proportioned and in excellent ...

Table lamp by Daum (Nancy), France, circa 1915. This elegant lamp features a beautiful glass shade crafted by Daum, suspended from a finely chiseled solid bronze base. The height is ...

Tiffany Studios Pomegranate Leaded Glass and Patinated Bronze Table Lamp. A beautiful Tiffany Studios ensemble with a rare and early patinated bronze base with original Bryant socket...

Tiffany Studios "Pomegranate" Table Lamp New York circa 1910 Leaded glass, patinated bronze Shade impressed "Tiffany Studios, New York, 1457-34" Base impressed "Tiffany Studios, New ...

Tiffany Studios Geometric and Bronze Table Lamp. Art Nouveau Circa 1910 Beautiful leaded glass table lamp by Tiffany Studios. The 18" diameter shade is comprised of a geometric patt...

Tiffany Studios New York Greek Key table lamp New York, Circa 1910 Leaded glass, patinated and gilt bronze Dimensions: 21.75 Inches x 16 Inch di...

Tiffany Studios Banded Dogwood Leaded Glass and Bronze Art Nouveau Table Lamp. The bronze base is rare and exquisite in this example and is a wonderful marriage to this perfect Bande...

Tiffany Studios Apple Blossom Leaded Glass and Bronze Table Lamp, The patinated bronze base with with Acorn design in wonderful condition...

Very rare figurine group “Festreigen” table lamp, designed by Karl Himmelstoss, 1913, executed by Rosenthal, 1916. White porcelain, three dancing graces in long robes on stepped, profiled and fluted round base, signed on the base (embossed) “K.Himmelstoss”, green color stamp under glaze “Rosenthal Bavaria...

Beautiful handmade table lamp made in Denmark between 1910-1920 at "Møller & Bøgely" workshop. The lamp base is made from earthenware and decorated using hand glazing and sgrafitto t...

Antique American bronze and leaded glass table lamp by Wilkinson, circa 1910. The three light lamp having a dome shaped shade with striated leaded glass green & ivory tiles and havin...

Tiffany Studios Empire Jewel Table Lamp Important and rare Tiffany Studios New York "Empire Jewel" Table Lamp, Only 2-3 known to exist and well documented in Alastair Duncans Tiffan...

Tiffany Studios Geometric and Bronze Table Lamp. Art Nouveau Circa 1910 Beautiful leaded glass table lamp by Tiffany Studios. The 18" diameter shade is comprised of a geometric patt...

Art Nouveau vintage table lamp or bedside lamp from burnished metal with an amber orange colored decor stone circa 1910 France. A wonderful table lamp or bedside lamp from burnished ...

Tiffany Studios Bronze And Favrile Glass Harp Table Lamp. Circa 1910, period Art Nouveau Art Deco Patinated bronze and Iridescent favrile glass Height: 13....

These antique green shaded banker's lamps are some of the most popular and desirable desk lamps. Several companies produced these lamps that were originally designed by H.D. McFaddi...

Tiffany Studios Jeweled Feather Table Lamp. New York, Circa 1910 Base signed TIFFANY STUDIOS NEW YORK 584, Height 22 Inches Shade signed TIFF...

Tiffany Studios Apple Blossom Leaded Glass and Bronze Table Lamp, The patinated bronze base with with Acorn design in wonderful condition...

Tiffany Studios Bronze and favrile Desk lamp Damascene iridescent glass with greens, blues, goals and silver. Fine reticulated and patinated bronze base. Original favrile pearl heat cap. Original socket and paddle switch. A rare and fabulous table lamp. New York c. 1910 patinated bronze, Favrile glass Height: 20 Inches (51 cm) Diameter: 7 Inches (18 cm) Impressed to base 'TIFFANY STUDIOS NEW YORK'. Etched to inner top aperture 'L.C.T. Favrile'. Provenance: Private Collection, New York Literature: Tiffany Lamps and Metalware, Alastair Duncan, pg. 90 illustrates base and shade AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Tiffany glass refers to the many and varied types of glass developed and produced from 1878 to 1933 at the Tiffany Studios in New York, by Louis Comfort Tiffany and a team of other designers, including Clara Driscoll, Agnes F. Northrop and Frederick Wilson. In 1865, Tiffany traveled to Europe, and in London he visited the Victoria and Albert Museum, whose extensive collection of Roman and Syrian glass made a deep impression on him. He admired the coloration of medieval glass and was convinced that the quality of contemporary glass could be improved upon. In his own words, the "Rich tones are due in part to the use of pot metal full of impurities, and in part to the uneven thickness of the glass, but still more because the glass maker of that day abstained from the use of paint". Tiffany was an interior designer, and in 1878 his interest turned toward the creation of stained glass, when he opened his own studio and glass foundry because he was unable to find the types of glass that he desired in interior decoration. His inventiveness both as a designer of windows and as a producer of the material with which to create them was to become renowned. Tiffany wanted the glass itself to transmit texture and rich colors and he developed a type of glass he called "Favrile". The glass was manufactured at the Tiffany factory...

Tiffany Studios Leaded Glass and Patinated Bronze Geometric Table Lamp, circa 1910. Art nouveau classic wit Art Deco design. Attractive orange peel texture with light gilding and red coloring bronze base crowned be a conical geometric leaded and mottled glass shade. Marks to shade: TIFFANY STUDIOS NEW YORK 1493 Marks to base: TIFFANY STUDIOS, NEW YORK, 532 Height: 26.5 Inches (68 cm) Diameter: 20.3 inches (51.7 cm) Condition: 2-3 hard to find tight heat cracks. Period correct sockets and paddles. Rewired. LITERATURE: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk, 2019, p. 172, fig. 695 (similar example of shade 1493) and fig. p. 120, fig. 462 (similar example of base 532). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Please also consider Avantiques eclectic Art...

Muller Frères, Lunéville, “Anémones” Lamp Mushroom lamp in multi-layered glass with acid-etched and wheel-carved decoration of red and mauve magnolias in ...

Tiffany Studios Leaded Glass and Patinated Bronze Geometric Table Lamp, circa 1910. Art nouveau classic wit Art Deco design. Attractive orange peel texture with light gilding and red coloring bronze base crowned be a conical geometric leaded and mottled glass shade. Marks to shade: TIFFANY STUDIOS NEW YORK 1493 Marks to base: TIFFANY STUDIOS, NEW YORK, 532 Height: 26.5 Inches (68 cm) Diameter: 20.3 inches (51.7 cm) Condition: 2-3 hard to find tight heat cracks. Period correct sockets and paddles. Rewired. LITERATURE: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk, 2019, p. 172, fig. 695 (similar example of shade 1493) and fig. p. 120, fig. 462 (similar example of base 532). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Please also consider Avantiques eclectic Art...

Tiffany Studios Bronze and favrile Desk lamp Damascene iridescent glass with greens, blues, goals and silver. Fine reticulated and patinated bronze base. Original favrile pearl heat cap. Original socket and paddle switch. A rare and fabulous table lamp. New York c. 1910 patinated bronze, Favrile glass Height: 20 Inches (51 cm) Diameter: 7 Inches (18 cm) Impressed to base 'TIFFANY STUDIOS NEW YORK'. Etched to inner top aperture 'L.C.T. Favrile'. Provenance: Private Collection, New York Literature: Tiffany Lamps and Metalware, Alastair Duncan, pg. 90 illustrates base and shade AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Tiffany glass refers to the many and varied types of glass developed and produced from 1878 to 1933 at the Tiffany Studios in New York, by Louis Comfort Tiffany and a team of other designers, including Clara Driscoll, Agnes F. Northrop and Frederick Wilson. In 1865, Tiffany traveled to Europe, and in London he visited the Victoria and Albert Museum, whose extensive collection of Roman and Syrian glass made a deep impression on him. He admired the coloration of medieval glass and was convinced that the quality of contemporary glass could be improved upon. In his own words, the "Rich tones are due in part to the use of pot metal full of impurities, and in part to the uneven thickness of the glass, but still more because the glass maker of that day abstained from the use of paint". Tiffany was an interior designer, and in 1878 his interest turned toward the creation of stained glass, when he opened his own studio and glass foundry because he was unable to find the types of glass that he desired in interior decoration. His inventiveness both as a designer of windows and as a producer of the material with which to create them was to become renowned. Tiffany wanted the glass itself to transmit texture and rich colors and he developed a type of glass he called "Favrile". The glass was manufactured at the Tiffany factory...

Tiffany Studios "Colonial" Table Lamp early 20th century leaded glass, patinated bronze shade impressed "Tiffany Studios, New York, 1901" base impressed "Tiffany Studios, New York, 2...

Franz Xavier Bergman (1861-1936) Namgreb Table lamp Austrian cold painted bronze lamp of Bedouin guard sitting with his rifle in fro...

A very nice clean example of a leaded glass table lamp from the early part of the 20th century. The lamp was made by Lamb Bros. The ring on the top of the shade was done by Lamb Bros. The heat cap and finial are also the work of Lamb Bros. It's an antique leaded glass made famous by Tiffany. The floral shade is colorful and has just a couple, (I see just 2) that are closed and secure, not uncommon on these lamps. The condition is actually amazing as it has no broken tiles. The base is very art nouveau and a particularly nice example. A really nice antique lamp...

This small table lamp is a small work of art. The beautiful Jugendstil lamp base is designed in the classic style of the heyday of this style era. The lampshade is a brass lamp dome ...

This antique French Art Deco alabaster table lamp, crafted in the 1910s, features a thick alabaster shade set upon a wrought-iron base. Old alabaster cannot be compared to new ones. ...

Jugendstil Table lamp with opal glass shade and glass sticks vienna around 1910s Brass polished and stove enameled Original opal glass shade The glass sticks are replaced ( new )

An old industrial battery torch light, probably a military lamp. In a great colour and now fully re-wired. The original battery lamp retains its origina...

Fantastic elegant period arts & crafts style lamp with eight bent slag glass panels over flat panels with bronze overlay. Bronze lamp base with a shade...

Beautiful green Slag Glass panels give off a charming and warm glow when lit. C1912 lamp is in excellent antique condition and has recently been refinished with a dark mission Oak stain. Wiring is sound. See my other mission lamps...

Early 20th Century American antique lighthouse sculptural table lamp in working condition. Circa 1910. Natural finish with oxidation to metal as exp...

French Art Deco table lamp by Charles Schneider (Epinay-sur-Seine, Paris), France, 1918-1920 This blown molded glass shade made by Charles Schneider comes on its gorgeous wrought-iro...

Tiffany Studios "Colonial" Table Lamp early 20th century leaded glass, patinated bronze shade impressed "Tiffany Studios, New York, 1901" base impressed "Tiffany Studios, New York, 2...

Tiffany Studios Banded Dogwood Leaded Glass and Bronze Art Nouveau Table Lamp. The bronze base is rare and exquisite in this example and is a wonderful marriage to this perfect Bande...

Tiffany Studios Jeweled Feather Table Lamp. New York, Circa 1910 Base signed TIFFANY STUDIOS NEW YORK 584, Height 22 Inches Shade signed TIFF...

Jugendstil Table lamp with original opaline glass shade vienna around 1910 Brass polished and stove enameled.

Cream colored flambe glazed stoneware and leaded glass lamp by Fulper. Lamp measures 22" high from base to the top of shade. Stamped manufacturer's mark to underside of shade 'Ful...

Art nouveau lamp circa 1910. Brass and copper base. Iridescent glass tulip signed Quezal. In perfect condition and electrified. Total height: 38.5 cm Base diameter: 15.5 cm Width: 30 cm Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas glass, under William S. Blake at the Union Glass Company. Maurice Kelly’s tenure with Quezal was also brief. Kelly worked at Quezal from January 1902 until July 1904, but by November 1904, he was making Favrile glass at Tiffany Furnaces, where he would happily remain until 1918. To this day, the belief still exists that there once existed a man named Quezal, who worked for Louis C. Tiffany, and it is after him that Quezal glass is named. In truth, however, the founders of the Quezal Art Glass and Decorating Company named the company and its products after one of the world’s most beautiful birds, the elusive and rare quetzal, which dwells in the treetops of the remote tropical forests of Central America. A rare company promotional brochure provides a vivid description of the quetzal: Of all the birds of the America’s, it is the most gorgeous. No more splendid sight is to be seen in all the world than a quezal, flying like a darting flame through the depths of a Central American forest. Its back is of a brilliant metallic green, so vivid it shines even in the twilight of the woods like a great emerald and its breast is a crimson so deep and bright that every motion of the wonderful creature is a flashing of rubies among the trees and giant creepers. It bears a true golden crown upon its head – a helmet of bright yellow and green, shaped just as the helmet of old Aztec kings were shaped. Its tail is composed of lacelike plumes, extending more than two and one-half feet beyond its body. The quezal was certainly an appropriate designation for the company’s resplendent glassware. One of the most prized characteristics of Quezal art glass is the shimmering and dazzling brilliance reflected in the iridescent surfaces on the interior as well as exterior of the glass. The radiant rainbow colors in metallic hues, including gold, purple, blue, green, and pink, to name only a few, were certainly inspired by the quetzal and its feathers. Not surprisingly, lustrous feathers, in shades of opal, gold, emerald, and blue, are among the most common decorative motifs encountered on Quezal glass. The enduring hallmark of Quezal art glass is its unique expression of the Art Nouveau style, based on organic shapes and naturalistic motifs coupled with technical perfection in the execution. Vases, compotes, drinking vessels, and shades for lighting fixtures were often fashioned to resemble flowers such as crocuses, tulips, calla lilies, casablanca lilies, and jack-in-the-pulpits. Variously colored inlaid threads of glass, pulled and twisted by hooks, simulate naturalistic floral and leaf patterns, lily pads, clover leafs, and vines. Opal, gold, and green colors prevail and the glass is generally opaque. Red is the rarest color of all. Compared with Tiffany’s Favrile glass, the crisp, vivid, and colorful decoration of Quezal art glass is distinctively precise, symmetrical, and restrained. Other Quezal wares recall shapes and styles favored in ancient Egypt, Persia, Greece, and Rome, as well as the Italian Renaissance and the Georgian period in England. This is especially true of classic-shaped vases and bowls of translucent amber glass, which have a single surface color such as iridescent gold or blue. Still, others were inspired by traditional Chinese and Japanese forms. The Gorham Manufacturing Company in Providence, Rhode Island, and the Alvin Silver Manufacturing Company in Sag Harbor, Long Island, purchased Quezal art glass, which they in turn embellished in their shops with silver overlay decoration in the fashionable Art Nouveau style and later resold. Gorham’s silver overlay designs mostly include stylized floral motifs. Alvin’s silver designs are wonderfully organic. One sumptuous design is of a group of sinuous iris blossoms with carefully articulated petals surrounded by attenuated meandering vines. Collectors should note that not all silver-deposit pieces are marked with a maker’s mark since the silversmith had to be quite careful not to damage the glass underneath. A rare 1907 retail catalog survives from Bailey, Banks, and Biddle Company, a luxury goods retailer in Philadelphia, which reveals original retail prices of Quezal art glass. A surprising revelation provided by this catalog is that Quezal art glass was nearly twice as expensive as comparable French imported glass made by such renowned firms as Gallé and Daum. Hock glasses, a stemmed glass used primarily for drinking German white wine, were sold by the dozen and retailed between $50 and $75. Fingerbowls were also sold by the dozen and retailed between $50 and $100. These high retail prices were nearly the same as those charged for Tiffany’s Favrile glass, and suggest Quezal art glass was also marketed towards the high-end or luxury market. Electricity was a brand new invention in the late 1800s and American glass manufacturers developed novel approaches for concealing the electric light bulb, which was rather harsh to the eye and perhaps unflattering to the domestic interior. Tiffany, Steuben, and Quezal responded to this need with the most extraordinary and beautiful art-glass shades, all of which were  hand-made and exquisitely fashioned. Many other companies also made art glass shades for table and floor lamps, electroliers, hallway fixtures, and wall sconces, but it was Quezal that excelled in this area and was the most prolific. Quezal art glass shades were available in an infinite variety of shapes, sizes, colors, and decorations. Some shades are formed and decorated as lilies while others are bell-shaped and have ribbed or textured decoration. Rims are usually plain but sometimes are notched or ruffled. Common motifs include feather or hooked feather, leaf and vine, applied flowers, drape, fishnet, King Tut, and spider webbing. The workmanship shown on most Quezal shades...

This stunning Handel Cherry Blossom leaded glass lamp is circa 1910. The 12" wide x 6" tall shade is decorated in pink flowers with multiple shades ...

Modelled as Amphitrite and Poseidon each mounted on a marble sea turtle.

While they are obviously not a pair, they were so close, we thought it best to list them as such. The bases are bronze and the shades are etched. The arms can be moved around the cen...

Art nouveau lamp circa 1910. Bronze and brown patinated brass base, heart model. Uraline tulip in opalescent glass. The lamp is fully electrified and in ...

Art Nouveau table lamp made in Austria in 1910s. Restored: cleaned, polished, rewired 1x40W, E25-E27 bulb US plug adapter included

Jugenstil table lamp Vienna around 1910s. Brass polished and stove enamelled. Opal glass shade. Glass sticks are replaced (new).

A Tiffany Studios patinated bronze table lamp marked "Tiffany Studios 606" with a beautiful green favrile oil spot shade. Its radiant presence illuminates both its surroundings and ...

Emile Galle A Rare Paysage Vosges table lamp with eagles France, c. 1910 Acid-etched cameo glass Dimensions: 23 Inches High x 11.25 diameter Signed in cameo to base and shade 'Gal...

Ministerial table lamp in black metal and fabric, antique, 1900s Ministerial table lamp, in black metal and with metal and fabric lampshade, with original Bakelite switch. Dating bac...

Tiffany Studios New York "Vine Border" Shade and Library Base Table Lamp In perfect original condition which is extremely rare for a 115 yr old lamp. The glass is diachronic and lig...

Franz Xavier Bergman (1861-1936) Namgreb Table lamp Austrian cold painted bronze lamp of Bedouin guard sitting with his rifle in fro...

Antique American bronze and leaded glass table lamp by Wilkinson, circa 1910. The three light lamp having a dome shaped shade with striated leaded glass green & ivory tiles and havin...

Rare jugendstil Table lamp vienna around 1910s Polished and stove enamelled Original opaline glass shade.

We are delighted to offer for sale this absolutely stunning and highly collectable, fully restored, antique circa 1910 Austrian Vienna, Franz Bergman Cold...

A large and exquisite pair of matching Japanese Cloisonné table lamps on ebonised bases, profusely decorated with polychrome enamelled mythical beasts inspired by dragons and birds t...

Vienna secession desk lamp by Josef Hoffmann in very nice original condition.

French Art Deco desk / table lamp by Charles Schneider (Epinay-sur-Seine, Paris) for LE VERRE FRANCAIS line, France, 1919. This blown molded glass shade made by Charles Schneider com...

Handel Bronze Table Lamp. Handel Bronze cast Table Lamp with rare signature stamped on the side of the lower base. This Handel mark is not seen often ind...

double art nouveau lamp, circa 1915 Wrought iron foot with floral decoration, stamped Olié. Glass paste tulips signed Schneider. Electrified and in perfect condition. Height: 55cm W...

French Art Deco table / piano lamp by Charles Schneider, Epinay-sur-Seine (Paris), 1910s, and François Carion (Uccle, Bruxelles, 1884- ). Mottled glass shade, powders are applied bet...

Antique pottery table lamp made by Michael Andersen & Son of Bornholm with penguins. 5 Standing penguins around the core of the lamp. A very recognizable Michael Andersen glaze t...