Table Lamp Design Max Ingrand for Fontana Arte 2278 Model, Italy, 1960

Wonderful 1461 model wall lamp, designed by max ingrand for Fontana Arte, in Italy, circa 1950. Made of brass with double transparent Murano glass with green reflections. It measu...

Wonderful pair of 1461 model wall lamps, designed by max ingrand for Fontana Arte, in Italy, circa 1950. Made of brass with double transparent Murano glass with green reflections. ...

very rare original chandelier produced by Fontana Arte, model 2233, designed by Max Ingrand in 1962 made on perforated nickel-plated brass structure with printed satin glass It meas...

raro lampadario Fontana Arte, modello 1954, disegno di Max Ingrand del 1961 realizzato in vetro di murano opaline incamiciato e chiuso in una gabbia traforata in metallo laccato n...

Max Ingrand for Fontana Arte table lamp composed of frosted glass shade mounted on brushed nickel base creating a lustrous glo...

This extremely elegant table lamp was designed by Max Ingrand in 1955, during the period when this French maestro was artistic director at Fontana Arte. Joints in chromed brass hold ...

Brass and glass 'Saucer' table lamp by Max Ingrand for Fontana Arte, with ball joint articulation and frosted glass.

Max Ingrand project, 1954, for Fontana Arte, Italy, white satin glass, small brass seal in the vase, metal base, white lacquered. Best known for its elegant and innovative vintage lighting pieces, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Giò Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti. The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard-Ginori ceramics workshop and the editor of the influential magazine Domus— at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere. The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art. Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass. Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels...