Very rare secession desk lamp Lady holding a shell atr. Gustav Gurschner

GUSTAV GURSCHNER (Austrian, 1873-1970), a sculptor, attended the School of Applied Arts in Vienna in 1888. Working under several artists, his time in Paris in 1897 proved to be most ...

Art Nouveau BALLOON GLASS TABLE LAMP, by Gustav Gurschner and Johann Loetz Witwe, c. 1904, the glass dome in a frosted yellow iridescent ground is crow...

Original Signed Gustav Gurschner Bronze Art Nouveau Figural with Art Glass Tiled Shade Sculpture. Large lamp. Lights up beautifully!

1915 Wiener Werkstaette by Dagobert Peche, silk shade Re Edition by Woka Lamps Vienna.

Jugendstil Secession style table lamp from brass and glass 1950s, Austria. A charming table lamp very similar to Jugendstil with a brass geometric frame and a glass ball shade in ivo...

Art Deco lamp lady holding a ball by Emile Carlier White metal with silver and golden patina on a black and white marble base. Crackle glass shade. France 1930. This model, as sculpt...

Artist/Designer; Manufacturer: Gustav Stickley (USA) Marking(s); notes: signed, marking(s) Materials: handwrought copper, willow, silk, other Dimensions (H, W, D): 19"h, 14"dia Addit...

A Pierre Giraudon resin suspension desk lamp comprising a white shell held within a rectangular piece of resin or plexi-glass as it is more comm...

Geometric table lamp designed by Fontana Arte. An extraordinary piece of Italian decorative arts, created in Milano by Fontana Arte, back in the 1960. Crafted with translucent cut glass and nickeled steel. The main body is composed by two rectangular beveled pieces of greenish glass carved with incused circles and frosted finishes. Fontana-Arte FontanaArte is an Italian company founded in Milan in 1932 by Luigi Fontana and Giò Ponti (1891-1979). The company is known for the processing of curved glass and for the production of lighting equipment, becoming over the years a prominent name for Italian design. Fontana-Arte marked the “history of light and furnishings” in Italy and worldwide. Born of the idea of an architect, the company has always kept strong ties with the design world, gradually involving leading Italian and international architects and lighting designers. With them, the company has created a true cultural project of architecture, lighting and furniture. This design culture, mainly involving fine materials (above all glass), has seen interaction between technology and aesthetic appeal as its main focus, generating a series of timeless objects, with splendid shapes, some of which have become design classics, exhibited in leading museums around the world. Giò Ponti invites Pietro Chiesa (1892 – 1942) to join him in the art direction. Chiesa is a distinguished glass master who enlists the craftsmen from his own workshop to join him to the company. Gio Ponti designed the 0024 pendant lamp and the Bilia table lamp in 1931. Pietro Chiesa‘s most famous lamp at that time is the Luminator, designed in 1933, in 1937 the 006. In 1954, Max Ingrand, a French glass master and decorator, renowned for his stunning stained-glass church windows, becomes the art director. He designed the Fontana table lamp. Gio Ponti becomes again art director in 1967 and he designs a new collection of lamps, the Pirellina and Pirellone table...

An incredible fine quality early 20th century Vienna secession bronze table lamp with a removable dome shade supported by four square uprights turning into legs with spade-form feet ...