Paint Furniture

A fine Chinese Export Famille Rose porcelain plate marked “Made in the Qianlong Reign,” dating to the reign of the Qianlong Emperor (1735–1796), Qing Dynasty. The plate is richly ha...

This Victorian cast iron revolving arm plant stand is a striking example of antique craftsmanship and enduring design, seamlessly blending functionality with ornate visual appeal. Fe...

Stylish Mid-Century Modern vanity / make up hallway mirror for wall mounting, 1950s. An exceptional and highly collectible piece by famed Austrian designer Emil Stejnar, this illumi...

A late 19th century large Italian reversed painted mirror with foliage motif on frame, gilt details. Measurements: Height: 53.5 Wide: 29.5" depth: 1.5"

A superb mid 18th-century London longcase clock, finished in green japanned lacquer with gilt scenes of figures, pagodas, and landscapes. The clock features a silvered brass dial wit...

Wonderful set of eight red chinoiserie decorated Georgian dining chairs. The set consists of two armchairs & six side chairs. Newly upholstered seat cushions. Each back splay is hand...

Pair Antique Japanese Cloisonné Enamel Vases Measures 5" in width, 5" in depth and 8" in height.  

Original oil on canvas painting of The Flight into Egypt with Mary and Christ child. Spanish School, Seville, 17th Century. Relined canvas. Age related craquelure throughout. Painti...

An exquisite set of six antique French dining chairs in the Louis XVI style, sourced from Provence, France. Each chair features a hand-molded frame with an elegant oval-shaped medall...

A French Nobleman Portrait.

Wall hanging credenza designed by Florence Knoll and produced from 1947 to 1973, this is a 1960s piece. Walnut top, sides and doors with black leather pulls. The interior is a lacque...

1869 English oil painting men on horse back preparing for the fox hund Painted on wood panel Signed Dave

Brilliantly capturing the intensity and artistry of the sculptor at work, this large and important painting by Oscar Matthiesen depicts his subject with wild, unkempt hair and a lean...

Spectacular long Gilt double bench with a new cushion topping it in black cotton velvet. Curly twist ends give a special flair as does it's metal cross weave metal seat revealed when...

This vintage round mirror is framed in a sculptural rope-twist design, crafted from lightweight foam composite with a painted finish that highlights its texture and form. At the base...

Hans-Agne Jakobsson 'Tratten' dark brown patinated outdoor sconce. An exclusive made for U.S. and UL listed authorized re-edition of the class...

A large round vintage ceramic and pewter chinoiserie bowl. This large ceramic bowl is created from crisp white ceramic. It has blue Chinese calligraphy at the center arranged in a co...

A beautiful tole water heater in a lovely color.

A Captivating Vision: "Clown Avec Un Oiseau" by Charles Levier. This striking oil on canvas painting, titled "Clown Avec Un Oiseau" (Clown with a Bird) in French, is a captivating...

Crafted around 1940, the Rare 20th Century Zuber Four Panel Wallpaper Paravent is a masterpiece of artistic and decorative ingenuity. Each panel is ...

Fabulous hand painted and handcrafted Adirondack carved menu board. Fantastic classic example of an early 20th century piece of an woodsy menu board from an upstate New York restaura...

Italian Surrealist oil painting on canvas after Modigliani. This interesting framed oil painting on canvas with a glass front is of an elongated mal...

ANTIQUE ORIGINAL FRAMED BELGIAN WATERCOLOUR PAINTING Depicting a view of Bruges, looking down the Groenerei Canal over the steep rooftops towards the dominating medieval Belfry Tower. Painted skilfully capturing light and shade extremely well and using the negative space in the paper to great effect. Unsigned but in the manner of Lucien Frank...

Antique 18th century French Louis XVI / Neoclassical painted boudoir hand fan. White sticks pierced with foliate / floral designs as well as trumpets and sheets of music; gilded acce...

Futuristic sideboard from Roche Bobois Paris, designed by Sacha Lakic. Model Speed ​​Up is made in high-gloss gray with organic curves and sliding doors, placed on a round base in bl...

Charming antique floor lamp, constructed of solid turned wood, with a hand painted Chinoiserie, Japonisme style, made in the US, circa 1900/30's. This example is in overall good, or...

Manner Of Luigi Maria Galea (1847-1917) circa 1900 The Grand Harbour, Valetta, early morning; and The Grand Harbour, Valetta, at dusk signed illeg...

This four-panel folding screen is a vivid celebration of botanical artistry rendered in delicate polychrome paint over a finely crackled ground. Each of the four slender panels stand...

A miniature hunt scene painting on board, 19th century. sight: 5 ½ by 4 inches frame: 8 by 6 ½ inches

A Swedish Gustavian cabinet from the 19th century or earlier with its original vibrant paint, reeded doors, and an open shelf. The top portion is removable and features a sharply mol...

“40 Acres and a Mule” Satirical Folk Art Painting, American School, Late 19th Century Oil on Canvas, laid to stiff board. Measures: 22.875" w x 19.125" h A compelling and historic...

A petite earthenware ceramic bowl. This small vessel will be a great addition to a coffee table used as a vase, or a side table as a trinket dish. We also love the idea of using it as a salt well...

A 20th century American Folk Art hand-carved and painted wood stop sign mounted on a custom steel stand.

Jan Nosek (American, 1876-1966) Seated nude woman in an interior setting by artist and illustrator Jan Nosek. Oil on canvas, mid 20th century Signed lower right: J. Nosek sight: 1...

A charming impressionist landscape painting capturing a sunlit scene with lush green trees, dappled light, and a winding path. The artist’s loose, expressive brushwork and vibrant pa...

Old production Alvar Aalto Sun-series garden/side table, from mid-20th century and in great patinated condition. The table is made of painted birch, with a yellow laminate panel in t...

Stunning pair of Regency hall chairs from England, circa 1800. Dramatic in color alone, the solid mahogany planks lend themselves well to carved, scrolling details in the shield-back...

Rustic swedish kitchen cupboard circa 1850. Traditional pine double door cupboard which opens to 4 shelves which have been painted white.  There is also a loose fitting drawer. Ide...

A charming Italian Sunburst Wall Mirror from the 1960s, measuring 18.5" (47cm). This Mid-Century Modern wood mirror features gold leaf paint on a hand carved frame with rays that ext...

A magnificent and impressive sized vintage Italian hand painted lidded Fiori urn form vase. Exquisitely polychrome decorated floral, scrollwork motif, rich color, shaped top surmounted with large finial, hexagonal base, signature, elegantly aged patina over the whole. Artist signed: "M Dalla Costa...

Three Seated Dalmatians in Neoclassical Interior, Anderson School / Workshop, Unframed, 20th Century This monumental painting, titled Three Seated Dalmatians in Neoclassical Interi...

A set of four circa 1825 Chinese Export polychrome reverse glass paintings comprised of figural court views and battle scenes in original 'Chinese Chippendale' parcel-gilt aubergine lacquer frames and reverse backboards. A remarkable and exceptionally rare set of good size and condition. Provenance: Legendary fine English antiques...

A petite French Louis XVI style demilune console from the 1800’s. This impressive little console has its original hand cut marble top shaped to fit its base. The painted wood base is...

Large abstract oil on canvas by Lee Reynolds Burr for Vanguard Studios. Heavy impasto abstract canvas with fire engine reds, black, white and yellow....

Pair of curved garden ,patio or pool benches by Salterini. Lovely wrought iron benches with metal mesh tops and rounded legs .Circa 1960s. All disc feet attached and in place . Both...

Early 20th century hand painted black lacquered wood two piece chinoiserie display cabinet. The cabinet features a removable trunk top with diffe...

Antique Mayer & Sherratt (Trade Name Melba China) set of six cake/salad plates in the Imari pattern. Mayer & Sherratt manufactured china at the Clifton works in Stafford street, Long...

Dating to circa 1850, this statuesque French console with breche violette marble top was hand-carved in the style of Louis XV. The richly carved base, which has been painted cream wi...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

Tolix Authentic French Made Chairs in Lemon Yellow Powder-Coated Steel Set of 6. We currently have about 375-400 Authentic Tolix Steel Stacking Chairs in inventory along with another...

Studio of Miguel Canals (Spanish, 1925-1995) Bowl of Cherries, Birds and Flowers Oil on Canvas Painting in a Gilt-wood Frame. Extremely fine qu...

A pair of timeless ceramic vintage blue and white floral vases. This set comes as a pair and will elevate any space. A classic expression of Asian artistry and sophisticated floral d...

Iconic vintage Bauhaus black painted bentwood & cane Josef Hoffman Prague 811 armchairs imported by Stendig for Thonet, a set of 4. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear even if it has been refinished or restored. Specifically, there have been a few small repairs in the caning of all chairs and one chair seat has been replaced completely. It has been replaced with sheet cane and not individually woven. Please see photos, zoom in for details, and see long description as they are part of the condition report. We attempt to portray any imperfections. Circa, Early to Mid-20th Century. Much like a fine wine or the Mona Lisa, some things just get better with age… That’s just a fact! Including these iconic vintage black painted bentwood & cane Josef Hoffman Prague 811 armchairs by Stendig for Thonet! Talk about the ability to withstand the hands of time!! This Josef Hoffman 811 chair was originally designed in 1925 but remains a current and fabulous design that is highly sought after today. This set of 4 is comprised of beautiful black painted bentwood frames bearing slender rounded arms, slightly flared legs, and marvelous natural cane seats AND backs!! SPECTACULAR!!! Can’t you just SEE these beauties surrounding your kitchen table, breakfast nook, game table, or simply used as extra seating in the family room? We certainly can! Just the right touch of Bauhaus magnificence to any room and they’re sure to complement your home with their classic, historical excellence, whatever your style whether its Bauhaus, Art Deco, Mid-Century Modern, or Modern!! Josef Hoffman was one of Austria's most important architects and designers and was central to the development of art and design in Vienna. He grew up with three sisters and was nicknamed Pepo. His father was the town mayor and a successful businessman. He was a founding member of the Vienna Secession, a radical anti-historicist movement, and together with Koloman Moser created the Wiener Werkstatte cooperative workshop. A highly individualistic architect and designer, Hoffmann's work combined the simplicity of craft production with a refined aesthetic ornament. Between 1901 and 1905, he designed four villas in Vienna and a sanatorium in Brussels that was called “Stoclet House”, for which he developed a “cubistic” language of form, with an emphasis on straight, unadorned lines. In 1905, he established the Kunstschau with painter Gustav Klimt and, two years later, founded the Deutscher Werkbund. Hoffmann worked well into his 80s, continuing to use the geometric motifs that influenced the art deco style of the 1920s. In 1928 his work appeared in the Art in Industry exhibition held at Macy’s in New York City, where it exerted a strong influence on American designer Donald Deskey. Hoffmann is one of the seminal figures in the modern decorative arts movement of the first half of the 20th century. Stendig was totally the brainchild and passion of Charles W. Stendig. You cannot write or talk about Stendig without explaining Charles. He was a pioneer of import goods in the mid-century. After serving in WWII as a paratrooper, he studied business with emphasis on international trade at NYU and City College of New York. Afterward first working for Raymor, another pioneering distribution company, for about two years, departing to start his own business: Stendig. He opened his first showroom in 1956 in midtown Manhattan. He is credited for sparking America’s interest in furniture from Finland, Switzerland, Italy, and Czechoslovakia. He imported from the likes of Thonet, Asko, and De Sede; and from iconic designers including Le Corbusier, Josef Hoffmann, Eero Aarnio, Tapio Wirkkala, Marcel Breuer, Jonathan De Pas, Donato D’Urbino, Paolo Lomazzi, Carlo Mollino, Carlo Scarpa, and Pier Giacomo Castiglioni to name just a few. By the late 1960’s, Stendig had showrooms in Chicago, Los Angeles and San Francisco with a large headquarters in NYC. They were exciting and good times but short lived. The business was a challenge and when an offer was made by Burlington Industries to purchase, Charles agreed. He stayed on till 1976 to oversee and then retired. I have searched the internet to no avail to find out if a Stendig division is still in operation. But I can only find the Stendig Calendar, the only calendar in MoMA’s collection, which was designed for Stendig by Mossimo Vignelli, still offered. But I am having a hard time deciding who is creating and offering it. I do know Burlington Industries was bankrupt by 2001, purchased in 2003, merged with Cone Mills in 2004 and subsequently into ITG or International Textile Group. But the Stendig name reins as an icon of high style mid-century offerings. Thonet was founded by Michael Thonet. Michael was born in 1796 and was apprenticed by his father to a cabinetmaker. Shortly after he married, Michael opened his one-man cabinetmaking shop creating furniture and cabinetry in the traditional manner by carving the needed parts and then joining them together. In 1830 he began experimenting with bending wood into curved shapes and thus began a successful furniture company that has remained continually in operation for nearly 200 years. Thonet’s early work was very Biedermeier in style and not made for the common man. Gradually his designs became more Art Nouveau. In 1951 his chairs for the Crystal Palace at the London World’s Fair won a prize medal and by the late 1950s he began to make his first “consumer” chair. In 1875, a year before Michael’s death, Thonet’s five factories made 620,000 chairs. Then in 1876 after his death the company became Gebruder Thonet. But all was not roses. In 1869 the Thonet patents lapsed and by 1893 there were 52 bentwood companies in Europe. However, Thonet persevered. They branched out. They merged. They added designs by Le Corbusier and Breuer and alternative materials such as tubular chrome in place of bentwood to their offerings. Business boomed and waned through the years and there was even a Thonet revival, so to speak, beginning in the 1940s on into the mid-20th century. Till today, in the 21st century, Thonet is still a furniture company to be reckoned with almost 200 years later. We are in love with this iconic set of 4 Prague 811 chairs...

Italian carved wood painted trestle dining table with leaves. The table has a vintage, weathered look. It is made of wood with a large rectangular top. The table has a trestle-sty...

Charming vintage Louis XV style small side table in a lovely pale blue and white painted finish. A small pull out on two sides. Perfect little drinks table.

A gorgeous antique Chinoiserie Jacobean style bookcase, dining cabinet, or bar cabinet In the manner of Baker Furniture USA, Circa 1920s Red lacquered carved walnut, with hand pai...

Set of four selenite logs or ruler selenite with a white fireplace grate. Selenite logs are single, prismatic selenite crystals from Morocco that were formed in extensive beds by th...

Diminutive jelly cupboard with hinged door opening to reveal a fixed shelf, which separates the interior into two sections of storage (ca. mid-late 19th Century, New England, USA). M...

About An original ventriloquist dummy. Painted composite head with movable mouth. Hole in the back for your hand to manipulate the mouth and rotate the head. Fabric clothes, woode...

Pair of Hans-Agne Jakobsson 'Tratten' verdigris patinated outdoor sconces. An exclusive made for U.S. and UL listed authorized re-edition of t...