Paint Furniture

American Federal era chest of drawers in its original trompe l’oeil mustard painted finish, ca. 1820.

Distinctive pair of mid 20th century design armchairs, model CM 194. This pair of chairs are early works designed by the visionary designer Pierre Paulin for Th...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

Our French Oil Painting is from the 1700's depicts the Biblical Story of Rebekah and Abraham's Servant, Rebekah is seen offering water to the servant and his camels as a true test of...

Attributed: The Misses Pattens’ School (Hartford, Connecticut). Circa Late 18th Century. Watercolor on Silk housed in original giltwood frame. Measures: 23.125" w x 19.25" h. A ra...

Louis XVI Style painted and silver leafed marble top console table, late 20th century. With a pink marble top with molded front and side edges, a frieze with a central medallion and ...

An exquisite circa 1790 equestrian oil on canvas of a red-coated and bewigged gentleman fox hunter with outstretched arm and hand holding cap, 'riding to hounds' on a galloping bay h...

Hans-Agne Jakobsson C627/110 'Rulle' Outdoor Sconce in Painted Bronze An exclusive made for U.S. and UL listed authorized re-edition of the classic Swedish design executed in bronze...

Vintage Mid Century Modern Fiery Orange Abstract Sunset Sailboats Nautical Oil Painting Framed by Chinese-Canadian artist W. Kwan. A bold, fiery background of reds, oranges,, and ye...

Antique Mayer & Sherratt (Trade Name Melba China) set of six cake/salad plates in the Imari pattern. Mayer & Sherratt manufactured china at the Clifton works in Stafford street, Long...

Magnificent Drexel Heritage ET Cetera collection chinoiserie black & gold painted & burl coffee table with beveled glass insert to...

ANTIQUE SIDE TABLE A decorative and rustic piece constructed of pine with square tapered legs united by a box stretcher with a frieze drawer and a shelf underneath the two-plank top...

Adirondack folk art iron with replica of the famous painting, "The Life of a Hunter. "A Tight Fix". Arthur Fitzwilliam Tait (1819-1905. This piece is signed by artist.

An exquisite circa 1820 Regency period portrait in the manner of Scottish royal portraitist Sir Henry Raeburn (4 March 1756 – 8 July 1823) of a...

Antique English Sideboard/Buffet/Dresser, c. 1830s A hugely decorative dresser with a shaped back in its original crusty paint which has become thick in texture to great effect. Co...

Rustic 8.25' long work table with galvanized zinc top, three large drawers and lower shelf made of slats. The gray painted finish has been distressed through use, revealing the pine below and adding to the true vintage character of this long table. Restored, strong and stable this table is ready to be used and enjoyed, possibly as a free-standing kitchen island or as a large potting table...

A French petite mirror is the Louis XVI style. The painted gilt carved frame has a pierced crest depicting a military helmet, sword, shield, quivers and ax. The original mirror plate...

An elegant set of six French dining chairs in the Louis XVI style, sourced from Provence, France. Each chair features a hand-molded frame with a refined oval medallion back, finished...

1677 Hand painted carnival sign world's tallest man and Tom tump In a pediment frame

Evocative of Alberto Giacometti’s figurative sculptures, the Man and Woman pieces come as an odd pair. Constructed in cast composite (jesmonite) and handpainted, the texture of these...

Late 19th Century chest of drawers painted in Gustavian blue. This classic Gustavian style commode is a very versatile piece that works well in a foyer, living room or bedroom.

Italian School, 18th century. A masterful example of 18th-century Italian School artistry, this Old Master landscape painting captures the sublime beauty of an idealized European co...

18th century Swedish chest with a bold serpentine front and black painted finish, showing soft wear along the edges. Carved cabriole legs with paw feet and scrollwork apron add Baroq...

This 12-drawer pine apothecary was likely used as a shop counter or in a workshop through the late 1800's into the early 1900's. The layers of original paint reveal touches of white,...

More information coming soon… Dating to the 1700s, this pair of vibrant albarelli jars have two distinct portraits inset within ovals. The blue ground Italian jars have also been h...

It is the incredible aged patina of the pine that draws one to this traditional Swedish corner cupboard. The interior is painted a soft green, creating a contrast to whatever you cho...

A wonderful, unique, relatively large, very engaging original indigenous Australian Aboriginal dreaming painting by Northern Territory Yolngu artist David Malangi (1927-1999. He is ...

Pair of 19th century carved painted armchairs standing on four cabriole legs with rams head feet. Newly upholstered in a washed Belgium linen with nailhead trim detail. Loose cushion...

A beautiful oil on canvas painting of a street scene in Paris, France. This painting perfectly depicts life in the "City of Lights" with its restaurants, busy streets, cafes and wond...

A superb pair of large and elegant Chinese 'Nanjing' porcelain baluster vases, each intricately decorated with an encircling battle scene of warriors on foot and on horseback on its ...

A beautiful Austrian early 20th century, carved wood bird, mounted on a stand for hanging. The tradition of these in Austria called "Viechtauer" birds goes back to the early 19th cen...

A four-doored sideboard in hand-patinated brass. Each door operates on push-to-open, soft-close hinges. Handcrafted in the North to order, this sideboard can be commissioned in besp...

This is a rare vintage equipale chair from Mexico, dating to the 1930s. Entirely handcrafted using traditional techniques, it features a pigskin leather seat and backrest stretched o...

An incredibly beautiful and rare Hollywood Regency ceramic tureen by French artist Jean Roger. This piece is created by hand and features delicate bright green cabbage or lettuce leaves that are applied around the body by hand. The lid features the same leaves arranged in a circular pattern with a scored design. Both the underside of the base and the underside of the lid are signed by the artist with "Jean Roger Paris...

Swedish country 10' long pine display cabinet or bookcase in two sections. Two large sliding upper glass doors over four paneled sliding lower cabinet doors. Pine wood newer professi...

Beautifully crafted Swedish pine cabinet from the early 1800's with unique upper enclosed section holding 18 drawers and 1 small interior cabinet. The newer professionally applied bl...

Inspired by Brutalism, an aesthetic movement and architectural style known for its sculptural, angular forms, the Karo nightstand’s front panel consist...

Mid 19th Century British porcelain dinnerware service with hand painted gilt foliate borders with bouquets of wild flowers against a whit...

An aesthetic of honesty permeates Yet Design’s furniture, showcasing the power and beauty of simple geometric shapes. Their timeless designs combine sculptural forms, the material’s ...

An aesthetic of honesty permeates Yet Design’s furniture, showcasing the power and beauty of simple geometric shapes. Their timeless designs combine sculptural forms, the material’s ...

Large Balinese art painting in oil on fabric with flowers and birds. Frame in green lacquered wood. Signed by the author: J.Wikarma'90. Very good/excellent vintage condition.  

This brilliant Cedar Trunk chest is made of cedar wood, pine cedar, and is in good vintage condition. This exquisite cedar chest has great Traditional style with a classic silhouette...

Small 19th century original painted sarcophagus box circa 1870. Beautiful decorative box with original paint.   Sarcophagus shaped lidded box in original paint with traces of origin...

A Swedish 19th century round tilt top table with a faux bois finish. This versatile little table is perfect for a small dining experience or used as a side table. Impressive burl fau...

A rare antique Spanish Colonial life size carved Santo figure of St. Paul the Evangelist, Mexico, circa 1750. A wonderful carved colonial statue in the style of the Castilian School,...

Oil on canvas painting in the style of Mark Rothko depicting a color field in mostly warm tones. Unsigned. Mounted in a gilt wooden frame. Excellent condition.

This French 19th century trumeau mirror combines the architectural with the artistic, fusing an oil on canvas work in the top panel above the rectangular mirror plate below. Set with...

A beautiful Austrian 20th century, carved wood bird, mounted on a stand for hanging. The tradition of these in Austria called "Viechtauer" birds goes back to the early 19th century w...

Authentic roll top general store countertop display cabinet for Jacquot's Genuine French blacking polish or dye, c. 1900. It features a tam...

Tolix Bar Height Stools Hand-Made in France and have been sitting in a warehouse for over 10-years. Set of 6 Tolix Bar Height Stools, although we also have a few counter height Tolix...

Vintage Mongolian / Chinese sideboard cabinet or console. Made of Elm featuring rectangular form with scalloped accents and four drawers, two cabinets and a painted and lacquered ext...

Great grouping of gold gilt mirrors and frames from Italy. Can be used in a grouping as part of a gallery wall or certainly stand alone. Individual measurements: Pair of mirrors ea...

Pair of hand painted Maitland Smith wall panels. Features a crackled landscape with monkeys holding peaches in a tropical setting amongst birds. Each...

More information coming soon… After the original Alfred Jacquemart hunting dogs from the 1800s, this pair of French cast iron sculptures dates to circa 1900. Both dogs are depicted...

Found in Germany at an estate sale, this hand carved and hand painted duck decoy is perfect for the collector. Well used by a previous hunter the paint ha...

Tolix Authentic French Made Chairs in Lemon Yellow Powder-Coated Steel Set of 6. We currently have about 375-400 Authentic Tolix Steel Stacking Chairs in inventory along with another...

This pair of French Louis XVI-Style bergeres are in wonderful condition. The frames are 19th century, hand carved with a twisted ribbon border, acanthus leaf arms, and painted in its...

An original oil on canvas by Don Lemon (b.1913-2015). The painting depicts the Cutty Sark, a British clipper ship known for its speed and design, sailing on choppy seas. The Cutty Sa...

1970s Ibex French Black Pedestal Dining Table Base Ram Ibex Head Dining Table Base Ebonized Mahogany Wood Sculptural table base for dining or o...

A fine original seascape painting in its original hand carved gilt wood frame. This large work of art is painted on canvas and has recently been cleaned to display its delightful det...