Stoneware Furniture

Jonne Stout (1993) studied at the School of the Arts in Utrecht (HKU) and graduated in 2019. Ceramics is a main material in her work, she searches for specific characteristics in thi...

Tall stoneware vase by Berndt Friberg in an elegant, drawn out bulbous shape. Warm brown hare’s fur glaze blends into beige tones. Signed "Friberg,...

A set of four stoneware vases with amazing 'leopard' glaze. Made by Yngve Blixt, in his studio in Höganäs, Sweden, 1974-1975. Excellent condition. Incised Yngve Blixt, Höganäs. Yn...

Circa 1970, We offer this beautiful Mid Century Mexican Modern Ceramic Stoneware Ashtray, great vintage conditions and beautiful colors.

Bing & Grøndahl Mexico dinner service. Lidded bowl, jug and bowl in glazed stoneware. Danish design, 1970s / 80s. The lidded bowl measures: 23.5 x 14 c...

Article: Ceramic objects, set of 2 Designer and producer: Rudi Stahl, Germany Information: Rudi Stahl (1918 - 1987) / Höhr-Grenzhausen Decade: 1970s This original vintage studio object set was designed by Rudi Stahl and produced in his own Studio in the 1970s in Germany. It is made of pottery and has a very unique brown tone etc. coloration. The bottom is marked with typical Stahl Producer signature. A very collectible and very rare item of the Stahl Collection. The object has a very sculptural form and in its size of 12 and 21cm in height, it is very impressive. Straightforward and minimalistic design of the 1970s design era. This item is a wonderful addition to every modern home. Dimensions: left Height 21cm Diameter 25,5cm right Height 12,5cm Diameter 16cm Condition: This item is in a very good vintage condition with patina. VITA Rudi Stahl: Apprenticeship in pottery with Wim Mühlendyck (1936 journeyman's examination there), 1937 to 1939 studies at the State College for Ceramics in Höhr-Grenzhausen; from 1940 own workshop there; 1942 master craftsman examination; later he was chief master of the pottery guild of Rhineland-Palatinate. He received numerous awards, in 1975 Rudi Stahl (together with Wim Mühlendyck) was awarded the Federal Cross of Merit on ribbon. Collaboration with, among others, Theodor Bogler.

Gunnar Nylund, a model ‘AKT’ stoneware vase, Rörstrand, 1950’s-60’s. Stoneware, speckled glaze in brown and blue. Signed R Sweden GN AKT. Height 17,3″. Minor wear. Marks. Minor sta...

Famous annamese cream glazed ceramic ewer covered with a cream glaze. Traces of excavation are clearly visible in the glaze. Dates : Presumably Ly Dynasty (11-13th century) Region ...

Jørgen Mogensen for Royal Copenhagen, stoneware dish with motif of beetles. Model 21871. In perfect condition. Marked. First factory quality. Dimensions: L 21.5 x D 15.5 x H 3.5...

Antique Stoneware Large Green-Glazed Mataban Jar This large antique Chinese urn/jar has six small handles and a shiny green surface. Its sh...

A beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1969. Great condition. Incised signa...

Large ceramic vide-poche or bowl, 13" diameter. Very rare in this dimension. It comes in olive green tones with an impressive blue flame in the center. The blue effect is replicated onto the upper edge. On the outside shows an impressed geometrical pattern. It comes with a thick glaze. Scandinavian Mid-Century bowl, produced by Palshus (Denmark) in the 1960s, founded by Per and his wife Annelise Linnemann-Schmidt. The couple created and produced chamotte (danish clay) objects, often with impressed decorations (tableware, vases, and lamps). Colors were characteristic Scandinavian earthy tones: blues, browns, greens and beige. Many other talented ceramic artists also worked for Palshus including Jens H. Quistgaard and Esben Klint. The plate is signed under the base : Palshus and APLS for Annelise Per Linnemann-Schmidt, model 114...

A remarkable pair of black basalt table lamps by Josiah Wedgwood, massive in size and very rare, hallmarked. Professionally cleaned and rewired with ...

Article: Ceramic stoneware object Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925 †2005 Decade: 1970s This ori...

A beautiful stoneware vase with handle and amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Great condition, some small glaze spots. Incised signature "G.N....

A stoneware vase by Gunnar Nylund for Rostrand, Circa 1950th. Signed R GN. H 9″.

English Stoneware Pottery Redware Stoneware Engine Turned Coffee Pot, Staffordshire, Circa 1765 A Staffordshire redware stoneware coffee pot and cover with an engine-turned body and...

A wonderful Scandinavian Modern lamp base made by Dagny and Finn Hald at their own ceramic workshop in Soon, Norway in the 1950s. The lamp is hand decorated with incised abstract mot...

A unique stoneware bowl in Sung earthenware toned glaze by Axel Salto for Royal Copenhagen. Each piece is hand-crated and signed by the maker. Signed on the base. Salto 1933.

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Exquisite glaze. Excellent condition. Impressed 'Rörstrand...

Article: Ceramic stoneware object Designer and producer: Horst Kerstan, Kandern in Germany Information: Horst Kerstan (born March 29, 1941 in Frankfurt, † March 21, 2005 in Kandern) was a German ceramist, craftsman and internationally recognized artist. Founder of Group 83. Decade: 1980s This original vintage Studio Stoneware Object was designed by Horst Kerstan and produced in his own Studio in the 1980s in Kandern in Germany. It is made of solid stoneware pottery and has a very unique brown beige coloration and structure. the bottom is marked with typical Kerstan Producer signature K and signed with Keratin. a very collectible and very rare item of the Kerstan Collection. the object has a very sculptural form and in its size of 25cm in length, 14,5cm in height and 16cm in depth, it is very impressive. straighforward and minimalistic design of the 1980s design era. This item is a wonderful addition to every modern home. Dimensions: Height 14,5cm Length 25cm Depth 16cm. Condition: This item is in a very good vintage condition with patina. VITA Horst Kerstan: Horst Kerstan grew up in Frankfurt am Main, where he became acquainted with the manufacture of ceramic products through his father Walter Kerstan, who headed the "Ceramic Colors" department of Farbwerke Hoechst AG. After a porcelain painter apprenticeship, he worked from 1956 to 1957 as a porcelain painter in the porcelain manufactory of Hoechst AG, then from 1957 to 1959 in the ceramics department of the Werkkunstschule Offenbach (today: Hochschule für Gestaltung Offenbach am Main) with Lore Kramer-Koehn, the wife of Frankfurt architect Ferdinand Kramer, the pottery to learn and incidentally at the College of Fine Arts, Frankfurt, the drawing. After Kerstan met the ceramist and painter Richard Bampi...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Le Flan Tabouret by Oikos Estudio Handmade Dimensions: D 35 x W 25 x H 30 cm (Dimensions may vary). Materials: High-fired stoneware, wild pigments, glaze. Available in yellow, dark ...

Eli Keller (b. 1942), Sweden. Unique bowl in glazed stoneware. Japanese style. 21st Century. Measures: 18.5 x 8.5 cm. In excellent condition. Signed.

A beautiful stoneware art deco / Swedish grace vase with amazing glaze. Designed by Gunnar Nylund for Rörstrand, Sweden, 1930s. Great condition. I...

Set of 2 beautiful 'Våga' bowls. Stoneware with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. 'Swedish Modern'. Excellent condition. Stamped 'Gusta...

A beautiful stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Great condition. Incised with signature 'G.N.' and makers mark, Rörstrands th...

Small stoneware footed bowl in mustard browns. Inscribed with artist signature and Gustavsberg studio mark.

Mottled deep blue with light and dark areas, this amazing matte glaze surface was the result of a mistake in glaze chemistry and boy am I glad! It reminds me of Yves Klein Blue, a de...

USA, ca. 1950s. A pair of studio table lamps by local ceramicist Anne Appleton Clarke (1925-1985). Each features sturdy, hand-thrown tapered construction with organic striated glaze....

Vase designed by Berndt Friberg, Gustavsbergs Studio, Sweden, 1954. Stoneware. Signed H: 16 cm / 6 5/16" Dia: 12 cm / 4 3/4"

Article: Ceramic pottery vase Origin: Germany Designer: Heinz Siery Producer: Carstens Tönnieshof, Germany Decade: 1970s This original vintage...

Miniature stoneware vase by Berndt Friberg in a rare, tiny size. Round form with dark brown somewhat glossy hare’s fur glaze. Berndt Friberg was a Swedish ceramicist, renowned for h...

Eli Keller (b. 1942), Sweden. Unique cup in glazed stoneware. Japanese style. 21st Century. Measures: 10 x 8.5 cm. In excellent condition. Signed.

Model LT-15 Planters by Malcolm Leland for Architectural Pottery, Midcentury, USA Glazed Golden Ochre H 17.5" x D 17" FDV11610 *Wear consistent with age and use. One drainage hole.

Untitled 19 Stoneware Sculpture by Laura Pasquino One of a kind Dimensions: D 50 x H 49 cm Material: White and beige stoneware, glaze. Laura Pasquino Incorporating references from ...

Rare stoneware table lamp model 469 by Saxbo Pottery, Denmark. Made by Eva Staehr-Nielsen in the 1940s and decorated in a wonderful green haresfur glazing. Original brass and bakelit...

Figural table lamp Sitting stone cat god France 1940-ies. The object is from the Art Deco period and very finely worked in stone. The animal sits majestically and straight and radia...

A small studio pottery vessel by significant 20th century ceramicist Otto Heino. This rounded bud vase features a white speckle glaze and ribbed texture. Signed on the underside, “O...

Wonderful petite ceramic pendant light No.1202, designed and handcrafted by Los Angeles based ceramicist Heather Levine. High fired stoneware with matte Turquoise glaze on cork color...

Classic Danish Mid-Century Modern handmade and hand-decorated vase manufactured by Søholm Keramik on the Danish island of Bornholm in 1969. Shape by Poul Brandborg, decor by Noomi Ba...

Large English ironstone platter, the outer rim and inner border have a black leaf pattern on a salmon colored background, the main border has alternating motifs in rose, teal and ora...

A beautiful stoneware vase with handle and amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Good condition. Marked as factory second due to it being slightly...

Vase 'Farsta' Designed by Wilhelm Kåge for Gustavsbergs Studio Sweden, 1940/50s

Brutalist, rustic, one-of-a-kind handmade Danish Mid-Century Modern stoneware table lamp. Hand carved relief organic pattern on the two fronts with ...

A beautiful stoneware urn with amazing relief pattern in the form of birds in trees. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Good condition. Factory second due to ...

1. Height 8.5 cm Width 2.5 cm Depth 2.5 cm 2. Height 8 cm Width 2.5 cm Depth 2.5 cm This set of 2 miniature vases was designed by John Andersson for the Swedish manufacture Hög...

This is an amazing set of 12 rimmed soup bowls marked "Spode's New-Stone" dating to 1840 but in like new condition. The "Japonesque" transfer decoration is embellished with hand pain...

Scandinavian Modern stonewear vase by Gunnar Nylund for Rörstrand 1950's. Signed with makers mark. Good vintage condition, wear and patina consistent wi...

Ceramic Mural ‘Ombre/2’, Clara Graziolino Material: Glazed stoneware Dimensions: H 100 x W 160 x D 16 cm Year: 2024 Type: Unique piece Clara Graziolino is an Italian artist who work...

Height 2 cm Width 4 cm Depth 4 cm Height 2 cm Width 2.5 cm Depth 2.5 cm Height 2 cm Width 2.5 cm Depth 2.5 cm This set of 3 miniature bowls was designed by John Andersson for ...

Stoneware vase by Berndt Friberg in a long elegantly streamlined form. Pale celadon green glaze with rusty flecks. Berndt Friberg was a Swedish ceramicist, renowned for his stonewar...

A Wedgwood Caneware cheese dish and domed lid from circa 1850 with cow and low-relief dairy activities. Attracting our eye with its delicate detailin...

English ironstone "classic white" oval serving platter with a grooved border by J&G Meakin. Light crazing, no chips or cracks.

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Excellent condition. Impressed 'Rörstrand / ...

Intriguing Cubist-style studio stoneware vase with a distortion of a woman's face to both sides. Nice textural elements: mottling to the surface along with linear and geometric motif...

At the center, within a shield-shaped frame, a delicate plant motif with slender stems and leaves is depicted, symbolizing the vitality of nature through simple lines. The shield-shaped frame harmonizes with the vase's curves, emphasizing the plant design. The neck features elongated leaf patterns, while soft cloud motifs are gracefully arranged along the body, following the vase’s natural flow. At the base, repetitive geometric patterns provide a sense of stability. This vase beautifully captures classical and serene beauty through the balance of natural harmony and meticulous craftsmanship. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Art Gallery of Greater Victoria - A vase from the wreck of the Hoi An 2) Butterfield Treasures Hoi An Hoard...

This small vase is ribbed and richly glazed in light brown. Signed and numbered 128.