Tulipwood Furniture

This exquisite French 19th Century Louis Philippe Period "Cave à Liqueur", stamped by the renowned Coignard Chapon, is a remarkable example of fine craftsmanship and French sophistic...

A highly important late 18th century antique Neoclassical Russian rosewood, tulipwood, bois citronnier, bois satine and fruitwood marquetry games table, attributed to Christian Meyer...

Presenting a stunning 19th Century French Napoleon III "Entre Deux" Cabinet, a remarkable example of the elegance and craftsmanship characteristic of the Napoleon III era. This exqui...

A very fine French 19th century finely chased ormolu-mounted kingwood, tulipwood, and satinwood marquetry and parquetry commode with original Breche Violette marble-top. With three l...

A fine quality Louis XV - XVI Transition style breakfront chest of drawers Exquisitely hand-crafted in Genova, Italy in the mid-20th century, the important Mediterranean port city ...

Antique Italian Louis XVI style walnut chest of drawers, 19th century. With a rectangular walnut top with tulipwood banding, 3 drawers with tulipwood banding and brass pulls, resting...

A elegant antique French Fin de Siecle Belle Epoque period bedside cabinet commode stand, circa 1895 (today, it would make for a wonderful nights...

English Edwardian mahogany napkin fold top games, circa 1910. With a mahogany napkin fold top with tulip wood crossbanding, each triangular section with inlaid cartouche, when opened...

Shaped reversible top with finished top and felt on reverse. Open compartment. Cabriole legs with brass sabot feet.

This Sofa by Wharton Esherick exemplifies his pioneering role in the American Craft Movement. This is his first sofa design, one of Four ever made. Known for his dedication to organ...

A fine antique 19th century French Louis XV tulipwood and marquetry, ormolu mounted bureau plat, serpentine shaped writing table, circa 1880. The table having an inset brown & red hu...

An 18th Century Louis XV French marquetry bureau de pente, or slant front desk, made with veneers of mahogany, rosewood and tulipwood with oak as a secondary wood. Slant front opens ...

A gem of tulipwood and walnut round table on three supporting legs as tripod form . Gilt mounts with some wear but in good shape . Lower gallery has two lids that open for storage ,...

A Rare Louis XV Ormolu-Mounted Tulipwood and Chinese Lacquer cabinet, c. 1750 (Regence Period) A truly magnificent, monumental, and one of a kind cabinet, painted throughout with gi...

This is an outstanding and very rare profusely inlaid dry martini bar. This is perfect for entertaining your guests without looking like a complete alcoholic. This hides the beverage...

Introducing a magnificent 19th Century Louis XV Bonheur Du Jour Desk, a true masterpiece of elegance and craftsmanship from the 19th century. ...

A fine antique 19th century French Louis XV tulipwood and marquetry, ormolu mounted bureau plat, serpentine shaped writing table, circa 1880. The table having an inset brown & red hu...

Frida is a tribute to the creative force of women. An inner place, wild and uncontaminated. Features Table with inlaid top in rosewood, toulipier, white maple and mother-of-pearl, ...

A lovely and well-proportioned marquetry sofa with arched back, scroll arms and short Grecian curved legs in mahogany embellished with inlays of festoo...

Wharton Esherick important sofa for Lawrence and Alice Seiver. We are pleased to offer this exceptional item, the epitome of the Americ...

Continental antique Louis XV style parquetry inlaid bombe marble top commode, 19th century.

A Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Gilt-Bronze (Ormolu) Mounted Belle Époque Guéridon Circular Side-Table with a Parquetry Top, by François Linke (1855-1946). The single-drawer end table inset with a symmetrical parquetry top an ormolu frieze, the apron with bow-tied swagged floral wreaths, the corners with fruit and acorns ormolu mounts, raised on four tapered legs topped with chased rings and inset spigots, all raised on bell-shaped sabots. Signed on top trim: F. Linke. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

Austrian Biedermeier Burl Walnut & Mahogany cask with carved molded edge cornice, flanking book matched hinged doors, tulip wood inlays, satinwood inlays, original steel engraved loc...

A fine 19th century Louis XV style gilt-bronze mounted kingwood and tulipwood floral marquetry Bombé two-drawer commode with a Royal veined yellow marble top. The serpentine body wit...

A fine French 19th-20th century Louis XV style gilt bronze-mounted kingwood, amaranth, satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bom...

A Very Fine French Louis XV Transitional Style Gilt-Bronze Mounted, Marquetry and Æil de Vermeil Parquetry single-drawer side-table by François Linke (1855-1946). The rectangular top...

A very fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal Régulateur de Parquet Tall Case Clock, Attributed to Alfred Emmanuel Louis Beurdeley (French, 1847-1919) After the model attributed to Jean-Henri Riesener, surmounted by a cloud-form case cast with three putti cherubs suspending garlands, centred by a white enamel dial with Roman numerals, on a spreading socle with ribbon-hung garlands, above the square tapering pedestal headed...

These chairs were found in Lancaster County, Pennsylvania and are in very good and sturdy condition. Beautiful set of four mauve colored hand painted plank bottom chairs...

American Hepplewhite mahogany satinwood string inlaid secretary bookcase with a hinged fall front leather writing surface, central arched tulip wood inlaid cornice with original bras...

A rare and impressive Hepplewhite style buffet or sideboard from the noteworthy Stately Homes Collection by Baker Furniture, circa 1980s. Made from Mahogany with crotch veneer drawer...

18th century French Louis XV period tulipwood chevet with 3 drawers & inset marble top.

Featuring Masonic Scenes From our Tea Caddy collection, we are delighted to offer this extremely rare Georgian Masonic Tea caddy. The Tea Caddy of box form with chequered edging and borders of Tulipwood surrounding Burr Yew wood squares each featuring Satinwood oval panels depicting Masonic Symbols. The symbols include the past master, senior warden, junior warden and the past worshipful master. The top of the box features inlaid moon, stars and sun surmounted by a brass carry handle. The interior of the Tea Caddy features a floating lid with a turned metal handle. The Tea Caddy dates to the Georgian period during the reign of George III circa 1800.  The Tea Caddy comes complete with working lock and tasselled key.  Tulipwood is also known as Brazilian Tulipwood, Brazilian Pinkwood and Bahia Rosewood. It is found in South America, mainly Brazil. The colour is a warm yellow with streaks or brown-red grain. Burr Yew originates from Asia, Europe and North Africa. It is yellow-brown to orange-brown and usually conforms to a fine uniform pattern. Yew wood usually has black pips scattered throughout so clean veneers fetch a high price and are reserved for finer items. A few trees will produce a burr which offers a distinct decorative finish. Satinwood is found in India and Sri Lanka. It has a rich golden colour and an almost reflective sheen. Satinwood is traditionally used for high quality furniture. Georgian, a period in British history dating from 1714-1837, the Georgian era after the Hanoverian kings George I, George II, George III and George IV. Masonic (Freemasons, Freemasonry or Masonry) refers to fraternal organisations that trace their origins to the local guilds of stonemasons that from the end of the 14th century regulated the qualifications of stonemasons and their interaction with authorities and clients. While Freemasonry is not itself a religion, all its members believe in a supreme being...

This exquisite French 19th Century Louis Philippe Period "Cave à Liqueur", stamped by the renowned Coignard Chapon, is a remarkable example of fine craftsmanship and French sophistic...

A pair of French Louis XV style "Semainier" tall chest commodes with a Brêche d'Alep marble top. The slender walnut and tulipwood body, each fitted with seven drawers with gilt bronz...

A highly important late 18th century antique Neoclassical Russian rosewood, tulipwood, bois citronnier, bois satine and fruitwood marquetry games table, attributed to Christian Meyer...

An exquisite 19th century Rococo secretary in mahogany with bombe front & sides, with floral & foliate inlays in tulipwood, kingwood & satinwood on the top, front panels of the drawe...

A fine French 19th-20th century Louis XV style gilt bronze-mounted mahogany and tulipwood marquetry gueridon side-table. The circular top inlaid with a floral design marquetry and sy...

A Very Fine french 19th century Louis XVI style gilt bronze-mounted tulipwood, kingwood and fruitwood marquetry round side or center table. Attributed to Théodore Millet. The circula...

A Very Fine and Large French 19th Century Louis XV Style Ormolu Mounted Tulipwood Three-Drawer Bureau Plat - After a model by Joseph Baumhauer (died 1772) - Attributed to Paul Sormani (French-Italian 1817-1877). The serpentine shaped rectangular top enclosing a gilt tooled burgundy leather writing surface (worn) within a molded border above a long central drawer flanked by two drawers, with scrolled ormolu drawer-pulls, ormolu floral encadrements and acanthus corners co-raised on elegant cabriolet legs. (Unsigned - Unmarked). Circa: Paris, 1880. Paul Sormani (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

A very fine and palatial French 19th century Louis XV style gilt bronze mounted, leather, tulipwood and kingwood parquetry cartonnier with clock. The circular clock with elaborate pi...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

A elegant vintage Italian Louis XV style kingwood tulipwood inlaid cocktail table by Fratelli Cattaneo (Northern Italy; 1947-present) circa 1960s Originating in the historic Provinc...

Art Deco Armchairs by Dominique A Pair of French Art Deco Armchairs by Maison Dominique, Andre Domin and Marcel Genevieve designed and produced these chairs in the 1920’s a rare exa...

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

French Louis XV-style ormolu mounted kingwood, tulipwood & parquetry grand piano (sgnd C.BECHSTEIN, numbered 20475 for the date 1888)

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

A Regal pair of Louis XV style French ormolu-mounted marble top Bibliotheques with rosewood, Kingwood, Tulipwood, and mahogany veneers. These elegant French bookcases showcase the re...

20th Century Louis XV style tulipwood french commode. Real marble top and bronze fittings. shadowed precious woods, veneered.

Pablo Picasso (Spanish, 1881-1973) Le Chien Pablo Picasso Original etching with sugar-lift aquatint and drypoint on Vollard paper. Thi...

A Very Fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal "Régulateur de Parquet" Clock, after the model attributed to Jean-...

The combination of woods used makes this piece very special. It has rosewood, tulipwood and satinwood combined with intricate Floral designs on all sides. Bronze mounts embellish th...

A French 19th/20th Century Louis XV Style Gilt-Bronze Mounted Kingwood, Amaranth, Satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bombé serpentine...

A fine French 19th-20th century Louis XV style gilt bronze mounted satinwood and tulipwood Bois Satiné and Bois de Bout floral Marquetry two-drawer commode of bombé serpentine form, ...

Our Hexagon Table Lamp designed by Issy is refreshingly quirky and effortlessly elegant. The lamp features a trio of painted wood hexagons and sit...

The brèche d'Alep marble top above a long frieze drawer, the hinged fall front with gilt-tooled brown leather writing-surface, the fitted interior with four open compartments and a long drawer, above two cupboard doors, the interior with one shelf, on spreading foliate feet, the gilt-bronze banding to the left side signed Millet à Paris.

A Very Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Ormolu-Mounted Parquetry Three-Door Vitrine Commode 'Meuble d'appui with a Brêche Violette Marble Top, attributed to François Linke (1855-1946). The interior of the vitrine with three glass shelves, lined with a burgundy broque fabric and a mirror backing, flanked by a pair of side doors, each fitted with a pair of mahogany...

This elegant Louis XV bureau plat, dating from circa 1750, showcases the exquisite craftsmanship of its time. Constructed from tulipwood and kingwood, the desk features a luxurious l...

An Elegant Ormolu-Mounted Tulipwood Dressing Table In the Louis XV Style Attributed to Paul Sormani A superb example of late 19th century 'mobilier de luxe,' this tulipwood-veneere...

Louis XV parquetry occasional table, Circa 1760.

A fine matched pair of French 19th-20th century Louis XV style gilt bronze-mounted (Ormolu) tulipwood, kingwood and satinwood floral marquetry Bombé his and her's commodes with marbl...

19th century inlaid oak round occasional table circa 1880. Good quality round tilt top table, ideal for many uses around the home. Circular top inlaid with a geometric pattern, fea...

Masterful American Sheraton mahogany hinged top serpentine card table with figured cross banded tulip wood, birch and satinwood inlays, outset corners, and terminating on the original bulbous reeded turned tapered legs, Early 19th Century. Attributed to John and Thomas Seymour...

Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...

A very fine Period French Louis XVI Commode signed T.C. Oak and Walnut construction in the case and drawers. There are three upper drawers over two lower drawers. Heavy use of flowi...