Tulipwood Furniture

A elegant vintage Italian Louis XV style kingwood tulipwood inlaid cocktail table by Fratelli Cattaneo (Northern Italy; 1947-present) circa 1960s Originating in the historic Provinc...

A fine quality antique French Louis XV style marble top & ormolu mounted tulipwood & kingwood bombe shape commode chest, circa 1900. The serpentine shaped top having the original var...

Antique Italian Louis XVI style walnut chest of drawers, 19th century. With a rectangular walnut top with tulipwood banding, 3 drawers with tulipwood banding and brass pulls, resting...

A highly important late 18th century antique Neoclassical Russian rosewood, tulipwood, bois citronnier, bois satine and fruitwood marquetry games table, attributed to Christian Meyer...

Primarily of tulipwood and kingwood with heavy gilded drawer mounts . Sturdy . Presents very well . The drawers reflecting the fabled tulip by the gilt rosettes. The veneers laid in...

A Rare Louis XV Ormolu-Mounted Tulipwood and Chinese Lacquer cabinet, c. 1750 (Regence Period) A truly magnificent, monumental, and one of a kind cabinet, painted throughout with gi...

A very fine antique French Louis XV style, circular tilt-top marquetry pedestal tripod table, with gilt bronze ormolu mounts, attributed to Joseph Cremer circa 1870. The round rosew...

This rare Italian marquetry bar cabinet from circa 1960 is a stunning piece of mid-20th-century craftsmanship, blending neoclassical inspiration with timeless elegance. Beautifully v...

A beautiful example of the craft of ship modeling, this sloop has all the details the original would have had and the model maker left the lower half of the hull exposed to reveal th...

This Sofa by Wharton Esherick exemplifies his pioneering role in the American Craft Movement. This is his first sofa design, one of Four ever made. Known for his dedication to organ...

A fine matched pair of French 19th-20th century Louis XV style gilt bronze-mounted (Ormolu) tulipwood, kingwood and satinwood floral marquetry Bombé his and her's commodes with marbl...

BG NEW YEAR SALE French nineteenth century Louis XV vanity dressing table, poudreuse or coiffeuse standing on four slender tapering cab...

A fine French 19th-20th century Louis XV style gilt bronze-mounted kingwood, amaranth, satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bom...

Palatial French 19th-Century Louis XV style figural gilt bronze mounted tulipwood marquetry three-drawer bureau-plat cartonnier with Dual clock-works by Lenoir, Paris, surmounted wit...

A Fine French 19th-20th Century Louis XV Style Mahogany, Satinwood and Tulipwood Marquetry Gilt-Bronze Mounted Two-Door Buffet Server China Cabinet...

A Fine French 19th/20th Century Louis XV Style Tulipwood Marquetry and Gilt-Bronze Mounted Ladies Writing Table or Desk. The single drawer center table surmounted on each corner with...

A very fine and palatial French 19th century Regence style figural ormolu-mounted kingwood and tulipwood floral marquetry long-case regulator, after a Model by Charles Cressent (Fren...

Masterful American Sheraton mahogany hinged top serpentine card table with figured cross banded tulip wood, birch and satinwood inlays, outset corners, and terminating on the original bulbous reeded turned tapered legs, Early 19th Century. Attributed to John and Thomas Seymour...

A Very Fine and Impressive French 19th century Louis XV style gilt bronze-mounted tulipwood, kingwood and fruitwood marquetry bombé two-drawer commode with marble top, by Maison Boud...

A French 19th/20th Century Louis XV Style Gilt-Bronze Mounted Kingwood, Amaranth, Satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bombé serpentine...

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

A Very Fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal "Régulateur de Parquet" Clock, after the model attributed to Jean-...

Serpentine top over bombe form two drawers and sides , cabriole legs. Bronze feet.

A fine French 19th-20th century Louis XV style gilt bronze mounted satinwood and tulipwood Bois Satiné and Bois de Bout floral Marquetry two-drawer commode of bombé serpentine form, ...

Louis XVI Italian style yew wood and tulip wood console table, made by Alfonso Marina, late 20th century. With a yew wood top with tulip wood cross banding and string inlay, a bow fr...

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

A very fine Period French Louis XVI Commode signed T.C. Oak and Walnut construction in the case and drawers. There are three upper drawers over two lower drawers. Heavy use of flowi...

This exquisite French Louis XV style commode showcases the artistry and refinement of 19th-century craftsmanship, beautifully combining elegance with function. The bombe-shaped cabin...

A very fine French 19th century finely chased ormolu-mounted kingwood, tulipwood, and satinwood marquetry and parquetry commode with original Breche Violette marble-top. With three l...

A Fine French 19th-20th Century Gilt-Bronze Mounted and Marquetry Meuble d'Appui à Hauteur (Side cabinet). The rectangular variegated white marble top with outset corners over a gilt...

This exquisite French 19th Century Louis Philippe Period "Cave à Liqueur", stamped by the renowned Coignard Chapon, is a remarkable example of fine craftsmanship and French sophistic...

Rectangular blue turquin marble top with rounded ends over a conforming case with a drawer. Circular tapered legs with conforming lower shelf. Ending on sabot feet.

This fine French Louis XVI marquetry end table is a masterful example of late 18th-century craftsmanship, blending elegance, function, and refined artistry. Constructed from luxuriou...

A fine French 19th-20th century Louis XV style gilt bronze-mounted mahogany and tulipwood marquetry gueridon side-table. The circular top inlaid with a floral design marquetry and sy...

A Pair of Sligh Furniture Crotch Mahogany, Burl and Tulip wood Crossbanded Single Bed Frames Circa 1920s. Solid construction. Will last for decades to come. Measure 42.5" in width ...

Amazing one set of two Ico Parisi armcharis for Cassina, in leather upholstery

Listen to soft, cheerful music in your living room with this traditional, antique music box. Crafted in Paris, France circa 1900, the tulip wood case...

This elegant Louis XV bureau plat, dating from circa 1750, showcases the exquisite craftsmanship of its time. Constructed from tulipwood and kingwood, the desk features a luxurious l...

20th century magnificent French Louis XVI style display cabinet Bois-Satiné veneer, all-round surface-covering mirror veneer on wood. Upright rectangular and rounded, glazed on thre...

Pair of English mahogany demi-lune consoles with inlaid tulip wood cross bandings, flanking foliage corner medallions, and resting on fluted ringed legs with cone foliage feet. Late ...

A very fine French 19th-20th century Louis XV style tulipwood and mahogany marquetry gilt bronze-mounted petit-bureau de dame (secretary). The bombe´ structure surmounted by a pair o...

A pair of French Louis XV style "Semainier" tall chest commodes with a Brêche d'Alep marble top. The slender walnut and tulipwood body, each fitted with seven drawers with gilt bronz...

Palatial French Louis XV Gilt Bronze Inlaid Bureau-Plat Cartonnier with signed clock by Le Roy Paris (19th Century) Dimensions: 53 ½" x 62"W x 35"D.

Grand Regulator World's Fair Clock François Linke Circa 1900 Widely regarded as the greatest sculptural clock ever created, this monumental régulateur by François Linke was conceived as a statement for the 1900 Paris Universal Exposition, a moment when the world’s finest artisans competed on an international stage. Linke, the most celebrated ébéniste of the Belle Époque, was awarded the prestigious gold medal for his display, which critics described as “the biggest event in the history of furnishing art in the year 1900.” Designed in collaboration with the sculptor Léon Messagé, the clock exemplifies Linke’s ambition to elevate furniture and timepieces to the realm of fine art. The clock represents over a decade of design and craftsmanship. Only six examples of this model were ever completed due to the extraordinary labor and cost involved. Building just one had a production cost of 22,966 francs, the equivalent of approximately eight years' wages for the average French worker in 1900. The clock is illustrated on the spine of Christopher Payne’s definitive monograph on Linke. Mahdi Al-Tajir, one of the world’s most important collectors, later acquired the present model. Another is located at Whitehall, the Flagler Museum in Palm Beach. It was acquired by Rockefeller’s partner, Henry Flagler...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

Introducing a magnificent 19th Century Louis XV Bonheur Du Jour Desk, a true masterpiece of elegance and craftsmanship from the 19th century. ...

A Very Fine French Napoleon III Figural Ormolu and Porcelain (Probably Sevres) Mounted Tulipwood Meuble A Hauteur D'Appui, by Mathieu Befort, dit Befort Jeune. The rectangular shaped...

This is a made-to-order large traditional mahogany banquet/dining table made in the Leighton Hall shop. It features a classic scallop corner design with a field of slip-matched swirl...

This is a made-to-order traditional mahogany dining table made by Leighton Hall. It’s double scalloped corners gives it a unique delicate shape. It features a field of slip-matched s...

Impressive antique French desk crafted in mahogany and tulipwood, featuring a top with three tooled leather panels banded in brass on a case with two pullout leather top trays and tw...

A late 19th century New York armchair in the early 18th century Dutch-Style in mahogany decorated with inlays in other woods of bows, birds, rinceau ...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

You are viewing a gorgeous vintage Belle Époque jardinière Circa 1930 The uppermost tier is a scalloped or lobed container, likely originally intended to hold a planter or porcelain ...

Louis XVI Style Ormolu Mounted Mahogany and Tulipwood Parquetry Writing Table, after the model by Jean-Henri Riesener, late 19th century, the parquetry inlaid top with a three-quarte...

A fine French 19th-20th century Régence style gilt bronze mounted kingwood and tulipwood parquetry regulator longcase clock, after the 18th century model by Julien Le Roy (French, 16...

A late eighteenth century harewood Pembroke table, with shaped hinged top with inlaid satinwood central oval to the top and tulipwood border, a single drawer to the frieze, all suppo...

A very fine French 19th century finely chased ormolu-mounted Regence style kingwood, tulipwood and satinwood marquetry and parquetry commode with brêche d' alep marble-top. The serpe...

A very fine pair of French Napoleon III figural ormolu and porcelain (probably Sevres) mounted tulipwood Meuble A Hauteur D'Appui. The rectangular shaped body fitted with a white mar...

A fine French 19th century Louis XVI style ebonized gilt bronze-mounted tulipwood, kingwood and fruitwood floral marquetry single-drawer center table, desk or writing table. The ornately decorated marquetry top, centered with a floral bouquet, butterflies, scrolls and acanthus. The raised on four fluted ebonized legs surmounted with gilt-bronze spigots...

An Elegant Ormolu-Mounted Tulipwood Dressing Table In the Louis XV Style Attributed to Paul Sormani A superb example of late 19th century 'mobilier de luxe,' this tulipwood-veneere...