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21st Century and Contemporary Girandoles

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Period: 21st Century and Contemporary
Guitar Mirror in the George II Manner
Located in Sturminster Marshall, Dorset
A small carved giltwood looking glass mirror in a swirling Rococo style frame incorporating many of the mid-18th century designers repertoire of vigorous leaf carved scrolls, leaves ...
Category

English Chippendale 21st Century and Contemporary Girandoles

Materials

Gold Leaf

Monumental Gilt & Ebonized Convex Mirror with Eagle
Located in Bridgeport, CT
Monumental highly decorative round convex mirror with a carved eagle crest, ebonized and reeded trim, the surround with relief design and terminating with a large shell motif. The eagle standing on a sphere atop a pedestal and flanked by large and impressive scrolling acanthus leaves at the shoulders. The mirror hand-molded hand-finished wood composite with a hand-applied antique gold leaf finish and masonite backing. The mirror, after an early 19th century girandole mirror...
Category

American Classical 21st Century and Contemporary Girandoles

Materials

Composition

Eagle Girandole Mirror in the Regency manner
By Thomas Hope
Located in Sturminster Marshall, Dorset
A carved giltwood girandole of early Regency design. The convex mirror plate is within a moulded frame decorated with gilt balls and has a carved eagle crest supported on a tapered b...
Category

English Regency 21st Century and Contemporary Girandoles

Materials

Gold Leaf

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George II English Wall Mirror Walnut Fret Cut and Original Glass, Ca 1750
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18th Century George III Carved Mirror in the Manner of Thomas Johnson
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A George III Giltwood Pier Mirror In the Manner of Thomas Johnson An exceptionally detailed design; the superb carved decoration housing a shaped rectangular plate and undulating mirrored borders; the inner frame closely tied to the outer frame and leading the eye around the mirror. The grandiose masterful carving incorporating C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures which firmly place this mirror within the canon of Johnson's greatest designs. The confident execution is a great testament to the technical prowess and artistic creativity of one of the greatest carvers and designers of the eighteenth century, circa 1760. Provenance Edward Cecil Guinness, 1st Earl of Iveagh, Farmleigh, Co. Dublin, (1880?-1927); The Earls of Iveagh, Farmleigh, Co. Dublin & Elveden Hall, Suffolk (1927-2018). Thomas Johnson (1723-1799) Thomas Johnson was one of the most skilled carvers and furniture designers in Georgian England. Drawing inspiration from the Fables of Aesop, the rococo, China, and the idealised rustic life, his work is whimsical, exuberant and witty. Chippendale borrowed freely from his work. Johnson was a founder member of the 'Antigallican Society', a group who excoriated the French taste. In addition to its relation to Johnson's designs, this mirror also reflects the influence of Lock, the great master with whom he worked for a period. Lock published many sketches and pattern books, including A New Book of Ornaments for Looking Glasses in 1752, introducing several idiosyncratic features which Johnson would adopt such as the small decorative urns...
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Materials

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