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Large Italian Gilt Cherub or Putti Mirror Frame

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Early 19C Large English Baroque Gilt Floral Wall Mirror
Located in Dallas, TX
PRESENTING AN OUTSTANDING AND MONUMENTAL Early 19C Large English Baroque Gilt Floral Wall Mirror. English, circa 1810-20. In classic ‘Baroque’ style with scrolling acanthus and...
Category

Antique Early 19th Century English Baroque Wall Mirrors

Materials

Gold Leaf

19th Century English Baroque Gilt Floral Wall Mirror
Located in Dallas, TX
PRESENTING A LOVELY 19 century English Baroque Gilt Floral Wall Mirror. English, circa 1840. In classic ‘Baroque’ style with scrolling acanthu...
Category

Antique 19th Century English Baroque Wall Mirrors

Materials

Gesso, Giltwood

Early 20C Medici Print of Putti Under a Vine
Located in Dallas, TX
PRESENTING A GLORIOUS & RARE Early 20C Medici Print of ‘Putti Under a Vine’. From the very early 20th Century, circa 1911. Framed and sold by Foster Bro...
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Early 20th Century Italian Classical Roman Prints

Materials

Paper

Late 18C Scottish Regency Large Pembroke or Library Table
Located in Dallas, TX
PRESENTING A SUPERB late 18C Scottish Regency Large Pembroke or Library Table. Made in Britain, circa 1780-1810. Made of beautifully patinated mahogany. We can tell that this is a...
Category

Antique Late 18th Century Scottish Regency Drop-leaf and Pembroke Tables

Materials

Brass

Large 19 Century French Rococo or Neoclassical Revival Style Vitrine
By David Roentgen
Located in Dallas, TX
Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...
Category

Antique Mid-19th Century French Rococo Revival Vitrines

Materials

Ormolu

19C British William IV Mahogany Large Pembroke or Library Table
Located in Dallas, TX
PRESENTING A BEAUTIFUL large flamed mahogany Pembroke or Library Table. British, circa 1830-40 and probably a William IV piece because of its simplicity, but in the Regency Style (a...
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Antique 19th Century English William IV Drop-leaf and Pembroke Tables

Materials

Mahogany

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