Pair of Cityscape Headboard with Lights Paul Evans for Directional For Sale
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Pair of Cityscape Headboard with Lights Paul Evans for Directional

About

A pair canopy style headboard in the Cityscape series designed and crafted by Paul Evans studio for Directional, circa 1975. Each fits a queen size bed frame and features overhead illumination and intricate chromed steel patchwork in two subtly contrasting finish. The headboard has a built-in hanging panel on the back and is meant to be hung on the wall from the floor. The five overhead sockets take any style of standard bulbs to achieve a desired look. They are on dimmer with control knobs on the side. Each signed with incised manufacturer's tag: [Paul Evans]. These will make a great pair for a large bedroom where two queen beds are desired to placed together or side by side. Price is for two as a set but it can be purchased individually.

Details

  • Period
  • Materials and Techniques
  • Condition
  • Condition Details
    We consider these are in fine vintage condition for Cityscape series but expect minor surface scratches, some slight unevenness and accretion between the panels.
  • Wear
    Wear consistent with age and use.
  • Dimensions
    H 46 in. x W 60 in. x D 20 in.H 116.84 cm x W 152.4 cm x D 50.8 cm
  • Seller Location
    North Miami, FL
  • Sold As
    Set of 2
  • Reference Number
    LU945014390222
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About Paul Evans (Designer)

A designer and sculptor, Paul Evans was a wild card of late 20th century modernism. A leading light of the American Studio Furniture movement, Evans’s work manifests a singular aesthetic sense, as well as a seemingly contradictory appreciation for both “folk art” forms and for new materials and technologies.

     Evans’s primary material was metal, not wood, which was favored by his fellow studio designers, and Bucks County, Pennsylvania, neighbors George Nakashima and Philip Lloyd Powell. He trained in metallurgy and studied at the Cranbrook Academy of Art, the famed crucible of modern design and art in suburban Detroit. For a time early in his career, Evans also worked at Sturbridge Village, a historical “living museum” in Massachusetts, where he gave demonstrations as a costumed silversmith.

     Evans’s earliest work unites these influences. The pieces that made his reputation are known as “sculpted-front” cabinets: wood cases faced with box-like high-relief patinated steel mounts laid out in a grid pattern. Each mount contains a metal emblem, or glyph, and the effect is that of a brawny quilt.

     Evans’s later work falls into three distinct style groups. His “sculpted-bronze” pieces, begun in the mid-1960s, show Evans at his most expressive. He employed a technique in which resin is hand-shaped, and later sprayed with a metal coating, allowing for artistic nuance in the making of chairs, tables and cabinets. Later in the decade and into the 1970s, Evans produced his “Argente” series: consoles and other furniture forms that feature aluminum and pigment-infused metal surfaces welded into abstract organic forms and patterns.

     Last, Evans's “Cityscape” design series meshed perfectly with the sleek, “high tech” sensibility of the later ’70s. Evans constructed boxy forms and faced them with irregular mosaic patterns that mixed rectangular plaques of chromed steel, bronze, or burlwood veneer. These, like all of Paul Evans’s designs, are both useful and eye-catching. But their appeal has another, more visceral quality: these pieces have clearly been touched by an artist’s hand.

About the Seller

4.9 / 5
Vetted
Platinum
1stdibs seller since 2010
Located in North Miami, FL
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