Midshipman Proctor’s Sword for Valour at the Battle of Copenhagen

A large elm tiller with a bronze helm and turned finial from the Brixham fishing trawler 'Provident', 1924 Provident details: Builder: J Sander...

Pair of antique English naval cannon each with a tapering three stage barrel flanked by plain trunnions, with a knob shaped cascabel button before a shaped rectangular raised vent and ending in a 3 1/2” bore muzzle, enclosing a removable conforming wood plug, circa 1800. Stood upon a naval type bronze-mounted four wheeled wooden carriage, including its wedge shaped quoin with knob handle. The Earls of Lonsdale, Lowther Castle, Cumbria, presumably by descent to Hugh Cecil Lowther, 5th Earl of Lonsdale (1857-1944), until sold by his heir and brother, Lancelot, 6th Earl, as part of the contents of Lowther Castle, Maple & Co. Ltd./Thomas Wyatt, Tuesday 14 April 1947 and two following days, lot 558: ‘A pair of Old Gun Metal Cannons on teakwood carriages, 3ft. 6in. long’. Mrs. P.M. Adie-Shepherd, sold Christie’s, London, 29 May 1970, lot 96. Lowther Castle is a castellated mansion built by Robert Smirke between 1806 and 1814 for William Lowther, 1st Earl of Lonsdale (1757-1844). It was constructed on the foundations of the former 17th century family seat, Lowther Hall, but it was only in the early 19th century that it was afforded the name ‘castle’ in keeping with the Europe-wide fashion for romanticism and which was promoted by influential characters such as William Beckford at Fonthill Abbey, Wiltshire in England and by the writer Sir Walter Scott at Abbotsford, Roxburghshire, Scotland. While it’s not known when these naval cannon were acquired for Lowther they would have been entirely fitting in the castle or its approaches and it’s likely that they were in place soon after the castle was completed, or perhaps acquired later by the 5th Earl. A tantalising possibility is that the cannon were originally aboard the East Indiaman Lowther Castle which was active in the early 19th century. HUGH CECIL LONSDALE, 5TH EARL OF LONSDALE (1857-1944) AND THE DEMISE OF LOWTHER CASTLE In 1882 at the age of 25 Hugh Lonsdale (1857-1944) unexpectedly inherited the earldom and with it the extensive Lonsdale estate, including tens of thousands of acres of Cumberland and Westmorland and coalfields at Whitehaven. However, despite his spectacular inherited wealth – he was suddenly one of the wealthiest men in England, over the course of his lifetime he managed to decimate the family fortune. He led a full and colourful life, one of adventure and luxury. An early intrepid escapade took place in July 1888 when, as part of an expedition called the Scotch Naturalist Society, he set embarked on horse sleigh...

A highly important Mughal Indian Cannon captured at Copal Droog, 1858 This remarkable cannon is cast overall with a zig-zag design, often representative of ripples in water. The cen...

A mid-Victorian model of a field cannon, the bronze barrel set on an oak carriage with large iron-bound wheels, with traces of the original black, red an...

North African Sword (Nimcha), Morocco, Early 19th Century This North African sword, known as a "Nimcha," is a remarkable piece originating from Morocco, dating back to the early 19th...

A Napoleon III sword in gilt brass. Handle is decorated with 2 mother of pearl plates. Urn shaped pommel. Knuckle guard transitioning into cross guard. Guard plate with eagle. Black ...

Sword with Wrought Iron Blade with Traces of Gold on Hilt with Leather Cover Sheath

This important and unique sword was presented to the famed French painter Jean-Gabriel Domergue to commemorate the painter's election to the illustrious Académie des Beaux-Arts in 1950. One of the highest honors bestowed on a French artist, the ceremonial induction into the French Academy has been accompanied by the presentation of a sword since the age of Napoléon. Rather than a weapon, the sword became part of the Academician's uniform, and, over time, its design came to represent the interests and aspirations of its recipient. This example was designed entirely by Domergue's wife Odette, a great sculptor in her own right, and thus it represents both a highly personal gift and an important art historical relic. The design of the sword is simply magnificent. Odette Domergue found her inspiration in antiquity, a theme that is also seen in the neoclassical sculptures that occupy the gardens of the couple's famous home, Villa Fiesole - also known as Villa Domergue - in Cannes. The impressive weapon boasts a solid gold handle that takes the form of a sinuous caryatid, who is nude save for a single swath of drapery. While the female figure recalls the sculpted supports prevalent in ancient Greek architecture, she also calls to mind the subjects for which Domergue was renowned - languorous, slightly risqué women with a seductive air. Other decorative elements such as fauna, cypresses, and grotesque heads enhance the whimsy and imagination of the incredible neoclassical design. Furthermore, the scabbard that contains the finely etched blade is also an impeccable work of art. Crafted of black Moroccan leather in imitation of the snake skin, it displays intricately engraved foliage patterns with a lion's head and Domergue's coat of arms. Though imagined by his wife, the sword was expertly chiseled by the celebrated goldsmith R. Delsinne and assembled by the atelier of the famed sculptor and medalist Raymond Delamarre...