Alchemy: the Material World of David Adjaye

An innovative and original survey of the best Mid-Century Modern architecture from around the world Featuring 450 of the very best works of Mid-Century Modern architecture from eve...

A provocative examination of the connections between contemporary expression in architecture and traditional materials and forms Architect, architectural historian, and preservationist Françoise Bollack presents eighteen projects that use traditional materials to build contemporary forms or use modern materials to build traditional forms, blurring the boundary between tradition and modernity in architecture. Bollack rejects the modernist taboo against imitation and precedent, tracing the history of adaptive and imitative design from the Renaissance to the Greek and Gothic revivals and to the nineteenth-century modular cast-iron facades that Philip Johnson considered “the basis for modern design.” The book examines projects in the US, Europe, and Japan, encompassing a broad range of building types: residential, hospitality, commercial and retail, and cultural spaces. All share an intriguing, even radical, approach to reinterpreting traditional forms and materials. Humble thatch moves beyond the farmhouse roof to clad the walls of a Danish environmental center; a photographic image of a Parisian facade becomes a scrim on the facade of a new building; the ghost of an ancient Italian basilica is outlined in wire mesh. Among the featured architects are Kengo Kuma, architect of the Tokyo 2021 Olympic stadium; MVRDV, a highly regarded Dutch firm; Lacaton & Vassal and Chartier/Corbasson in France; Skene Catling de la Peña in the UK; Morris Adjmi...

A groundbreaking global survey of the finest mid-20th century homes - one of the most popular styles of our time A fascinating collection of more than 400 of the world's most glamorous homes from more than 290 architects, the Atlas of Mid-Century Modern Houses...

The first book to document the history of the groundbreaking company Architectural Pottery, tracing its critical influence on midcentury design and its enduring appeal today Architectural Pottery’s strikingly minimalist designs heralded new domestic housewares that could uniquely accent the modern home - inside and out. Formally expressive yet accessible, their refreshingly unembellished, elegant pots and...

Installation Art: Space as Medium in Contemporary Art by Gingko Press. 1st Ed hardcover, no dust jacket as published. Immerse yourself in the thought-provoking and sometimes bewilder...

The Phaidon Atlas of Contemporary World Architecture is a global survey of the most outstanding works of contemporary architecture from around the world. Organized geographically and...

A Kind of Magic The Kaleidoscopic World of Luke Edward Hall By: Luke Edward Hall Photography by Billal Taright Foreword by Nicky Haslam An aesthetic cornucopia of interior design in...

Made to Measure Meyer Davis, Architecture and Interiors By: Will Meyer and Gray Davis with Dan Shaw Foreword by David Netto “With finishes or forms, Meyer Davis are not afraid to take a chance. As designers, Will and Gray like to play with opposites and conjure beauty by contrast, putting rustic wood in a skyscraper and maybe a little strongly figured marble in a log cabin. The results are consistently chic, unexpected, charismatic—and perhaps most consistently, humane. They are humane modernists. Coming from another designer, most complimentary of all is to say that their style—while original—seems inevitable, and after you see a project by Meyer Davis you say to yourself, ‘Why didn’t I think of that?’” —David Netto, from the Foreword. Since forming their practice in 1999, Will Meyer and Gray Davis have designed some two hundred private and public spaces that epitomize the hip luxury style of the twenty‑first century. Their interiors are as dazzling and dramatic as they are comfortable and welcoming—a carefully calibrated balancing act that has become their trademark and won them a loyal clientele from the worlds of fashion, design, hospitality, and cutting‑edge businesses. In Made to Measure, Will Meyer and Gray Davis, in collaboration with Architectural Digest and New York Times contributor Dan Shaw, tell the story of their ascent into the upper echelon of American design and share their firm’s philosophy and process. Illustrated with hundreds of stunning photographs, plans, and drawings, the book explores the symbiosis between their residential and commercial projects, showing how each informs the other and how they’ve redefined modern luxury along the way. Will Meyer was born in Nashville, Tennessee, and studied architecture at Auburn University. Before founding Meyer Davis, he worked for architect Charles Gwathmey, designing homes for clients such as Steven Spielberg and Michael Dell. He lives with his wife and children in Williamsburg, Brooklyn, and East Hampton. Gray Davis was born in Tennessee and studied at Auburn University. Before forming Meyer Davis, he worked for designers John Saladino and Thomas O’Brien on homes for clients such as Ralph Lauren and Giorgio Armani. He lives with his husband in Greenwich Village and Copake, New York, where they build and restore houses. Dan Shaw, a founding editor of the New York Times Style section, is a regular contributor to Architectural Digest and writes the “What I Love” column for the New York Times Sunday Real Estate section. He is cofounder of the online magazine Rural Intelligence and has cowritten several books on design, including In the Pink: Dorothy Draper—America’s Most Fabulous Decorator;Class Act: William Haines—Legendary Hollywood Decorator; Mary McDonald Interiors: The Allure of Style; and Bunny Williams’ Point of View. David Netto, a Los Angeles–based interior and furniture designer and writer, grew up in New York, where he founded his studio in 2000. In 2002 he launched NettoCollection, a pioneering line of modern children’s furniture. From 2010 to 2012 he worked for Deborah...