The prints of Roy Lichtenstein, A catalogue raisonné 1948-1997

Exemplar in good condition, in slipcase with yellowing and signs of wear. Dust jacket with yellowing, evident on spine; dust spots and signs of wear at edges and corners. Yellowed an...

Volume bound in red silk velvet with a gilt rosette in the center of the front plate, chiseled with the insignia of the Sforza and Savoy families, contained in red leather slipcase i...

Splendid full leather binding: on front plate gold noble coat of arms and dry-stamped framing with two fillets, gold title on 5-nerved spine, rich gilt frieze framing counterparts; b...

Limited run of 750 copies (ours bears No. 563) of the facsimile reproduction of the ms.556 codex made, in 1446, by Zuliano degli Anzoli, preserved at the Biblioteca Nazionale Central...

The first complete illustrated bibliography of 1,000 iconic photobooks created by members of the renowned photo agency This fascinating in-depth survey brings Magnum's history alive through the genre of the photobook, an essential vehicle for photographers to share their work. Its pages include unpublished behind-the-scenes material, together with ephemera from the photographers' archives about the making of their books. With an introduction by Fred Ritchin and texts by Carole Naggar, this book explores the evolution of the photobook, as well as the important role that Magnum has played in the history of documentary photography. "If the photographic life were a treasure hunt, The Magnum Photobook is a rightfully vaunted treasure chest. Fred Ritchin and Carole Naggar's introduction expanded my understanding of how the photobook, as expressed early and continuously by Magnum photographers, plays a critical role in defining and expressing a photographer's voice beyond the settings of assignment-based work. Then learning about the creation of each book is the richest of rewards, made all the more so by a final section of the book that shows the early iterations of many of the photobooks. This book about books is one that I must have in the library." —Mike Davis...

Daniel Wildenstein's OWN COPY of the first, limited edition Gauguin Catalogue Raisonée. RARE with autograph notations. Wildenstein, Georges (Daniel Wildenstein and Raymond Cogniat, ...

The Catalogue Raisonné of Warhol’s paintings, sculptures, and drawings was initiated by Thomas Amman in 1977, when Warhol was at the height of his career. In 1993, six years after W...

By Patricia Reed William Nicholson (1872-1949) is among the most admired and elusive painters in the history of British art. Neither academic nor overtly modernist, his ravishing paintings are a singular achievement of the early twentieth century. Nicholson made his name as a graphic artist in the 1890s before turning to painting full-time. Over the next four decades he explored the genres of portraiture, landscape and still life with exceptional inventiveness, wit and technical skill. Yet his aversion to art groups and his reluctance to make public pronouncements about art have made it difficult to place his work within the main narratives of twentieth-century art history. The breadth of Nicholson's painting is revealed in this sumptuous book, the first fully illustrated catalogue raisonné of the oils. Many of Nicholson's pictures have not been recorded before and most are reproduced here for the first time. The catalogue, which represents more than twenty years of scholarship on the part of its author, Patricia Reed, includes detailed entries on all Nicholson's oil paintings and the most comprehensive chronology of his life to date. The art historian Wendy Baron gives a context for Nicholson in British art at the beginning of the twentieth century, and the painter and critic Merlin James...