"The Rise and Fall of the Third Reich" Book by William L. Shirer

The Book of Costumes by Millia Davenport. New York: Crown Publishers, 1956. First edition fourth printing hardcover with no dust jacket, volume 1 of 2. 958 pp. A large chronological ...

Designing Detroit: Wirt Rowland and the Rise of Modern American Architecture, by Michael G. Smith. Published by Wayne State University Press, 2017. 1st Ed hardcover with dust jacket....

The Life and Work of Thomas Chippendale by Christopher Gilbert. New York: Tabard Press, 1978. Hardcover with dust jacket. 288 pp. An extensive resource book on the life and work of T...

The Practical Book of Chinaware by Harold Donaldson Eberlein and Roger Wearne Ramsdell. New York: J.B. Lippincott Company, 1948. Hardcover with no dust jacket. 320 pp. A comprehensiv...

Picasso and Portraiture: Representation and transformation By Rubin, William, Editor; with essays by Anne Baldassari. by Pablo Picasso, Anne Baldassari, Pierre Daix, Michael C. Fitzg...

By Patricia Reed William Nicholson (1872-1949) is among the most admired and elusive painters in the history of British art. Neither academic nor overtly modernist, his ravishing paintings are a singular achievement of the early twentieth century. Nicholson made his name as a graphic artist in the 1890s before turning to painting full-time. Over the next four decades he explored the genres of portraiture, landscape and still life with exceptional inventiveness, wit and technical skill. Yet his aversion to art groups and his reluctance to make public pronouncements about art have made it difficult to place his work within the main narratives of twentieth-century art history. The breadth of Nicholson's painting is revealed in this sumptuous book, the first fully illustrated catalogue raisonné of the oils. Many of Nicholson's pictures have not been recorded before and most are reproduced here for the first time. The catalogue, which represents more than twenty years of scholarship on the part of its author, Patricia Reed, includes detailed entries on all Nicholson's oil paintings and the most comprehensive chronology of his life to date. The art historian Wendy Baron gives a context for Nicholson in British art at the beginning of the twentieth century, and the painter and critic Merlin James...

William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first...

'Talented, Idiosyncratic, stylish and worldly' is how William A. Ewing describes the sitters for the photographs in this book; exactly the same could be said of their photographer. ...