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Tom Wolfe, The Electric Kool-Aid Acid Test, Art Edition "Me and My Shadow"
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About the Item
Fiber-based gelatin silver print, 21.8 x 28.8 cm on 22.9 x 33 cm paper (8.6 x 11.8 in. on 9 x 13 in. paper); hardcover volume in a slipcase, letterpress-printed text, two different paper stocks, and tip-ins, 24 x 34 cm (9.4 x 13.4 in.), 356 pages.
In 1964, famed writer Ken Kesey and his band of Merry Pranksters set off across America on a “Transcontinental Bus Tour,” headed for the New York World’s Fair. Kesey’s journey, in the company of his Merry Pranksters, lies at the heart of The Electric Kool-Aid Acid Test, an as-if-first-hand account of the group’s antics and ethos by Tom Wolfe, wunderkind of the New Journalism movement.
This Art Edition presents Wolfe’s era-defining text in letterpress, along with facsimile reproductions of his manuscript pages, ephemera of the period, and photographs of the acid scene by Lawrence Schiller and Ted Streshinsky. The accompanying print, Me and My Shadow, by Lawrence Schiller, was photographed at the Hollywood Acid Test on February 25, 1966.
As the first photojournalist to capture the acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their experiences with LSD starting in late 1965. At first, he was a fly on the wall as groups of friends tripped in the privacy of their homes. By early 1966 he had met the Merry Pranksters and was invited to the Acid Test in Hollywood.
During the Test, Kool-Aid laced with a heavy dose of LSD was served up from an industrial-sized pot. Participants turned on the Grateful Dead’s music and tuned in to the burgeoning psychedelic scene. Schiller’s image of a tripster “freaking freely” with his own shadow—long believed to be Neal Cassady—appeared in Life magazine in March 1966 in a photo essay which served to introduce the nation to the sweeping new LSD epidemic. For Flaming Lips lead singer Wayne Coyne (who selected this photo for the cover of The Soft Bulletin) “the photo represents a person going into the unknown—the unknown within themselves.”
Marking the year of original publication, The Electric Kool-Aid Acid Test is limited to 1,968 signed copies. Copies No. 1–100 come with the signed black-and-white-fiber-based gelatin silver print Me and My Shadow, 1966, by Lawrence Schiller.
Also available as:
Art Edition (No. 101–200) with an alternative print, The Hollywood Acid Test.
Collector’s Edition (No. 200–1,968), each signed by Tom Wolfe.
The author:
Tom Wolfe is the author of a dozen books, among them such contemporary classics as The Bonfire of the Vanities, The Right Stuff, and I Am Charlotte Simmons. He lives in New York City.
The photographers:
Lawrence Schiller began his career as a photojournalist for Life, Time, and Paris Match, photographing some of the most iconic figures of the 1960s, from Lee Harvey Oswald to Robert F. Kennedy, from Ali and Foreman to Redford and Newman. His book projects include the Pulitzer Prize–winning book The Executioner’s Song, by Norman Mailer, five New York Times bestsellers, and Marilyn & Me. He has directed or produced 20 motion pictures for television; The Executioner’s Song and Peter the Great won five Emmys.
Ted Streshinsky (1923–2003) was a photojournalist best known for his coverage of the social and political turmoil of the 1960s and ’70s in California, from migrant worker strikes to antiwar protests. His wide-ranging portrayal of the counterculture in San Francisco included the hippies, and Ken Kesey and his Merry Pranksters on the high-voltage night of the Acid Test Graduation.
- Creator:
- Dimensions:Height: 13.4 in (34.04 cm)Width: 9.4 in (23.88 cm)Depth: 2 in (5.08 cm)
- Materials and Techniques:
- Place of Origin:
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- Date of Manufacture:2016
- Condition:
- Seller Location:Los Angeles, CA
- Reference Number:1stDibs: LU96815907503
Lawrence Schiller
The themes of celebrity and scandal anchor much of Lawrence Schiller’s diverse body of work, which spans from photography and nonfiction writing to directing Oscar-winning films including Butch Cassidy and the Sundance Kid (1969) and The Man Who Skied Down Everest (1972). Schiller achieved early success as a photojournalist, publishing photographs of movie stars, athletes, and politicians in magazines and newspapers worldwide. Schiller’s most iconic images capture a nude Marilyn Monroe filming a pool scene for the motion picture Something’s Got to Give, just a few months before her death in 1962. In addition to his memoir Marilyn & Me (2012), Schiller has published eleven books over the course of his career, many with his lifelong collaborator Norman Mailer.
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