Winterthur by Jay E. Cantor

Tiffany Windows by Alastair Duncan. Hardcover book with dustjacket, published in 1982 by Simon and Schuster of New York. Printed and bound in Italy by ...

Seaside Style by Taschen. Trilingual edition, published in 2002. Softcover, printed in Italy, 191 pages, illustrated.

Klee by Denys Chevalier. Hardcover book with dustjacket. Published in 1979 by Crown Publishers Inc of New York. Printed in Italy. 51 Illustrations in color, 23 illustrations in black...

The Moderns by Gaston Diehl, a treasury of painting throughout the world. Hardcover book with dustjacket. First edition published in 1978 by Crown Publishers, Inc. of New York. Print...

The Henry Francis Du Pont Winterthur Museum by Alice Winchester and Joseph Downs. The Magazine Antiques, 1951. First Edition hardcover. A classic work from the...

American Furniture, Queen Anne and Chippendale periods in The Henry Francis du Pont Winterthur Museum. New York: The Viking Press, 1952. Hardcover with no dust jacket. Unpaginated. A...

A Gold Cantor Brooch from the Independent Order B'nai Abraham dating back to 1904 is a piece of historical and cultural significance. Independent Order B'nai Abraham (IOBA) was fou...

John Baeder’s Road Well Taken By: Jay Williams Echoing Paul Gauguin’s momentous decision of a century earlier, John Baeder, in 1972, suddenly made up his mind to forgo the growing riches of a career on Madison Avenue to become a full-time painter. With little more to bank on than an offer by the legendary Ivan Karp of a future show at his New York gallery, Baeder bravely gambled his livelihood on Karp’s evaluation of his first four efforts at serious painting: a diner, a motel, a gas station, a tourist camp. “They were works of cultural consequence, . . . works of visual power.” Based on color-postcards in his growing collection of roadside memorabilia, John had made blow-ups of the cards “to see what they’d look like as paintings.” It was a bold, inventive move, but typical Baeder as he continued to lay the groundwork for what soon became known, through his efforts, as “Diner Culture.” And his masterful technique inevitably put him at the forefront of the growing photo-realist movement, along with Ralph Goings and Richard Estes. Baeder’s paintings, particularly of vintage diners...