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Vintage 18k Gold Florentine Finish San Marco Choker Necklace by Weingrill

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  • Vintage 18k Gold Florentine Finish San MarCo Choker Necklace by Weingrill
    Located in Shippensburg, PA
    VINTAGE GRADUATED SAN-MARCO CHOKER NECKLACE WITH FLORENTINE FINISH By Carlo Weingrill, Italy circa 1960-80 Item # 109QJS24D A sophisticated choker necklace by the Italian jeweler ...
    Category

    20th Century Italian Collectible Jewelry

    Materials

    Gold

  • Vintage Italian 18k Gold Teardrop Pendant Choker Necklace with 7 Diamonds
    Located in Shippensburg, PA
    ITALIAN 18K YELLOW GOLD TEARDROP CHOKER WITH 7 DIAMONDS Marked "18K" & "ITALY" 12 3/4" inner circumference 58.7 grams Item # C104241 An incredibly fine teardrop choker necklace c...
    Category

    20th Century Italian Modern Collectible Jewelry

    Materials

    Gold

  • Vintage German 18k Yellow Gold Woven Byzantine Necklace
    Located in Shippensburg, PA
    VINTAGE 18K YELLOW GOLD "BYZANTINE" NECKLACE Stamped "18k GERMANY" 15 1/2" wearable length Item # C104247 A beautifully executed "Byzantine" twist necklace executed entirely in 18...
    Category

    21st Century and Contemporary German Collectible Jewelry

    Materials

    Gold

  • Vintage Italian 14k Yellow Gold Mesh Choker Necklace
    Located in Shippensburg, PA
    ITALIAN 14K YELLOW GOLD MESH CHOKER NECKLACE Marked "K14" & "ITALY"; circa mid-to-late 20th century Item # 012HOR11Z A piece that wears so comfortably, this gorgeous vintage Italia...
    Category

    20th Century Italian Mid-Century Modern Collectible Jewelry

    Materials

    Gold

  • Vintage 18k Yellow Gold Twisted-Rope Necklace with 14k Gold Accent
    Located in Shippensburg, PA
    VINTAGE GOLD GRADUATED-TWIST ROPE NECKLACE 18k yellow gold with 14k white gold inner chain 44.3 grams total weight 17 3/8" wearable length Item # C104243 A wonderful mid-century ...
    Category

    20th Century Mid-Century Modern Collectible Jewelry

    Materials

    Gold

  • Substantial Italian 18k Yellow Gold Flexible Mesh Necklace by Unoaerre
    By UnoAErre
    Located in Shippensburg, PA
    A SUBSTANTIAL 18K YELLOW GOLD MESH NECKLACE BY UNOAERRE Italy, circa late 20th century 17" wearable length Italian assay marks to clasp Item # C104239 A true classic, this substa...
    Category

    20th Century Italian Modern Collectible Jewelry

    Materials

    Gold

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Treasury of San Marco, Venice First Edition by David Buckton
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A bespoken sterling silver chocker necklace very bold design by Graziella Laffi, Lima, Peru, circa 1970s. The chocker features six subtly hammered roundels radiating into a trio of Axe-shaped fixed pendants, with two smaller ones flanking a large central one. The shape of the axe was often found in the Pre-Columbian art. As a bronze age tool, it symbolizes power. The necklace is not chain link but cast and joined as a solid chocker with box clasp mechanism. The design radiates a sense of history with the primitive tribal geometry in form, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernistic aesthetic. The drop of the necklace on the mannequin (not included) is 11". It has an approximate 16" circumference and weighs 320 grams (10.3 troy ounces). It was tested as 900 purity with XRF analyzer. There is a Peruvian Cultural Ministry label applied and a catalog sticker on verso as shown. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...
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