Interactive Gerard Bignolais Plages 115 Art Box/Art Basel, 2007

This vintage 1970s black and white Lucite tower sculpture is interactive as one can build forms from the disks. You can place some on the inside and others on the outside as if you a...

This stunning and amazing mixed-media work of art by artist and painter Robert Bery changes in forms and landscape as you look at it from different angles and ways. The colors are sp...

Contemporary Art Afternoon May 16, 2007 Sotheby's. Published by Sotheby's, NY, 2007. 1st Ed softcover auction catalogue. The Rockefeller name worked its magic at Sotheby’s sale of contemporary art, where a mysterious bearded collector in a skybox outbid five other contenders for Rothko’s “White Center (Yellow, Pink and Lavender on Rose).” The $72.8 million he paid, far above the painting’s $40 million estimate, set records for both the artist and for any contemporary work at auction. Sotheby’s declined to say who the buyer was or where he was from. But the seller was David Rockefeller, the retired banker and chairman emeritus of the Museum of Modern Art, who had decided to cash in on the market and invest the money in other philanthropic endeavors. Seasoned auction goers noticed that last night rubles appeared for the first time on the salesroom’s currency board, along with dollars, euros, pounds and Swiss...

Keith Haring Cover Art 1982-1989: A set of 3 1980s books featuring original (offset) cover design by Keith Haring during his lifetime: Keith Haring 1982 for The Paris Review. Keith Haring 1986 for Brion Gysin The Last Museum. Keith Haring for AIDS: TRADING FEARS FOR FACTS (Hein). Medium: Set of 3 individual vintage books with offset illustrated cover art. 1982-1989. Measuring approximately: 4 x 7 inches each; soft cover books; the full edition of each; bound. Each in good to very good overall vintage condition. Minor age related wear. Each, unsigned from an edition of unknown. Highly collectible. _ Keith Haring (b. 1958 Reading, PA): Keith Haring’s first major works were his subway drawings. Haring produced a large number of these public works between 1980 and 1985, integrating his motifs outlined figures into everyday public space in a way that directly engaged its viewers. Haring's 1st solo exhibition was held at Westbeth Painters Space in 1981 and a celebrated show debuted at the historic Tony Shafrazi Gallery in New York the following year. Throughout the 1980s, Haring was committed to democratizing the art experience and along with paintings, he also created theater sets, billboards, murals, advertising campaigns and even a line of Swatch watches. In 1986 he opened the Pop Shop in SoHo, selling apparel, posters and toys bearing his drawings. This was a controversial move, as many galleries criticized Haring for “de-valuing” the art object while others, such as Andy Warhol, championed Haring’s insistence on making art accessible and affordable. Pop Shop was highly influential to contemporary crossovers of art and merchandise that are now so dominant, as in the work of Jeff Koons, Yayoi Kusama, KAWS and Takashi Murakami. In addition to this ideology of accessibility, Haring was also very socially engaged and used his striking imagery to promote awareness of various political and social campaigns. His many notable public works included a mural on the western side of the Berlin Wall, the Crack is Wack mural in New York, and a mural for the 100th anniversary of the Statue of Liberty in 1986. Haring was diagnosed with AIDS in 1988 and used his presence in the arts community to raise awareness of the crisis. In 1989, a year before his death, he established the Keith Haring Foundation, whose mission is to raise funds for AIDS organizations and children’s literacy and arts programs. Since his death in 1990, Haring has become one of the most widely-recognized and celebrated artists of the 20th century. Related categories: Keith Haring 1982. Keith Haring book...