Antique Gettysburg Battlefield Print by J. Bachelder with Officer's Sword, 1863

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

This 1865, hand-colored engraving by A. H. Ritchie is entitled Lady Washington's Reception and is based on Daniel F. Huntington's original painting "Th...

Presented is “Lloyd's New Map of the United States, the Canadas and New Brunswick, From the latest Surveys, Showing Every Railroad & Station Finished to June 1863, and the Atlantic and Gulf Coasts.” A large, Civil War-era hanging map of the United States and adjacent territories, this map covers the area from the Atlantic Ocean and extends as far west as the 103 meridian, to “Dacotah,” Nebraska, Kansas, "Indian Territory," and Texas. The southern continuation of Florida is shown in an inset map along the right margin. This map was published by J. T. Lloyd, in New York, in 1863. According to the publisher’s marking at lower right, this map was originally issued in two states: "in Sheets, Colored" for 50 cents, and "Varnished nicely, with Rollers" for $1. Throughout the map, the counties are colored and the towns and cities well labeled. A reference key in the bottom margin provides symbols for railroads, turnpikes and wagon roads, state capitals, cities and towns, and village post offices. As emphasized in the map’s title, this map is especially notable for the countless railway lines and stations depicted, with distances noted between points, listing “every railroad and finished station to June 1863.” Additionally, two shipping agents and their routes are drawn out of New York City. The map includes details of the steamship routes into New York and Philadelphia from Liverpool and on to California and Oregon via an overland Nicaraguan trek, presumably to assist gold rush emigrants. This expansive and impressive map depicts the eastern half of the United States in the third year of the Civil War. In order not to recognize the legitimacy of the Confederate States of America, each state is shown in the same manner as the Union states. The only indication that the American Civil War was in progress when this map was published is a printed notice that Gideon Wells, Secretary of the Navy, wishes to acquire a quote on 100 copies of Lloyd’s Mississippi River map...

This is the artist proof edition of an untitled hunting scene by Douglas Adams. The print was issued in a limited, numbered edition of 300 and is signed by the artist in the margin. ...

19th Century French First Officer’s Uniform Red Epaulettes Good pair of French Officers Epaulettes made in Red Silk and lined in black velvet, the f...

Late 19th century British Army officer's painted pine campaign chest containing original steel & brass campaign bed. Stand is modern as is bed canva...

The binoculars are clad in a lovely embossed leather remaining in excellent condition, now over 100 years old and a true antique. They have integral sun shades. When closed up they ...

This is an original French Model 1855 Army Officer’s Sword, complete with its full-length steel scabbard. Used during the mid-to-late 19th century, this regulation sidearm was standa...