Metal Collectibles and Curiosities
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Style: Baroque
Material: Metal
Reliquary Altar. Wood, Glass, Metal, Etc. Spain, 17th Century
Located in Madrid, ES
Wall reliquary altar. Carved, polychrome and gilded wood, glass, metal, etc. Spanish school, 17th century.
Reliquary altar made of carved, gilded and polychrome wood composed of a part that imitates a curtain of the type usually used to cover altars and other pieces when they are not used, topped by a winged angel head, and a composition organized around a tondo large central stem, from which arise a series of stems ending in scrolls. Some of these stems (eight in total) eventually form a kind of crown of leaves in the center of which are as many circular reliquaries of saints. In this mentioned central tondo there is an Agnus Dei (or Ágnusdei) made of wax. On the visible side there is an image of the Risen Christ (inspired by the one sculpted by Michelangelo Buonarroti around 1520 and found in Santa Maria sopra Minerva in Rome) accompanied by angels with symbols of the Passion and on a pedestal. This image is known to have been used on these pieces before 1598, again in 1619, and again in 1690. These relics (they are blessed by the Pope) get their name because they are printed on the front, above the book with the seven seals , the haloed Paschal Lamb carrying the banner of the Resurrection. In the text around the image, it seems to include a reference to Pope Pius V...
Category
17th Century Spanish Baroque Antique Metal Collectibles and Curiosities
Materials
Metal, Other
18th Century Dutch Brass Snuffbox
Located in Haddonfield, NJ
18th century Dutch snuffbox. The petite box is brass with ornate scrolled design throughout. The box will look simply beautiful and elegant on display or on a dressing room vanity.
Category
Mid-18th Century Dutch Baroque Antique Metal Collectibles and Curiosities
Materials
Brass
19th C. Italian Wood & Metal Embossed Relicquary
Located in Los Angeles, CA
19th Century wood & embossed metal relicquary. The piece originally sat on the alter of the church holding relics. Mirror has been placed where the glass originally held the relics.
Category
19th Century Italian Baroque Antique Metal Collectibles and Curiosities
Materials
Metal
Pin and Pair of Italian Gold Earrings, 19th Century
Located in Madrid, ES
Pin and pair of Italian gold earrings
19th Century
In filigree silver and gold, consisting of a brooch and a pair of earrings, with pendant d...
Category
19th Century Italian Baroque Antique Metal Collectibles and Curiosities
Materials
Gold, Silver
Mechanical Equatorial Sundial, Johann Michael Bergauer, Ante 1745
By Johann Michael Bergauer
Located in Milano, IT
Johann Michael Bergauer (Simonsfeld, 1676 - Innsbruck, 1745 circa)
Mechanical equatorial sundial
Signed: Michael Bergauer Insprugg? Innsbruck?
Ante 1745
Gilded and silvered brass; glass.
Measures: closed 1.29 x 3.50 x 4.92 in (33 x 89 x 125 mm); open 5.19 x 3.50 x 3.81 in (132 x 89 x 97 mm).
Weight: the sundial 0.49 lb (224 g); the case 0, 20 lb (95 g)
Original wooden case covered in brown leather.
State of conservation: very good. It has some signs of use. The spring that allowed for the two parts of the instrument to remain open is missing (absent even in the comparative specimens kept in museums).
The sundial is composed of two overlapping plates hinged together on the north edge.
The base plate is octagonal and is supported by three turned legs. The upper face is gilded and a compass with a magnetic variation index has been inserted. The rest of the surface is occupied by a rich decoration of engraved scrolls, centered around the inscription “Michael Bergauer Insprugg”. A foldable oval support with a plumb-bob is attached with a hinge on the southern edge. On the reverse of the base plate a table of the latitudes of some European cities (expanded with the vertical writing “Meiland 40” on the edge and “Rome” deleted) and of Jerusalem has been engraved. A Cam marked for 0 °-70 ° is applied near the northern edge. This can be adjusted to change the inclination of the upper plate according to the latitude; originally a spring, now lost, made it possible to keep the two plates of the clock open.
The second plate is round, has a toothed edge and measures 3.26 in (83 mm) in diameter: it is slightly smaller than the octagonal base which it rests upon and overlaps when the instrument is closed.
The recto is gilded and there are three concentric graduated circles engraved on it:
- the outermost is the equatorial hour dial, numbered I-XII, I-XII;
- the second-one is that of days 1-30 of the lunar month and has “Aetas lunae” engraved on it;
- the third, silvered, is a subsidiary hour dial, with double numbering 1-12; originally it could have been rotated.
The engravings of the first two circles are enameled in red.
In the center - on the polar axis - there is an alidade, at the end of which is associated the silvered minute dial. This, in turn, is welded, perpendicularly, to a small disc, also silvered, with a triangular gnomon. The plate, alidade and minute dial are connected to each other by toothed mechanisms.
Below is the procedure for measuring the time:
1) Adjust the Cam under the base of the clock, based on the latitude of your location;
2) Place the watch on a flat surface using the plumb-bob and with the side closest to the compass facing south;
3) Keeping the instrument still, manually rotate the alidade until the shadow cast by the triangular gnomon on the small silvered disc falls on the line marked below it;
4) The hour and minutes can therefore be read on the hour and minute dials set on the alidade respectively.
Johann Michael Bergauer, who sometimes only signs his works as Michael Bergauer, was born in Simonsfeld, north of Vienna. His apprenticeship as a watchmaker took place in Landshut and he probably worked as a laborer in Augsburg before becoming a watchmaker at the court of Karl Philipp von der Pfalz in Innsbruck in 1708. In the following years, his repeated attempts to obtain Innsbruck citizenship are documented and, in 1721, he is listed as a resident. In 1724 he was admitted to the guild of watchmakers, with which however he had continuous problems. In 1732 he presented a "masterpiece". This is the last reference to his business; he must have died before or in 1745 because in that year his widow appealed to the City Council.
The mechanical sundial...
Category
1730s Austrian Baroque Antique Metal Collectibles and Curiosities
Materials
Brass
Caravaggesque Oil on Copper "Flagellation of Christ" Baroque Sicilian, 17th Cent
Located in Milano, IT
Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing.
The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful.
The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper.
The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]).
Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger.
According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell.
The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity.
Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...
Category
17th Century Italian Baroque Antique Metal Collectibles and Curiosities
Materials
Copper
The temptation of St Anthony. Oil on canvas. 17th c., after David Teniers II
Located in Madrid, ES
Temptations of San Antonio Abad. Oil on canvas. 17th century, following the model of David Teniers II (Antwerp, 1610-Brussels, 1690).
Oil on canvas showing a figurative scene located inside a cave. To the right, you can see a cross standing, supported; to the left, a hut; and in the center of the painting appears an elderly, bearded man, leaning on a table on which there is a ceramic jug and a skull, with an open book at the foot of it. The man looks towards a woman, who points to something outside, and appears accompanied by a large frog and a series of ghostly beings or monsters dressed in brightly colored cloth and clothing.
San Antonio Abad or Antonio Magno (251-356) was a Christian monk, considered the founder of the eremitical movement. He was tempted numerous times by the devil while he was in the desert, becoming a subject frequently represented in art (as can be seen in this oil painting). He is represented in a black habit because the Order of the Knights of the Hospital of San Antonio (Hospitals) was placed under his patronage, being the color of the habits of the members of this order (the tau or Egyptian cross was also the symbol chosen by they).
David Teniers II or El Joven was a prominent Flemish painter and engraver, son of David Teniers El Viejo or I and father of David Teniers III, much appreciated at the time for his scenes of villagers and common people, his paintings of monkey painters, etc. . He dealt with the theme of the Temptations of Saint Anthony...
Category
17th Century European Baroque Antique Metal Collectibles and Curiosities
Materials
Other
18th Century Spanish Baroque Period Christ Crucified Altar Sculpture
By Juan De Mesa
Located in Forney, TX
A scarce Baroque Period Spanish altarpiece retablo / reredo, by (attributed) Luis Salvador Carmona (1708-1767), depicting thorn crowned Christ crucified / Cristo crucificado hand carved, polychromed wood with forged iron nails, mounted on later plaque.
This rare antique religious work / object of art, circa 1750, most likely commissioned by the Catholic Church of Spain, destined to be prominently displayed as an altarpiece / retablo or as part of a much larger reredo, directly behind the main altar at a Spanish or Continental European Catholic Church (French, Italian, Iberian, Portuguese)
The Crucified Christ, displayed mounted on a later faded red fabric upholstered shaped backboard plaque with textured gilt border. The exceptional hand sculpted, carved, gessoed, polychrome painted figure depicting bloodied Jesus, with crown of thorns atop his head, only wearing a undulating shaped cloth around his loin, arms extended and feet crossed, spear head form iron nails through both. The verso covered in an old paper printed backing with metal hook hardware at top for wall hanging.
Dimensions (approx):
Overall:
22" High, 14.5" Wide, 3.25" Deep
Figure only:
16" High, 10" Wide, 3" Deep
Historical background:
Artist: (attrib)
Luis Salvador Carmona (1708, Nava del Rey – 1767, Madrid) was a Spanish Baroque sculptor who came from a family of artists, including uncle of Manuel Salvador Carmona. He was sent to be trained in Madrid in the workshop of Juan Alonso...
Category
18th Century Spanish Baroque Antique Metal Collectibles and Curiosities
Materials
Iron
Unique & Powerful Italian Antique Crucifix w. a Stunning Bronze Corpus of Christ
Located in Lisse, NL
Large antique Baroque crucifix with stunning details and an amazing patina.
Because of the quality in the detail or because of the perfect anatomy o...
Category
Mid-19th Century Italian Baroque Antique Metal Collectibles and Curiosities
Materials
Bronze
Late 18th Century Spanish Silver Baroque Holy Water Font with Gilt Virgin Mary
Located in Madrid, ES
This highly decorative silver holy water font or stoup, is stamped with hallmarks placing its manufacture in Aspiazu, Bilbao, Spain during the l...
Category
Late 18th Century Spanish Baroque Antique Metal Collectibles and Curiosities
Materials
Silver
German 18th Century Silver And Hardwood Snuff Box
Located in Copenhagen, K
Wonderful carved German or Austrian snuff box hunting motive and silver mounting. Carved to fit "hand in glove."
Provenance: Exhibited at the Dome M...
Category
Mid-18th Century German Baroque Antique Metal Collectibles and Curiosities
Materials
Silver
Large Pair of 18th / 19th Century Italian Silvered Reliquaries
Located in Milford, NH
A fine large pair of Italian silvered metal over wood reliquaries with putti, grape, shell, and scrollwork design. Each have memorial pendant displays with names (The left reads S. Innocentii M & S Clementiani M,” while the other is illegible. The pair is in very good condition, with great overall patina, some metal lifting...
Category
Late 18th Century Italian Baroque Antique Metal Collectibles and Curiosities
Materials
Metal
18th Century Italian Carved and Polychromed Reliquary of Pope Pius V
Located in West Palm Beach, FL
18th century Italian carved and polychromed Reliquary of Pope Pius V, realistically carved and painted bust of Pope Pius V (?) holding a relic.
Category
Late 18th Century Italian Baroque Antique Metal Collectibles and Curiosities
Materials
Brass
Antique Sterling Silver Havdalah Box / Spice Box, London 1912, Joseph Zweig
Located in London, London
Hallmarked in London in 1912 by Joseph Zweig, this Antique Sterling Silver Havdalah Box, or Spice Tower, is of a traditional Eastern European form. The Havdalah box measures 9.75"(25...
Category
1910s English Baroque Vintage Metal Collectibles and Curiosities
Materials
Sterling Silver
Body Trim in Gold with Diamonds 18th Century in 19.2 Kt Gold
Located in Madrid, ES
BODY TRIM IN GOLD WITH DIAMONDS
18th Century
in 19.2 kt gold, fenestrated and chiseled, with three articulated bodies, set with antique cut diamonds, set in alv...
Category
18th Century Spanish Baroque Antique Metal Collectibles and Curiosities
Materials
Gold
19th Century Carved Communion Chalice Case
Located in Forney, TX
A scarce antique Continental Baroque hand carved Eucharistic communion chalice and paten sacred vessel case.
Born in the first half of the 19th ce...
Category
Early 19th Century European Baroque Antique Metal Collectibles and Curiosities
Materials
Iron
17th Century Juan Martínez Montañés The Infant Christ
Located in Guadalajara, Jalisco, MX
Beautiful Infant Christ 17th Century Attributed to Martínez Montañes
Made in Polychrome and Lead with slip, The Child naked, blessing in a naturalistic attitude, spreading throughou...
Category
17th Century Spanish Baroque Antique Metal Collectibles and Curiosities
Materials
Other, Pewter
18th Century Italian Baroque Gilded Ewer Repoussé Copper Liturgical Pitcher
Located in Milan, IT
A stunning Italian gilt copper ewer dating back to 18th century with a circular body featuring a quadripartite decoration defined by the repoussé of a double vertical ribbed frame that frames tableaux decorated with floral scrolls; the background of these sections is finely dotted by chisel tool to underline a very pleasant relief to the embossed parts thanks to the burnishing.
An excellent and unique hand-made pitcher, selected in a private collection of Northern Italy.
This rare golden jug was created to serve wine during the Eucharistic celebration, the Christian liturgical practice. it is an Italian work of art that dates back to 1700, with a wonderful fire gilding, for collectors. In good age related condition regardless of a small dent in the middle part of the body, consistent with the eighteenth-century dating.
The cast handle takes up the motif of the volutes present on the body of the ewer. The spout is closed by a hinged lid with a small floral knob, with minimal deformations near the hinge compromising its perfect closure.
In the upper part, there are welding signs...
Category
Mid-18th Century Italian Baroque Antique Metal Collectibles and Curiosities
Materials
Copper
London Mid-19th Century Vanity Kit Set Sterling Silver
Located in Brescia, IT
Not easy to find this original box, with this kit set composed of 8 pieces for nail manicure. A piece to collect or to add in a wunderkammer.
In sterling silver, all marked.
With ce...
Category
Mid-19th Century British Baroque Antique Metal Collectibles and Curiosities
Materials
Crystal, Sterling Silver
Large 18th Century Repousse Baroque Ecclesiastical Carta Gloria, Venetian
Located in Vero Beach, FL
This original 18th century frame is silver gilded over copper. It is elaborately embossed and chiseled. The cartouche is surrounded by rocaille and volute motifs. The Carta is mounte...
Category
18th Century Italian Baroque Antique Metal Collectibles and Curiosities
Materials
Copper, Silver Leaf
"Child Jesus", Wood, Spanish School, 17th Century, pedestal made later.
Located in Madrid, ES
"Child Jesus". Carved and polychrome wood. Spanish school, 17th century. Base or pedestal made later.
Christ is presented naked, with a slight contrapposto on the legs and hips that...
Category
17th Century Spanish Baroque Antique Metal Collectibles and Curiosities
Materials
Other
Rare Set of Four French Baroque Style Hand Carved Giltwood Processional Crosses
Located in Birmingham, AL
A rare set of four antique French Baroque style hand carved giltwood baton de ceremonies or processional crosses used in a village cathedral in the South of France, circa 1850s. Thes...
Category
1850s French Baroque Antique Metal Collectibles and Curiosities
Materials
Metal
Substantial Antique Italian Bronze Mortar and Pestle
Located in West Palm Beach, FL
Substantial antique Italian bronze mortar and pestle, finely cast with shell and floral band, complete with 12" x 1.5" D pestle. The base of t...
Category
18th Century Italian Baroque Antique Metal Collectibles and Curiosities
Materials
Bronze
Devotional Pendant, Saint James the Great, Bronze, Spain, 17th Century
Located in Madrid, ES
Devotional medal, Santiago Apóstol. Ormolu, 17th century.
Openwork devotional medal with the image of Santiago Apóstol in the center, on a pedestal and holding a staff and a book, surrounded by a crown of leaves knotted with two loops above and below. Copies similar to the present one are found in the Museum of Pilgrimages in Santiago de Compostela...
Category
17th Century Spanish Baroque Antique Metal Collectibles and Curiosities
Materials
Bronze
Pair of Miniatures, Frans van de Casteele 'Kasteels' aka Francesco da Castello
By Francesco da Castello
Located in Madrid, ES
Frans van de Casteele (Kasteels) called Francesco da Castello (Brussels, ca. 1541 - Rome, 1621)
Adoration of the shepherds
Crowning with thorns
First decade of the 17th century...
Category
Early 17th Century European Baroque Antique Metal Collectibles and Curiosities
Materials
Other
20th Century Italian Sterling Silver Ecclesiastical Chalice, Baroque Style
By Mario Vallè
Located in VALENZA, IT
Ecclesiastical chalice in sterling silver in Baroque style. The shape is unusual, characterized by the oval cast base with volutes typical of the Baroque style.
The stem is also worked in fusion, while the golden cup...
Category
Late 20th Century Italian Baroque Metal Collectibles and Curiosities
Materials
Sterling Silver
19th Century, J. Florenz Wien Chrome Steel Austrian Balance, 11 Brass Weights
Located in Vigonza, Padua
19th century, chrome steel Austrian balance, by J. Florenz Wien, 11 brass weights, 5 kg.
This precious antique table scale was from the famous Caffè Florian in Venice
Caffè Florian is a historic café in the city of Venice, located under the arcades of the Procuratie Nuove in Piazza San Marco.
It is the oldest Italian coffee and the oldest coffee in the world. It was inaugurated on December 29, 1720 by Floriano Francesconi with the name of Alla Venezia Trionfante, but immediately the Venetians simply said “andemo da Florian-let's go to Florian”, from the name of the owner in the Venetian dialect. Since then it has continued its daily coffee business uninterruptedly to the present day, becoming a favorite destination for Venetians, Italians and foreigners. Floriano Francesconi inspired the character of Ridolfo in Carlo Goldoni's coffee shop.
Giacomo Casanova courted the ladies there and Carlo Goldoni entered as a boy. Famous people such as Gasparo Gozzi, Giuseppe Parini, Silvio Pellico, Lord Byron, Ugo...
Category
1850s Austrian Baroque Antique Metal Collectibles and Curiosities
Materials
Steel
Miniature Dutch Baroque Style Silver Mandolin Flask
Located in Stamford, CT
Dutch silver flask in the form of a mandolin with intricate Baroque style decoration, including cranes and a castle among floral arabesques on the front. The reverse depicting a charming scene influenced by Dutch old master genre paintings of two men with two dogs in a fenced yard surrounded by detailed foliage and trees. Complete with a fret and six individual silver wire strings. A tour de force in craftsmanship. No discernible hallmarks.
Hinged top reveals a hidden flask...
Category
Late 19th Century Dutch Baroque Antique Metal Collectibles and Curiosities
Materials
Silver
Gilded Bronze Processional Cross Top, 20th Century, after Earlier Models
Located in Madrid, ES
End of processional cross. Ormolu, 20th century.
Latin cross with straight arms with decoration of tongues between moldings on both fronts, rays at the intersection of the arms, an...
Category
20th Century Spanish Baroque Metal Collectibles and Curiosities
Materials
Bronze
Portrait Miniature a Gentleman, South German, circa 1680
Located in Firenze, IT
SHIPPING POLICY:
No additional costs will be added to this order.
Shipping costs will be totally covered by the seller (customs duties included).
A gentleman in silver-studded armo...
Category
Late 17th Century German Baroque Antique Metal Collectibles and Curiosities
Materials
Copper
Baroque Liturgical Vessel, Open Ciborium, Sanctuary Lamp, Aspersoria
Located in Vero Beach, FL
Antique baroque church liturgical vessel, open Ciborium, sanctuary lamp, Aspersoria.
Late 18th century Italian Baroque open Ciborium, Sanctuary lamp ...
Category
Late 18th Century Italian Baroque Antique Metal Collectibles and Curiosities
Materials
Gold Plate, Silver Plate, Brass
France Late 18th Century Baroque Silver Box
Located in Brescia, IT
France Late 18th century silver carriage shape box in Regency Style
This magnificent piece of art of silver jewelery. It is an example of h...
Category
Late 18th Century French Baroque Antique Metal Collectibles and Curiosities
Materials
Silver
Rare 17th Century Baroque Cabinet, South Germany Probably Augsburg, Wunderkammer
Located in Worpswede / Bremen, DE
A small architectural table cabinet, veneered in walnut and mulberry, the centre doors enclosing an arrangement of nine various sized drawers with bone knobs, behind a central door a...
Category
Late 17th Century German Baroque Antique Metal Collectibles and Curiosities
Materials
Brass
Reliquary Pendant, Silver, Enamel, 17th Century
Located in Madrid, ES
One of its fronts presents a textile background under a transparent glass, space that was surely designed to contain relics. The other side has a brightly colored enamel with the Vir...
Category
17th Century European Baroque Antique Metal Collectibles and Curiosities
Materials
Silver, Enamel, Other
Devotional Pendant, Oil on Aventurine, Gold, Enamel, Spain, 17th Century
Located in Madrid, ES
Devotional pendant or reliquary. Oil painting on aventurine, enamel, gold. Spain, 17th century.
Medallion or devotional pendant or reliquary made of aventurine or aventurine with an octagonal shape and faceted fronts, enhanced with a series of enamels combining black and gold, which protect two oil paintings with a Catholic Christian religious theme, located one on each side of the piece. Protected, you can see a very particular Virgin with Child for being inspired by the Icon of the Madonna del Popolo (Rome, Italy), and a simplified Martyrdom of San Lorenzo (the saint, the grill and an angel with a crown and the palm corresponding to the subject). The edges of the piece have been protected with simple metal elements.
The painting of San Lorenzo follows a common composition in the Spanish school, and would recall works such as the painting of the main altar of the Church of San Lorenzo de Huesca, for example, but also others such as the engraving by Marcantonio Raimondi (executed around 1527) in some details. The so-called icon of the Madonna del Popolo was well known for being considered as made by Saint Luke, and was brought to the church of the same denomination by Gregory IX from the Sancta Sanctorum of the Lateran Palace after a flood caused a terrible plague in the city and through a solemn procession with the image of Santa Maria del Popolo.
Regarding the material of the piece, a certain type of glass and a type of quartz (which can be green or reddish-brown, and usually has tiny elements of yellow mica that give it golden reflections) is known as aventurine or aventurine. In the first case, it is known that “aventurine” or “stellaria” appears mentioned in the Murano workshops for the first time during the first quarter of the 17th century, in reference to a very complicated production paste (it is said that the name comes from of this circumstance, that is, that its creation was due to luck or luck) that imitates the effects of that stone (from India and Russia at that time) thanks to the inclusion of copper particles, and that it was used as if out of stone (cut) given the complexity of its use in blowing (practically impossible). And, dealing with this material, it is necessary to mention “The Nativity” by Pietro da Cortona, dated around 1656, which is kept in the El Prado...
Category
17th Century Spanish Baroque Antique Metal Collectibles and Curiosities
Materials
Gold, Enamel, Other
Early 19th Century Silver-Plated Putti On A Star-Shaped Lucite Base
Located in Haddonfield, NJ
Early 19th Century silver plated putti on a modern star shaped Lucite base.
Category
Early 19th Century French Baroque Antique Metal Collectibles and Curiosities
Materials
Silver
17th Century Lantern Alarm Clock by Johannes Quelch, Oxford
Located in Oxfordshire, United Kingdom
An English 17th century lantern clock made of brass and iron, circa 1665-1670. The clock consists of going and striking trains, as well as a...
Category
17th Century British Baroque Antique Metal Collectibles and Curiosities
Materials
Brass
18th Hispanic Filipino Crucified Christ Carved Wood Sculpture
Located in Valladolid, ES
One of a kind sculpture of Crucified Christ in carved wood and crystal eyes (one of them its loose), 18th century Hispano Filipino School. The crown, ...
Category
1730s Philippine Baroque Antique Metal Collectibles and Curiosities
Materials
Silver
17th Century Italian Holy Water Stoup
Located in Brussels, BE
Italian holy water stoup. Second half of the 17th century.
Category
17th Century Italian Baroque Antique Metal Collectibles and Curiosities
Materials
Bronze, Silver
Stunning Antique Sterling Silver Pair of Rimonim - made in London in 1922
Located in London, London
Hallmarked in London in 1922 by Arthur Bowe trading as Noble & Co., this attractive pair of George V, sterling silver Rimonim have ornate lattice work throughout the bodies and featu...
Category
1920s English Baroque Vintage Metal Collectibles and Curiosities
Materials
Sterling Silver
Women's Tahitian Black Pearl Necklace with a 14 Karat Gold Ball Clasp
Located in Hamilton, Ontario
This vintage women's Tahitian graduated black pearl necklace is unmarked with respect to a specific maker, but is marked with European g...
Category
Mid-20th Century Italian Baroque Metal Collectibles and Curiosities
Materials
Gold
16th Century Spanish or Italian Baroque Wrought Iron Nails and Furniture Mounts
Located in Stamford, CT
Group of 16th century (or earlier, possibly Gothic) Spanish or Italian wrought iron furniture mounts. These hand-wrought bosses and nails show incredible workmanship. These would have been used to decorate - and to structurally hold together an early chest or casket. The four geometric bosses beautifully made, eight ounces each without the nail! The nails are works of art in themselves, with their heavy geometric heads.
Also two round bosses with the nail integral to the piece, one a mushroom form, the other like a parasol. And a single hand-wrought double sided nail. Great group of early iron.
Provenance: Frances Pratt, Writer, Artist, Collector. New York City.
Approximate sizes:
4 bosses 4.625 inches square 11.75 cm
Round bosses 3 inches diameter the larger 2.5 the smaller 7.6/ 6.35 cm
4.5 in high 11.4 cm
5 nails...
Category
16th Century Italian Baroque Antique Metal Collectibles and Curiosities
Materials
Iron
Women's Large Cultured Pearl Choker Necklace with a 14-Karat White Gold Clasp
Located in Hamilton, Ontario
This vintage women's cultured pearl choker necklace is presumed to have been made in North America in circa 1950 in the Baroque style. The pearls...
Category
Mid-20th Century American Baroque Metal Collectibles and Curiosities
Materials
Gold
Odysśee de la Mer Coral Quartz Sea Fan Bronze Sculpture
Located in Houston, TX
Odyssee de la Mer. A large 19th century French cast bronze fragment with a mounding growth of over 5000-carat natural citrine and black tourmaline that surround a giant black sea fan...
Category
21st Century and Contemporary French Baroque Metal Collectibles and Curiosities
Materials
Coral, Quartz, Tourmaline, Bronze
French Bronze Mortar, Early 17th Century
Located in Spencertown, NY
The mortar with fleurs de lys decoration.
Category
Early 17th Century French Baroque Antique Metal Collectibles and Curiosities
Materials
Bronze
Fully Chambered Nautilus Shell mounted to a vintage Sicilian Alabaster base
Located in Leesburg, VA
A Natural Striped Fully Chambered Nautilus Shell mounted to a vintage Sicilian Alabaster Base
Nautilus Pompulus on an alabaster stand
The shell: Philippines; harvested in the 20th century
The base: Sicily, Italy; second-half of the 20th century
Shell, alabaster, gilt metal.
Approximate size: 11 (h) x 4 (w) x 4 (d) in.
Nautilus shells have long been a staple of wonder for lovers of shells and as prized objects adorning Naturalia-themed curiosity cabinets. Their frailty and uniqueness have contributed to their fame as prized possessions. In Renaissance Germany the finest specimens were frequently encased in precious silver beset with motifs according to the tastes of the era.
The present shell is mounted to a vintage brown alabaster vase, trimmed with openwork gilt metal trim along the base and upper rim.
The shell is from the estate of a professional fossils dealer. The base is from a vintage alabaster lamp...
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