Rare Engraving of Vishnu Incarnated as the Gautama Buddha, 1744

This original antique print shows the Hindu god Vishnu incarnated as Krishna. Dutch text on verso. From: 'Naauwkeurige Beschryvinge van Malabar en Choromande...

Antique print, titled: 'The Dutch Fort Croevecoeur (…).' A four panel plate showing forts on the West African Gold Coast, Ghana; a) The Dutch Fort Croevecoeur at Accra, b) The Danish Fort Christiaenburgh at Accra, c) Cape Ruygehoeck or Duyvelsbergh, d) The Prospect of the Village and Coast of Lay, the mount Redonda being at NNE. Ussher Fort is a fort in Accra, Ghana. It was built by the Dutch in 1649 as Fort Crevecoeur. From: "A Collection of Voyages and Travels" published by John and Awnsham Churchill in London in 1744. Artists and Engravers: Made by 'Johannes Kip' after 'A. Churchill'. Johannes Kip (b Amsterdam, 1653; d London, 1722). Dutch draughtsman, engraver and dealer, active in England. He was a pupil of Bastiaen Stopendaal (1636–1707) from 1668 to 1670. His earliest dated engravings are of 1672 (e.g. the Siege of Groningen , Hollstein, no. 4), and he supplied numerous plates for books published from that date onwards. His work brought him into contact with the court of William of Orange and in 1686 he produced six plates depicting William of Orange, his Wife and Attendants near The Hague (Hollstein, no. 5). Shortly after the Glorious Revolution of 1688 Kip followed the court to England. After settling in Westminster, he worked extensively for London publishers, engraving works after Francis Barlow, Caius Gabriel Cibber (e.g. Interior of the Danish Church in London , 1697; Hollstein, no. 6) and other London-based artists. His engravings were principally destined for book illustrations. The work for which Kip is best remembered is his large corpus...

Antique map titled 'Westergo'. Original antique map of Westergo, part of the province of Friesland, the Netherlands. Published 1744. Artists and engravers: Isaak Tirion (1705 ...

Antique map titled 'India, as described by all Authors before the fifth Century'. Detailed map of part of India, including Hyrcania, Parthia, Carmania, Gedorossii, Drangiana, Aria, M...

Antique print, titled: 'The Fort Fredricksburg formerly to ye Danes and now Fort Royal (…).' - A three panel copperplate engraving showing three forts on the West African Gold Coast, Ghana; a) The Fort Fredricksburgh formerly to ye Danes and now Fort Royal. English at Manfroe, b) The Fort Amsterdam at Cormentyn belonging to ye Hollanders, c) The Fort James, English at Accra. From: "A Collection of Voyages and Travels" published by John and Awnsham Churchill in London in 1744. Artists and Engravers: Made by 'Johannes Kip' after 'A. Churchill'. Johannes Kip (b Amsterdam, 1653; d London, 1722). Dutch draughtsman, engraver and dealer, active in England. He was a pupil of Bastiaen Stopendaal (1636–1707) from 1668 to 1670. His earliest dated engravings are of 1672 (e.g. the Siege of Groningen , Hollstein, no. 4), and he supplied numerous plates for books published from that date onwards. His work brought him into contact with the court of William of Orange and in 1686 he produced six plates depicting William of Orange, his Wife and Attendants near The Hague (Hollstein, no. 5). Shortly after the Glorious Revolution of 1688 Kip followed the court to England. After settling in Westminster, he worked extensively for London publishers, engraving works after Francis Barlow, Caius Gabriel Cibber (e.g. Interior of the Danish Church in London , 1697; Hollstein, no. 6) and other London-based artists. His engravings were principally destined for book illustrations. The work for which Kip is best remembered is his large corpus...

Antique print titled 'Leijden in Hollandt'. Old print of the city of Leiden, the Netherlands. This print originates from 'Thesaurus philopoliticus oder Politisches Schatzkästlein'. T...

Presenting a Rare Lynn Bogue Hunt engraving of ducks unlimited 1940. This piece cam from a wealthy estate in Dallas, TX with the mansion being built...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

By John Pine considered the foremost heraldic and decorative engraver of his generation. Depicting the defeat of the Spanish by the English Fleet in 1588. These are after a set of tapestries that hung in the House of Commons...

After Vander Smissen 'Mrs Sarah Porter, Queen of the Touters at Tunbridge Wells', a mezzotint, engraved by William Pether circa 1770, glazed in ebonised, ...

Extremely rare copy of the Venezuelan Declaration of Independance 'Declaracion de Independencia de las Siete Provincias Unidas de Venezuela en Congreso de 5 de Julio de 1811' By Lorenzo Lüthy (c. 1811-1877), printed in Philadelphia, Peter S. Duval, 1841. Lithograph on laid paper, mounted in passepartout, H. 84 x W. 64.5 cm (with mount H. 96,5 x W. 77 cm.) Large and extremely rare lithographed broadside Declaration of Independence of Venezuela by American immigrant...