1770s Furniture

Heading : Worcester porcelain blue scale leaf dish Date : c1775 Period : George III Marks : Pseudo fret square Origin : Worcester, England Colour : Polychrome Pattern : Blue scale m...

Are antique French Louis XV ormolu mantel clock of Hannibal and Scipio signed Amant. This rare and unusual clock, in extremely fine condition an...

A set of 10 similar Rococo chairs made in Stockholm, about 1770. The chairs are made in alder, that is a very light wood. In Stockholm they made chairs that are very similar and i...

Figures of a Jewish Peddler and his Wife, Derby, England, Circa 1770 This pair of Derby ware figures, dating from around 1760, represent an increasingly...

Worcester teapot, painted underglaze in ‘The Waiting Chinaman’ pattern, filled out with scattered sprays of flowers, the knop modelled as a flower. Blue crescent mark, c. 1770

A late 18th century satinwood Pembroke table of very good rich color. George III period. The top crossbanded in satinwood, bordered with fine lozenges of ebony stringing. The edges ebonized with narrow mahogany crossbandings. Raised on moulded tapering legs, indicative of a date circa 1770.   The frieze with two working mahogany-lined short drawers retaining the original gilt-brass Rococo mounts. The two leaves are supported on the original recessed hinged ‘ear’ supports. Overall in lovely original state. Some minor historic marks entirely commensurate with its age. Very good patination. These antique Pembroke tables were designed to be versatile: as small supper tables; occasional tables; tea tables; or lamp tables - sometimes also referred to as ‘drop leaf’ or ‘sofa’ tables. The majority of these Georgian tables are raised on square tapering legs or, when of a later date, on turned legs. It is more unusual for a satinwood Pembroke table to be raised on moulded tapering legs.   Interestingly, Thomas Sheraton (1751-1806) mentions the Pembroke table as follows: “a type of breakfast table from the name of the lady who first gave orders for one of them”, possibly referring to the Countess of Pembroke, of Wilton House, Salisbury, (1737-1831). A similar George III satinwood Pembroke table...

Antique silver argyle (argyll) gravy jug in the classic straight-sided George III style featuring a traditional and elegant swan-neck spout and pull-off cover. The handle is fruitwoo...

With hallmarks. Set made in silver in its color and glass composed of two jugs with handle, elongated neck and peak, and body of circular base, with the faceted exterior, an oval tr...

Antique solid silver mate cup from the late 18th century, crafted in the Colonial style. This finely made piece reflects the traditional silverwork of the period, with an elegant and...

George III period mahogany fratework console table with white Carrara marble top. With inlaid Greek key in Sienna marble.

France, circa 1770. ​ A charming pair of late Louis XV period fauteuils, the kidney shaped backs of simple outline supported on neoclassical fluted tapering legs. Each armchair sta...

English brass serpentine fire place fender with centered decorative floral engraving, flanking rope columns, pierced intertwined foliage gallery, rope banding, and resting on a step ...

An Indian Club shaped decanter, decorated with wheel-cut interlocking circles and spire finial. Very much in the English style.

Pair of American wrought iron and brass urn finial andirons with scrolled twisted center column, terminating on the original scrolled legs with penny feet. Center column was derived ...

A fine and rare George III centre table in the manner of Ince & Mayhew. In harewood with fine marquetry inlay. The shape is similar to some of the serpentine commodes of the 18th cen...

Heading : First Period Worceste rporcelain Kempthorne pattern trio Date : c1770 Period : George III Marks : Pseudo fret Origin : Worcester, England Colour : Polychrome - imari Patte...

Heading : First Period Worcester porcelain Kempthorne pattern trio Date : c1770 Period : George III Marks : Pseudo fret Origin : Worcester, England Colour : Polychrome - imari Patte...

A pair 18th Century Worcester Porcelain Shell Centrepieces, circa 1770, each modelled as six shells on a base of smaller shells and coral, painted with...

Heading : A very fine claret jug with inset medallions Date : 1760-1790 Origin : Bohemia, Southern Germany Colour : Clear Body : A vesica cut with two inset ruby glass zwischengold m...

A George III period mahogany tallboy with blind fret decoration to the frieze below the cornice and on the canted corners. Original swanneck brass handles and lovely grain on the dra...

This rare and beautiful George III Jug stands on a circular domed spreading foot which is chased with floral garlands. The main body is also chased with the same designs, bolder and ...

A group of late 18th cut steel Plombieres needlework accessories. France, circa 1775. Measures: Height on stand 8 inches (20cms), width 13 inches, depth 4 inches.

Large, hand carved and 22-karat gold gilded, Italian, oval frame with newer inset mirror. The crown featuring a hand painted crest with a quilted pa...

This extremely rare and fine garniture of George III neo classical baskets were made in London in 1778 by Philip Freeman. The Baskets all stand on a square pedestal foot which is pierced with horizontal pails and roundels, as well as being engraved with prick dot designs. The Classical vase shaped main bodies are also pierced with horizontal pails and roundels and the front of each piece displays a disc cartouche engraved with a contemporary Crest. The rim and swing handle, instead of being decorated with beading, are unusually engraved with various prick dot and bright cut bands, including stylised flower heads. Each basket is in excellent condition, has a blue glass liner and is fully marked in the foot. The baskets are of a very rare decorative design and Philip Freeman was known for producing unusual baskets and pails, although his work does not survive in great quantity. These are also unusual in that they stand on a pierced foot, echoing the designs on the main body. The smaller baskets would have been used for cream and the larger ones for sugar, however it is extremely rare to find a garniture. They are almost always found singly or in pairs, in sizes. A very rare Classical garniture of outstanding quality. Measures: Height of the sugar basket, to the rim: 5.4 inches, 13.5cm. Height of the cream basket...

The tea caddy is oval in form and the sides of the main body and edge of the cover, are engraved with bright-cut and scratch engraved bands. The front of the caddy displays a contemp...