1770s Furniture

Venetian school of the second half of the 18th century. Oil painting on canvas depicting an Arcadian landscape of pastoral genre. This type of pictorial representation established it...

Title: Etats Due Grand-Seigneur En Asie, Empire De Perse, Pays Des Usbecs, Arabie et Egypte . . . 1753 Detailed map of the Turkish Empire, extending to the Black Sea, Georgia, the...

This is a hand-colored copper engraving by Johann Michael Seligmann, derived from the work of George Edwards, and is part of the *Sammlung verschiedener ausländischer und seltener Vö...

Finely carved and gilded overmantel mirror in the manner of Thomas Chippendale crested with a stylized acanthus, supported by c and s-scrolls flanking a central plate. This outstanding gold gilt wooden overmantle mirror, features three shelves. and was purchased from the Bernard Baruch estate of Hobcaw Baroney Plantation (an original English land...

With oval upholstered backs and bowed upholstered seats raised on circular tapered legs. In the manner of John Linnell.

English Chippendale mahogany swan neck breakfront with a carved molded edge cornice, centered carved foliage fret work, patera inlaid floral medalli...

Title: Kleine Ente mit Purpurfarbenem Kopf - Hand-Colored Engraving of the Little Duck with a Purple Head by Johann Michael Seligmann, 18th Century This delightful hand-colored engr...

Title: Blaues Amerikanisches Kriechentlein - Hand-Colored Engraving of the American Blue-Winged Teal by Johann Michael Seligmann, 18th Century This striking hand-colored engraving...

Hallmarked in London in 1775 by John King, this George III period, Antique Sterling Silver Teapot, is 'drum' shaped, and features a wooden handle and finial. The teapot measures 4.5"...

An 18th-century hand-colored copper engraving by Johann Michael Seligmann, based on an illustration by George Edwards. The print is from Seligmann’s *Sammlung verschiedener ausländ...

Small Chest of Drawers with Marble Top France Rosewood and others Transition around 1780 Dimensions: H x W x D: 77 x 78 x 43 cm Description: Dainty French chest of drawers from th...

Title: Hand-Colored Optical View of Buitenhof, The Hague, by Jacob Wagner, ca. 1760 This hand-colored optical view, created by Jacob Wagner and published around 1760, depicts the Bu...

Chinese Export Porcelain Covered Famille Rose Two-handled Pots, Circa 1775 The unusual pair of Chinese Export porcelain circular two-handled pots and covers are painted in famille r...

Title: Der Braune und Aschfarbene Kranich - Hand-Colored Engraving of the Brown and Ash-Colored Crane by Johann Michael Seligmann, 18th Century This stunning hand-colored engraving,...

A rare, incredible and large antique Chinese carved mother of pearl mounted tea caddy with armorial for MacPherson and dating from circa...

Antique map titled 'South America agreeable to the most approved maps and charts'. Rare map of South America depicting Chili, La Plata, Paraguay, Brazil, ...

French painting from the second half of the 18th century. Oil on canvas artwork depicting a scene from the Old Testament, Esther fainting before Ahasuerus. Esther is a young Jewish w...

Copper engraving from Thomas Bankes’s “New System of Geography” published by Royal Authority c.1775 This engraving for sale depicts a scene of Karakakooa Bay in Owyhee (Hawaii), whe...

Nicely proportioned with broken arch carved pediment terminating with flower heads over a fluted frieze over a pair of doors flanked by a pair of doors all with honeycomb mullions en...

Georgian mahogany side table, with brass gallery and frieze drawer with rounded corners and raised on tapered legs of square section. - 43"w x 18"d x 29"h (44" to the top of the rail)

Serpentine bombe form with inset marble top over two drawers raised on cabriole legs. Brass handles. Very cute table.

English Chippendale Cuban Mahogany four poster bed with carved foliage acanthus reeded foot post, tapered head post, serpentine headboard, gadrooned molded edge tester, and resting ...

Title: Der Rote Brachvogel - Hand-Colored Engraving of the Red Curlew by Johann Michael Seligmann, 18th Century This vivid hand-colored engraving, titled 'Der Rote Brachvogel', depi...

Title: Der Amerikanische Pelican - Rare 19th Century Hand-Colored Engraving by Seligmann, Depicting the American Pelican This rare hand-colored engraving, titled *Der Amerikanische ...

Title: Die Gehäubte Ente - Hand-Colored Engraving of the Hooded Merganser by Johann Michael Seligmann, 18th Century This remarkable hand-colored engraving, titled *Die Gehäubte E...

Ex Mallett London provenance. With an arched back with central carved rosette. Pristine green silk damask upholstery. Loose cushion seat with loose cushion. Circular tapered fluted l...

Title: Der Kleinere Weiße Carolinische Reiher - Hand-Colored Engraving of the Lesser White Heron by Johann Michael Seligmann, 18th Century This finely detailed hand-colored engravin...

Journals of Congress. Containing the Proceedings From Sept. 5. 1774. to Jan. 1. 1776. Philadelphia: Printed and Sold by R. Aitken, 1777. Volume I. First Edition. 8vo. Rebound in ¼ br...

Step into the elegance of the 18th century with this extraordinary Italian hand-painted bombe commode, a stunning example of craftsmanship and artistry from the third quarter of the ...

Louis XV secretaire, France, 1770. Beautiful walnut veneer with plum, satinwood and kingwood marquetry. Exquisite figural marquetry on the outside of the writing top. The writing ...

Bahama Finch Engraving by J.M. Seligmann after George Edwards, Hand-Colored, 18th Century This exquisite 18th-century hand-colored engraving features the Bahama Finch, a vibrant b...

Unknown Flemish Artist, Belgium 18th century, in the right part of the painting the artist represented a man sitting in front of a tavern. He is surrounded by Delft baroque earthenware pitchers and plates. The right side of the painting shows different types of birds, among them chicken, a swan, ducks and a peacock. The painter was here definitely inspired by the 17th century painter Melchior de...

A large period Louis XV fireplace executed in superior quality Breche Violette marble. The jambs with deep side returns retaining their original brass vents, the front panels canter...

A large period pair of Louis XV fireplaces executed in superior quality Breche Violette marble. The jambs with deep side returns retaining their original brass vents, the front pan...

An extraordinary example of an English Chippendale looking glass. The rectangular plate with conforming foliate surround and frame lie beneat...

Title: Der Kolibri mit rother Brust, der Kolibri mit grüner Brust, und der Siebenschläfer - Hand-Colored Engraving of Hummingbirds and Dormouse by Johann Michael Seligmann, 18th Cent...

Maiolica tureen Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 9.05 x 12.59 x 9.05 in (23 x 32 x 23 cm) ...

This is a hand-colored copper engraving by Johann Michael Seligmann, derived from the work of George Edwards, and is part of the *Sammlung verschiedener ausländischer und seltener Vö...

Antique map titled 'South America agreeable to the most approved maps and charts'. Rare map of South America depicting Chili, La Plata, Paraguay, Brazil, ...

Antique print Batavia titled 'De Reede van Batavia'. Beautiful view of the sea near Batavia (Jakarta, Indonesia), with several ships lying at anchor. Artists and Engravers: Ma...

18th Century Chippendale mahoagany chest of drawers; this two over three drawer chest has an absolutely beautiful figured mahogany top , the original brass bail handles are unusual w...

Swedish black lacquered and gilt Chinoiserie tall case clock with arched decorative floral hood, flanking finials, turned bulbous columns, ormolu and steel engraved face, figural flo...

Description: Antique print titled 'Cérémonie du Mariage des Incas'. Copper engraving of an Inca marriage ceremony. This print originates from volume 20 of 'Histoire generale ...

"The City of Malacca in the East Indies" is from Charles Theodore Middleton's work, "A New and Complete System of Geography." This book was published in 1777. Therefore, the engrav...

A very fine and important pair of Italian carved gilt-wood console tables, Roman, circa 1770 Each with a rectangular back, yellow and white marble top, above a frieze centered by a r...

Antique map titled 'Turquie d'Asie, Arabie, Perse, Tartarie Independante'. Old map of Turkey in Asia. The map shows all of Turkey and the Black Sea, and extends east to include t...

Maiolica puerperal cup Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures: 4.3 x 6.8 x 5.3 in (11 x 17,5 x 13,5 cm) Weight: 0.78 lb (358 g) State of conservation: some closed pass-through fêlures on the cup, barely visible on the outside. Some use chips on the edge of the lid, two of which are more marked. From about the mid-sixteenth century, the puerperal soup tureen or puerperal cup became one of the most popular wedding gifts in central Italy. As an auspicious symbol, it replaced the birth table (“desco da parto”) which, on the occasion of high-ranking marriages, from the thirteenth century, had been painted by famous artists, especially in Tuscany. In France this same tureen is called "écuelle de mariée", as it is given to spouses as a sign of fertility. During the eighteenth century this custom spread even outside Italy to all social levels. Depending on availability and rank, it was made of different materials: precious metals, maiolica, porcelain, glass, pewter, etc. Beginning in the mid-twentieth century, the custom of this symbolic homage gradually disappeared, although famous designers such as Gio Ponti and Giuseppe Gariboldi, even as recently as the 1940s, revisited a model of a small puerperal soup bowl for the Ginori and, also in Italy in 1940, in a national competition for young potters, one of the themes of the test was indeed a modern model of a puerperal cup as an auspicious gift. This particular cup was also called a "service cup" or "puerperal vase" or "stuffed cup" - the windows were sealed with straw to prevent drafts of air for women in labor. In the eighteenth century the line of the puerpera cup was simplified, so much so that it took the form of a small tureen with two handles - the typical broth cup...

Antique map titled 'Carte pour Servir a l' Histoire Philosophique et Politique des Etablissemens et du Commerce des Europeens dans les deux Indes'. This map is roughly centered o...

Assortment of dishes Lombard manufacture 1770 – 1780 Circa Maiolica polychrome decorated “a piccolo fuoco” (third fire). Two large dishes: diameter 14.76 in (37.5 cm); weight 4.5...

Pair of English Chippendale Burled Walnut mirrors with centered Prince of Wales cartouche, flanking scrolled pediments, carved egg & dart border, and decorative floral motif. Mirror...

The map titled "The Island of Jamaica and Cape Gracias a Dios with the Banks (Shows Moskito Kings Party)" illustrates a significant historical period marked by shifting colonial infl...

Puce and yellow painted marks, Lacking date mark, painters' marks Charles Buteux, gilder’s mark for Jean Chauvaux.

This is a pair of very rare and beautiful shell dishes made by Worcester around 1770 in their 1st or "Dr Wall" period. The dishes have one scrolled handle and have a shell-like shape...

French Gilt Louis XVI Wall Mirror, 18th Century with Original Mercury Glass Impressive classical wall mirror from Paris represents a carved and gilded wooden frame (15.5cm) with pro...

Maiolica puerperal cup Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures: 4.3 x 6.8 x 5.3 in (11 x 17,5 x 13,5 cm) Weight: 0.78 lb (358 g) State of conservation: some closed pass-through fêlures on the cup, barely visible on the outside. Some use chips on the edge of the lid, two of which are more marked. From about the mid-sixteenth century, the puerperal soup tureen or puerperal cup became one of the most popular wedding gifts in central Italy. As an auspicious symbol, it replaced the birth table (“desco da parto”) which, on the occasion of high-ranking marriages, from the thirteenth century, had been painted by famous artists, especially in Tuscany. In France this same tureen is called "écuelle de mariée", as it is given to spouses as a sign of fertility. During the eighteenth century this custom spread even outside Italy to all social levels. Depending on availability and rank, it was made of different materials: precious metals, maiolica, porcelain, glass, pewter, etc. Beginning in the mid-twentieth century, the custom of this symbolic homage gradually disappeared, although famous designers such as Gio Ponti and Giuseppe Gariboldi, even as recently as the 1940s, revisited a model of a small puerperal soup bowl for the Ginori and, also in Italy in 1940, in a national competition for young potters, one of the themes of the test was indeed a modern model of a puerperal cup as an auspicious gift. This particular cup was also called a "service cup" or "puerperal vase" or "stuffed cup" - the windows were sealed with straw to prevent drafts of air for women in labor. In the eighteenth century the line of the puerpera cup was simplified, so much so that it took the form of a small tureen with two handles - the typical broth cup...

Rectangular serpentine top over four conforming graduated drawers. Bracket feet. Brass bail handles.

18th century French large Louis XVI neoclassical breakfront marquetry gilt bronze commode or sauteuse, attributed ti Etienne Avril (1748-1791):...

Beautiful oak Wales cabinet from the 18th century. In perfect condition and beautiful patina. This is a classic example of a Wales oak cabinet. 1st row of drawers are not real drawer...

English Chippendale mahogany broken pediment breakfront with carved floral medallions, candle light molding, four upper case glass doors with adjus...

Chinese export porcelain Imari Tureen and cover, Circa 1780 The Chinese Export porcelain tureen and cover are painted in the Imari palette. The body and cover are painted in underglaze blue and iron-red with ducks on a pond surrounded by water lilies . The unusual handles are in the form of upturned water lily pods. The finial is shaped as a closed flower with leaves and the rim of the tureen and the edge of the cover have an undulating design. Dimensions: 9 inches high x 13 1/2 inches wide x 9 3/4 inches deep. Provenance: Chinese Porcelain Company...

Chinese Export Porcelain Large Five-piece Famille Rose Garniture of Vases, Circa 1775-80 The Chinese Export porcelain flattened baluster vases and covers are of a large size with ra...

Two maiolica flower pots Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire) The...

Maiolica tureen Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 9.05 x 12.59 x 9.05 in (23 x 32 x 23 cm) ...

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Maiolica tureen Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 9.06 in in height x 13.39 in x 9.84 i...

Antique print, titled: 'Prospect der Stadt Damiat.' - Tab VIII. View of the city of Damietta, Egypt. From 'Reisebeschreibung von Arabien und anderen umliegenden Landern (1774-1778)...

This engraving features "Delphinus Phocaena Linn.," referring to what we now call the harbor porpoise (*Phocoena phocoena*). This depiction forms part of a broader collection from th...

Pair of Large Chinese Famille Rose Vases, circa 1770

Beautiful oak Welsh cabinet from the 18th century. In perfect condition and beautiful patina. This is a classic example of a Welsh oak cabinet. This ...

This genuine antique engraving is an illustration of a bird labeled as "Calao à bec rouge, du Sénégal," which translates to "Red-billed Hornbill from Senegal." The artwork is attribu...

This original 18th century Louis XVI armoire, which was made in South Germany around 1780, stands out for its finely carved walnut details. Festoons and flowers decorate the two door...

A Rare 18th Century Meissen Porcelain Marcolini Period Watteau Covered Potpourri. This rare Meissen porcelain potpourri vase, dating ...

Monumental 18th Century Venetian Grotto Frame, created circa 1780 in Italy. This frame is impressive as an decorative element or the encasement for a treasured painting, mirror or im...