1770s Furniture

A English circa 1770 early George III period sabicu and gonçalo alves lady's writing or work table in the 'French' or rococo style of John Cobb and Pierre Langlois, the rectangular top above a felted brushing slide with brass knob pulls...

George III bracket clock by Paul Rimbault, London Finely figured mahogany bell top case with four finials surmounted by a brass hinged car...

This gorgeous French Louis XV chest of drawers dates back to around 1770. It was made during the so called Transition period, the time between Louis XV and Louis XVI. It already shows the plain and stricter design of the Louis XVI period, but has still some playful marquetry decor details which draw from the more pompous Louis XV style. The three drawers commode stands on four cabriole legs with bronze sabots. Between the first and the second drawer is a decorated bronze band. This beautiful chest of drawers has its original wooden top with its veneer decor matching the decor of the front and sides. The Transition commode has been expertly refinished in our workshop. The price includes costs for the exquisite restoration and the international shipping from Europe...

18th Century Porcelain Trompe-L'oeil Asparagus Spears Tureen, Probably German porcelain probably Thuringian Circa 1770-1800 The porcelain ...

Serpentine top with satinwood banding with etched floral decoration over a conforming frieze with four graduated drawers , raised on bracket feet. Brass bail handles.

We are pleased to offer this pair of blue and white Dutch Delft dishes with lovely chinoiserie decoration, which features an image of a vase overflowing with flowers. Around the vas...

Pair of George III mahogany hall chairs, in the manner of and possibly attributable to Thomas Chippendale, the oval backs with molded panels, the shaped seats with curved fronts over...

This description is taken from the information secured to the reverse of the painting - 18th century oval oil portrait of Rebecca Steel of New Timber...

Fine 18th century Danish or Swedish rococo mirror having a shell decorated crest with foliate adorned ribbed frame, the original arched beveled plate with...

Robust patinated leather De Sede DS-101 two-seater sofa. Excellent comfort with an extendable seat for much more lounge comfort and high-quality neck leather. The frame is made of be...

A magnificent, fine and impressive pair of antique George III English cast sterling silver candlesticks made by Edmund Vincent; an addition of our ornamental silverware collection These magnificent antique George III cast sterling silver candlesticks have a baluster shaped form with a waisted knopped stem onto a shaped base. The waisted capitals of these exceptional antique silver candlesticks are embellished with gadroon decorated borders. The capitals are fitted with the original hallmarked detachable sconces ornamented with six-shell ornamentation, in addition to further gadroon decoration to the curvilinear-shaped rim. The upper portion of the waisted shaped column features a shaped knop embellished with six shell designs, reflecting the decoration to the sconce. The waisted column is further ornamented with fluted decoration, in a swirl design, with a gadroon decorated knop to the lower portion The shaped bases of these Georgian silver candle holders are embellished with a swept fluted upper portion to six large shell designs, alternating with convex oval bead motifs. The decoration to each base incorporates a bright cut engraved crest of the bust of a man in profile couped at the shoulders. The shaped rim of each candlestick features an impressive gadroon decorated border. These magnificent candlesticks feature a stunning and ornate variation of six-shell decoration and are the finest of their type you could hope to acquire. Condition These antique 1700...

English creamware Chinoiserie teapot & cover with pierced galleried rim. Circa 1775. The circular English creamware teapot with two designs front ...

Hallmarked in London in 1774 by John Carter II, this handsome, George III Period, antique sterling silver salver, stands on 3 feet, and features a pierced rim and bead border, and an...

A beautiful pair all carved wood and gilded. True pair with the birds facing each other with a bird crest flanked by trailing leaves over an oval mirror plate with carved gadrooned o...

Two maiolica flower pots Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire) The...

Fine Georgian period mahogany chest on chest, the dentil molded top with reeded canted corners having three short and three wide drawers over lower section having secretary drawer an...

A fine pair completely regilded at some point with 23 ct gold leaf. Shield form back beautifully carved. Nicely upholstered, circular tapered fluted legs. Provenance ; Estate Of Mr Martin...

Oval bowl with peasant scene, Nymphenburg, c. 1775, pressed mark Rautenschild, incised 6, painting attributed to Joseph Kaltner.

Regilded in burnished gold leaf. Each with oval backs with a carved beaded frame, carved arms with scroll hand hold, leaf carved seat rail with paterae, raised on circular tapered fl...

Charleston Chippendale mahogany slant top writing desk with four graduated drawers, fitted interior, original brasses, and resting on the origin...

This is a gorgeous French country carved walnut sideboard with hand-hewn backboards and tons of character and age. The size is on the grander scale at 80 wide x 23 deep x 45 tall and...

With possible later painted decoration. With a great look and nice appearance. The rectangular top with a fold over top to form a writing surface over a frieze with a single drawer,...

Swedish black lacquered and gilt Chinoiserie tall case clock with arched decorative floral hood, flanking finials, turned bulbous columns, ormolu and steel engraved face, figural flo...

Finished rectangular top over six graduated drawers with brass bail handles. Raised on bracket feet. Old finish. Well made with drawers functioning well and oak secondary wood.

Pair of lovely antique silver wine bottle or decanter coasters, with hand-pierced openwork sides, decorated with a scrolling leaf design and their ori...

Serpentine bombe form with inset marble top over two drawers raised on cabriole legs. Brass handles. Very cute table.

Two porcelain plates, Nymphenburg, around 1770-75, pressed mark Rautenschild and NB, one plate additionally with blue mark, hexagram, painting attributed to Joseph Kaltner. Prov.: G....

Set of Three 18th Century Hand-Made Brass Candlesticks were designed to be functional yet attractive as they would remain in plain view all day, and only be utilized at night. Back in the days before electric lighting, candles were worth their weight in silver, as the process to make them was still laborious hand-labor, and the wax itself wasn't inexpensive. Many of our trunks from this period had separate cabinets inside the locked trunk...

Hallmarked in London in 1772 by William Plummer, this handsome, George III, Antique Sterling Silver Tankard, is baluster shaped, and features reed detailing, a domed lid, and an engraved coat of arms opposite the handle. The tankard measures 8.5"(21.5cm) tall, by 6.75"(17cm) from handle to side, by 4.5"(11.5cm) deep, and weighs 28.4 troy ounces. The coat of arms is that of James Stirling...

Maiolica flower pot “a mezzaluna” decorated with trompe l’oeil Pasquale Rubati Factory Milan, 1770 circa It measures: 4.7 in (cm 12) X 5 in (...

Carte De L’Isle De Sainte Lucie Detailed copper engraved map of Saint Lucia by Jacques Nicolas Bellin. This map was completed by Krevely 1775 for for the rare Dutch edition of ...

An exceptional, fine and impressive set of four antique Georgian Newcastle sterling silver Old English pattern table/serving spoons; an addition to our silver flatware collection These exceptional antique Georgian Newcastle sterling silver spoons have been crafted in the Old English pattern. The anterior surface of each serving/table spoon handle terminal incorporates the contemporary engraved initial 'P'. The reverse of each 18th century spoon is embellished with single drop heel, in addition to a pip to the handle terminal. These exceptional Georgian set of spoons, crafted by the renowned silversmiths John Langlands I & John Robertson I in 1778, have deeply struck hallmarks and are the finest examples of their type you could hope to acquire. Condition These antique Georgian silver spoons...

Hallmarked in London in 1774 by John King, this wonderful, George III period, Antique Sterling Silver Tankard, is of traditional straig...

Sick cup Pasquale Rubati Manufacture Milan, Circa 1770 - 1780 Maiolica decorated in polychrome “a piccolo fuoco” (third fire) It measures: h 2.36 x 7.4 x 7.87 (h 6 x 19 x 20 cm) ...

Very fine George III mahogany serpentine cabinet, the shaped top with molded edge, the two doors in vivid crotch grain with hard round molded surrou...

This rooster printing is a work signed by French designer Jean Lurçat. Circa 1970.

This carved English Chippendale stool has all of its original four glue blocks underneath with four 19th century reinforcements added. The legs are carved with beaded corners and int...

Chest of drawers Murano glass set of 2, with all structure in solid palisander wood with veneered finishes, all the chest is covereed with white Mur...

A rare Georgian decanter of shoulder form wheel engraved with a BEER cartouche surrounded with hops and vines, The reverse engraved with exotic game birds identical to those used by James Giles...

This First period Worcester porcelain tea bowl is decorated with the hand painted Mansfield pattern and a hand painted border (refer border patt...

Pair of 18th century English gilt sterling silver salvers on three claw feet with family crest of Wykeham, for Philip James Digby of Tythrop House, hallmarked for John Carter II, Lon...

Antique sideboard, buffet, chest of drawers with attachment South Germany walnut, plum etc. Classicism around 1770 Dimensions: H x W x D: 192 x 125 x 71 cm Description: Three-piec...

English Georgian Chippendale period plum pudding mahoganypiecrust tilt and turn table. This tea table is beautifully carved with the top being a single board, the pedestal base having carving to the stem as well as sophisticated acanthus leaf carving to the knees and toes of the three cabriole legs. As one expects with an 18th century piecrust table...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delivery needs! They offer a reasonable flat-rate fee for delivery and set up to the ground floor of your home. They deliver to the vast majority of the lower 48 states. They offer a flat rate for most of our items with exclusions for the largest or most complex items such as breakfronts or crystal chandeliers or other items of greater complexity. For those items please ask for a shipping quote prior to purchase as these rates are different from our stated pricing. For those items please ask for a shipping quote prior to purchase. Most deliveries to the East Coast will be 295.00, to the mid-west and Southern mid-west 395.00. To the areas west of Kansas 495.00 and the farthest points to the West coast will be 595.00. Again, some areas we can't cover, however we can deliver to most of the lower 48 states so please inquire to be sure! Delivery times range from as fast as 1-4 weeks for the east coast to 5-9 weeks to the farthest areas of the west coast, sometimes longer and sometimes even shorter. If it is a time sensitive purchase, we may be able to accommodate you for a higher price. It is our goal to please each and every one of our customers with the highest standard of service possible. You must realize and accept that we are shipping antique, vintage and quality used furnishings to your home. We cannot control traffic, weather, and acts of God. There will be times when additional patience will be necessary. Please see video below. This is a very rare, monumental butlers desk or large scale commode in solid oak with incredible hand polished and hand-hewn quarried marble. The piece has been painstakingly gilded and ebonized in a French-polished shellac finish and has a red interior. The piece features two side doors which at one time had adjustable shelves. Take a look at the incredible chunky antique locks...

With a serpentine top over a brushing slide over two over two drawers , shaped apron and raised on splayed bracket feet. This chest is of the finest quality of color and scale and co...

Antique engraving of a Tucano Mangiapepe, by Saverio Manetti Circa 1776 A fine hand colored engraving of a Tuscan Magpie by the Italian artist Saverio Manetti. Manetti drew his work predominantly from real specimens. The work was one of the largest ornithology undertakings to that point in time. Dimensions: 25 inches high x 22 inches wide x 1 1/4 inches deep. (frame); (63.5cm high x 55.88cm). 18 x 14 in. (sheet) Reference: Wikipedia Manetti was born in Brozzi to Giovanni Bernardo and Maria Teresa Nesiscolt of Prague. His early studies were in Florence and later at Pisa where he studied botany under Pier Antonio Micheli. He graduated in medicine in 1745 and worked in Florence. In 1758 he joined the National Medical College where he studied anatomy under Antonio Cocchi (1695–1758), conducting the autopsy of Cocchi. Manetti was Professor of Botany of the "Società Botanica Fiorentina", a member of the German Academy of Sciences Leopoldina, a Fellow of the Royal Society, learned societies in Göttingen and Montpellier, an Accademico dell'Istituto di Bologna and he maintained scientific contacts with the Swedish botanist Carl Linnaeus and with the main scientific circles of the second half of the 18th century. He was supervisor of the Orto Botanico di Firenze in Florence from 1749 to 1782 succeeding to Giovanni Targioni Tozzetti and Secretary of the Accademia dei Georgofili. With remarkable organizational effort, he secured the publication of Storia naturale degli uccelli, Natural History of the birds, a monumental work in five volumes illustrated with 600 hand-coloured engravings based on watercolor paintings. The book was commissioned by Maria Luisa, Grand duchess of Tuscany and the first volume was dedicated to Grand Duke Pietro Leopoldo. The third volume was dedicated to Ferdinando di Brobone and the fourth to Giorgio Nassau Clavering. The engravings were made by Tuscan abbot and engraver Lorenzo Lorenzi and Violante Vanni who had studied under British engraver Robert Strange...

With a serpentine divided top with oval inlaid panel with hunting scene with hounds and hares with floral medallions at the corners , hinged outer sections fitted with a well and central section lifting and fitting into a recess , leather top of Tiffany blue. A button released the pop up desk...

Antique French Louis XV transitional ormolu-mounted tulipwood & marquetry Bonheur Du Jour, Roger Vandercruse (dit Lacroix) , circa 1770. The desk is finely inlaid on all sides, ther...

English Hepplewhite mahogany bow front sideboard with brass ball finial gallery, flanking hinged cabinets, interior lead lined bottle drawer, original floral brasses, satinwood strin...

Stunning late 1700s baroque oil painting (Fiemme Valley. Trentino) Strongly considered a Unterperger's circle artwork by the experts hired for this task...

Antique map titled 'Turquie d'Asie, Arabie, Perse, Tartarie Independante'. Old map of Turkey in Asia. The map shows all of Turkey and the Black Sea, and extends east to include t...

An exceptional, fine and impressive antique George III English sterling silver goblet; an addition to our Georgian wine and drinks related silverware collection This exceptional antique Georgian sterling silver goblet has a plain circular bell shaped form to a circular, knopped pedestal foot. The body of this antique silver goblet is embellished with impressive embossed and chased medallion designs, accented with ribbon bows and conjoined with bud festoons. The upper portion is encircled with an engraved decorated interlacing border. The waisted, knopped pedestal and circular spreading foot are encompassed with applied bead decorated borders. This impressive example of Georgian silverware retains the original gilded interior. Condition This antique 1700s silver goblet is an exceptional gauge of silver, exceptional quality and in exceptional condition. The embossed and chased decoration is all sharp. Full hallmarks struck to the surface of the body are very clear; the first portion of the maker's mark has worn in keeping with age and location. Reflections in photographs may detract from the true representation of this Georgian goblet...

Antique print, titled: 'Prospect der Stadt Damiat.' - Tab VIII. View of the city of Damietta, Egypt. From 'Reisebeschreibung von Arabien und anderen umliegenden Landern (1774-1778)...

Mythology: Centeur, Youth with Lyre - Fresco from the discoveries at Herculaneum. Overall 49 x 37 cm copper engraving in later hand colour. Issued from the work "Delle Antichità di Ercolano - Le Pitture Antiche D´Ercolano e contorini..." detailing the latest discoveries from Herculaneum. References: Borroni II, 5422. Cicognara 2645. Ornamentstichslg. Berlin 3947. Graesse I, 145: "Ouvrage magnifique...” Very good overall condition. Light marginal spotting. The excavations at Heculaneum began in 1711, when a well was being dug for the new country house of Emmanuel Maurice, Duke of Elbeuf at Portici. The well turned out to have been sunk into the buried and richly ornamented proscenium of the theater of Herculaneum, and yielded several valuable marbles, including a statue of Hercules. The duke was extremely short of money. He smuggled the pieces to Rome to be restored, and then "gave" them to Prince Eugene of Savoy, his cousin. In 1738 Charles VII of Naples - after 1759, Charles III of Spain - began excavations to find objects for his private collection of antiquities, imposing tight security on the site. Interest was maintained by the hope of finding more objects of similar value to the first set of statues...

English Creamware Large Teapot with Puce Flower Painted Decoration, circa 1770 The Staffordshire Globular teapot is painted with large puce-colored f...

This historical print, titled "Vue de la Rivière d'Endeavour sur la Côte de la Nouvelle Hollande ou le Vaisseau fut mis à la bande," is a significant representation of the east coast of Australia during the late 18th century. Here's a description of this remarkable artwork: - **Title**: Vue de la Rivière d'Endeavour sur la Côte de la Nouvelle Hollande ou le Vaisseau fut mis à la bande. [Tome IV Pl. 1ère.] - **Publisher**: Captain James Cook, with publication in Paris in 1773. - **Coloring**: Uncolored. - **Size**: Approximately 200 x 340 mm (7.9 x 13.4 inches). - **Condition**: In very good condition, with some visible fold lines, which is common for antique prints of this age. - **Description**: This print is historically significant as it represents the first known landscape drawing of the east coast of Australia. It depicts a view of the Endeavour River on the coast of New Holland (now Australia), where Captain James Cook's ship, the Endeavour, was intentionally grounded to undergo repairs after sustaining damage on a reef. The print provides a glimpse into the early exploration and navigation of this region. - **Artist**: The engraving is drawn after Sydney Parkinson, a Scottish Quaker, botanical illustrator, and natural history artist. Parkinson accompanied Joseph Banks...

Hallmarked in Newcastle in 1772 by David Crawford, this handsome, George III period, Antique sterling silver tankard, has a tucked in shape, and a domed top. The tankard measures...