17th Century Furniture

This is an extraordinary console in gilded wood with stem shaped like a vine plant with leaves and bunches of grapes, supporting a carved wooden top painted in imitation of marble. T...

The top of sagomata shape and having notched rear corners, a molded edge and an under hanging dentile molding atop a conforming case housing two drawers over two doors, flanking the ...

Heavily carved small baroque oak chest resting on later dated oak stand with two shelves. Note in the central circular carving along the top, the visible date of 1688 and initials AN...

This is a magnificent solid walnut console made by the Andrea Fantoni workshop that epitomizes the exquisite style of the Master craftsmanship, Andrea Fantoni, who lived in Bergamo,...

This is an antique county map of Hampshire. An English, framed atlas engraving of cartographic interest By Robert Morden, dating to the late 17th century and later. Superb lithogra...

An outstandingly beautiful William and Mary oyster veneer olive wood cushion mirror. The frame is complete, with no losses and the original foxed beveled mirror plate. Small nicks to...

The framed engraving of "Aurore and Cephalus" depicts the kidnapping of Prince Cephalus by Aurore, who has fallen madly in love with him. This work was created by Annibale Carracci ...

Tall in scale and having a rectangular top with molded edge atop a conforming case housing four drawers over two doors, the paneling throughout not limited to drawers and doors and i...

The map of Batavia (modern-day Jakarta) from 1681, attributed to Frederick de Wit holds significant historical importance for several reasons: Historical Context 1. Colonial Era: This map dates back to the Dutch colonial era when Batavia served as the administrative and commercial hub of the Dutch East India Company (VOC). The VOC was a powerful trading entity that played a crucial role in the global spice trade and colonization in Southeast Asia. 2. Strategic Importance: Batavia was strategically located on the northwestern coast of Java, providing the Dutch with a critical base for their maritime operations. The city became the center of Dutch political and military control in the region. Cartographic Significance 1. Detailed Urban Layout: The map meticulously details the layout of Batavia, including its fortifications, canals, streets, and significant buildings. This level of detail provides insights into the urban planning and architectural styles of the period. 2. Military Engineering: The fortifications shown on the map illustrate the advanced military engineering techniques used by the Dutch to protect their valuable colony. The walls, bastions, and moats indicate the strategic considerations taken to defend against potential invasions. 3. Maritime Activity: The depiction of ships in the harbor highlights Batavia's role as a major maritime center. The VOC's fleets were essential for trade routes connecting Europe, Africa, and Asia, making Batavia a crucial node in global commerce. Artistic and Cultural Value 1. Artistic Elements: The decorative elements, such as the lion holding a shield and the intricate cartouches, reflect the artistic trends of Dutch Golden Age cartography. These embellishments were not only informative but also served to display the cartographer's skill and the map's prestige. 2. Cultural Exchange: Maps like this one provide evidence of cultural exchange between the Dutch and the indigenous populations of Java. The blending of Dutch and local influences can be seen in various aspects of the map and the architecture of the city. Rarity and Preservation 1. Rarity: Maps from the 17th century, especially those in good condition, are relatively rare and highly valued by collectors and historians. Each map provides a unique snapshot of historical geography and urban development. 2. Preservation of History: This map serves as a historical document, preserving knowledge about Batavia's cityscape, infrastructure, and colonial governance. It helps historians and scholars understand the socio-economic and political dynamics of the period. Conclusion The map of Batavia from 1681 is special due to its detailed depiction of one of the most important colonial cities in Southeast Asia during the Dutch Golden Age. It reflects the strategic, economic, and cultural significance of Batavia, serving as a valuable resource for understanding the history of Dutch colonialism and its global impact. The map's artistry and precision make it an important artifact in the history of cartography. --------------- The map is an original and historical map of Batavia (present-day Jakarta) on the island of Java, dated 1681. There are several details to consider when evaluating its origins and possible authorship: 1. **Style and Detail**: The intricate details and style are reminiscent of maps created by Frederick de Wit, a prominent Dutch cartographer and engraver of the 17th century. He was known for his detailed city maps and sea charts. 2. **Lack of Signature**: The absence of "F. de Wit, Excudit" could indicate either an omission or a different engraver. However, it is essential to note that some maps from that period were reproduced or copied by other engravers and cartographers. This was not uncommon, as map-making was a collaborative effort, and copies of popular maps were frequently made. 3. **Map Characteristics**: - The depiction of ships and the detailed fortifications are typical of Dutch cartography in the late 17th century. - The decorative elements, such as the lion holding a shield, are also characteristic of Dutch map engravers. 4. **Other Possible Engravers**: While Frederick de Wit is a strong candidate, other notable Dutch engravers from that period include Joan Blaeu and Willem Janszoon Blaeu. They also produced highly detailed maps and could potentially be the creators or inspirers of this map. To determine the precise authorship, you might consider: - **Comparing** this map with other confirmed works of Frederick de Wit and his contemporaries to identify stylistic similarities and differences. - **Historical Records**: Consulting historical records or publications related to Dutch cartography in the 17th century might provide more context or even direct references to this particular map. If you have access to additional details or higher-resolution images of specific sections, it might help further pinpoint the map's origin and authorship. ------------- Frederick de Wit (1629–1706) was a prominent Dutch cartographer, engraver, and publisher known for his detailed and decorative maps, atlases, and globes. He played a significant role in the Dutch Golden Age of cartography, contributing to the wealth of geographic knowledge and artistic achievement during this period. Here are key aspects of his life and work: ### Biography - **Early Life**: Frederick de Wit was born in Gouda, Netherlands, in 1629. Little is known about his early years, but he moved to Amsterdam, the epicenter of Dutch cartography, in the mid-17th century. - **Career Beginnings**: De Wit began his career as an engraver and publisher, initially producing maps that were reissues of earlier works by other cartographers, such as Joan Blaeu and Willem Janszoon Blaeu. ### Contributions to Cartography - **Mapmaking**: De Wit was known for his meticulous attention to detail and artistic flair. He produced a wide range of maps, including world maps, regional maps, city plans, and maritime charts...

This print depicts two cows standing close together in a pastoral scene. The etching is detailed, capturing the textures of the cows' hides and the surrounding foliage. To the left, ...

These engravings, imitating the red chalk technique, represent the preparatory work for the Atlantes in the Farnese Gallery in Rome, according to Carracci. There we find the mentions...

This pair of engravings is made in the sanguine style, using red chalk. They represent the preparatory work for the Atlanteans of the Farnese Gallery in Rome, according to Carracci. ...

A terrific 17th century Arte Populaire Table Basse - Coffee Table from the Ardeche region of France. Wonderfully constructed from a 17th century Mangeoire - Trough. The trough is c...

Engraving entitled "Tritons, Nereids and Sea Horses" represents various characters from Greek mythology, with an illustration of Venus with the shell of the Borghese Palace. This eng...

Antique print titled 'The Roÿall Banquet - t Koonincklyck Banket'. Original antique print of a feast for the Dutch embassy in the palace, China. This print originates from 'Gedenkwae...

An antique Italian collection of four Venetian hardware door knockers mounted on plexiglass stands, in good condition. Wear consistent with age and use. Circa 16th - 17th Century, Ve...

Royal House Antiques Royal House Antiques is delighted to offer for sale this very rare and highly important, Museum quality, extra large framed, Documented English oak Tester bed...

Fine Sculpted Queen Bed Portuguese 17th/18th C. Jacaranda Wood torsade Posts , detailed with a Outstanding Torsade Posts Dimensions: Height” 80” Depth 81” Width: 64” More queen , less king Fine Sculpted Colonial Portuguese 17th/18th C. Jacaranda Bed...

17th Century Large Tuscan Renaissance hanging Console in Walnut with Drawer. Simple but precious console, all original which fills the environment with charm About Tuscan Renaissanc...

This engraving of Guangzhou ("Kanton") is from a French edition of Olfert Dapper's work. The French edition titled "Description de l’Empire de la Chine" was published in 1674. It is ...

17th Century Gothic Style Bronze Reliquary Box With Repousse Figures 8.5" x 4.75 x 3.5"H

Royal House Antiques Royal House Antiques is delighted to offer for sale this super rare and highly collectable 17th century weather vane which by repute came from Lord Chief Justice Jeffries house chimney, he was the 1st Baron 1645-1689 Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very rare and wonderful find, I bought this from a charming chap who was selling his cottage that he had furnished to a standard you can’t imagine over 60+ years, the cottage dated back from memory over 800 years he had some of the most interesting and well curated pieces I have ever had the pleasure to handle, some of which never made it to sale and are still in my private collection The condition is exquisite, the wrought iron base looks to be later, the top section slides down on to it perfectly, the condition is exactly as you would wish it to be Dimensions Height:- 226cm, the base height alone to the dome is 57cm Width:- 83cm Depth:- 22cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask George Jeffreys, 1st Baron Jeffreys George Jeffreys, 1st Baron Jeffreys PC (15 May 1645 – 18 April 1689), also known as "the Hanging Judge",[1] was a Welsh judge. He became notable during the reign of King James II, rising to the position of Lord Chancellor (and serving as Lord High Steward in certain instances). His conduct as a judge was to enforce royal policy, resulting in a historical reputation for severity and bias. Early years and education Jeffreys was born at the family estate of Acton Hall, in Wrexham, in Wales, the sixth son of John and Margaret Jeffreys. His grandfather, John Jeffreys (died 1622), had been Chief Justice of the Anglesey circuit of the Great Sessions. His father, also John Jeffreys (1608–1691), was a Royalist during the English Civil War, but was reconciled to the Commonwealth and served as High Sheriff of Denbighshire in 1655. His brothers were people of note. Thomas, later Sir Thomas (knighted in 1686), was the English Consul in Spain and a Knight of Alcántara. William was vicar of Holt, near Wrexham, from 1668 to 1675. His younger brother, James, made a good ecclesiastical career, becoming Vice-Dean of Canterbury in 1685. George was educated at Shrewsbury School from 1652 to 1659, his grandfather's old school, where he was periodically tested by Philip Henry, a friend of his mother. He attended St Paul's School, London, from 1659 to 1661 and Westminster School, London, from 1661 to 1662. He became an undergraduate at Trinity College, Cambridge, in 1662, leaving after one year without graduating, and entering the Inner Temple for law in 1663 He embarked on a legal career in 1668, becoming a Common Serjeant of London in 1671. He was aiming for the post of Recorder of London, but was passed over for this in 1676 in favour of William Dolben. He turned instead to the Court and became Solicitor General to the Duke of York and of Albany (later King James II & VII), the younger brother of Charles II. Despite his Protestant upbringing, he found favour under the Roman Catholic Duke. Jeffreys distinguished himself with black humour, for example noting that two...

A very nicely decorated Late Ming Blue and White Porcelain Dishe, Tianqi or Chongzhen Period c.1620-1635. Box included These small Transitional porcelain saucer-shaped dishes would ...

A very nice Ko-Kutani Plate. Additional information: Material: Porcelain & Pottery Region of Origin: Japan Period: 17th century Age: Pre-1800 Condition: Overall Condition Very good,...

A very nice set of plates, reverse decorated wiht floral/rock scene. All marked at the base. With matching storage box. Additional information: Material: Porcelain & Pottery Region...

Very nice early edo period, example. With a deer Scene in a landscape amongst leaves. Marked at the base. Additional information: Material: Porcelain & Pottery Japanese Style: Arit...

Elegant wrought- iron gilded chandelier with fope foliage, leaves and tree branches. Six lights Probably Italian or French, c.1950.

**Catalogue Description:** **Title:** Tab. XI. Asiae, comprehendens Indiam extra Gangem. **Description:** This is an exquisite Ptolemaic map depicting Asia east of the Ganges, ti...

One of the two Large Pedant Ceiling lamp wave by Koch & Lowy for Peill & Putzler, Germany Düren 1960s. Peill & Putzler's "Water Rose" (or "Artichoke") received the "iF Product Desig...

Silk and metallic thread 17th century tapestry. St Peter?

17th century French gothic andirons - fire dogs. Hand forged of wrought iron. They have spit hooks to grill meat or poultry.

An exceptional hanging lantern clock from the 17th Century. The clock is housed within a hooded glass case with Grecian style carved columns, gadrooning and acanthus scrolled accents...

The fall of Eger - III. Mehmed's tent Ottoman Sultan Mehmed's tent in the autumn of 1596, during the siege of Eger Castle, on a contemporary engraving. III. Sultan Mehmed's army ma...

A historical engraving from a German text, dated 1625, based on the visible date and style. The text is written in an old German script, and the content likely pertains to historical...

Amazing set for decorating your home. Interesting and beautifully made Birds of Prey on a rock as handles on the lids. The two porcelain Arita baluster vases with covers. All decora...

The engraving is titled in German: "ABRIS DER VICTORIEN VND BEVUD, SO DIE FREYHAIDVCKEN BEI TOLNA, ERLANGT V. ERÖBERT HABEN. ANO: 1599. DEN 23 JUNII." This translates to "Illustration of the victories and the battles that the Freihaiducken (Hajduks) at Tolna achieved and conquered. Year: 1599. June 23." The image is an antique engraving depicting a historical battle from a book about Turkish wars that holds 29 engravings of European fortresses from anti-Turkish wars. Published by Paulus Fürst ( 1608-1666 ) Print publisher in Nuremberg. Germany; firm continued after his death in 1666 by his widow and heirs until 1704. Engraved by Lucas Schnitzer (1600-fl. 1671 ) ; a German painter/draughtsman/engraver Biography: Painter, etcher, engraver and seal-cutter, artillery man of Nuremberg. Baptized in 1600, son of the trumpet-maker Hans Schnitzer (died 1609), 1624 marriage at Nuremberg. From 1636 worked in Nuremberg for the printers and publishers Paulus Fürst, Johann Hoffmann, and David Funck. Died after 1671. Identification The engraving is titled in German: "ABRIS DER VICTORIEN VND BEVUD, SO DIE FREYHAIDVCKEN BEI TOLNA, ERLANGT V. ERÖBERT HABEN. ANO: 1599. DEN 23 JUNII." This translates to "Illustration of the victories and the battles that the Freihaiducken (Hajduks) at Tolna achieved and conquered. Year: 1599. June 23 The engraving provides a detailed visual narrative of a battle scene involving the Hajduks, who were irregular troops in Hungary during the Ottoman-Habsburg wars. The depiction includes both land and naval engagements, indicating a significant battle with multiple fronts. 1. **Naval Battle**: Ships are depicted engaging in combat, with several vessels on fire, indicating fierce fighting on the water. 2. **Land Battle**: Troops are shown clashing on the shore, with infantry formations, cavalry, and artillery. The Hajduks appear to be fighting Ottoman forces, as suggested by the context of the period and the style of the combatants. 3. **Camp and Command Post**: On the left side, there are tents and what appears to be a command post, illustrating the logistical aspects of the army. 4. **Map Elements**: The engraving includes a compass rose and directional indicators, providing orientation within the scene. Key Features: - **Lettered Annotations**: The engraving includes a key with letters corresponding to various parts of the image, providing detailed explanations of the depicted events and elements. - **A**: Here are the Hajduks attacking the ships of the Ottomans and driving the enemy ashore. - **B**: The Turkish ships are on fire. - **C**: The Turkish galleys are destroyed. - **D**: The Turkish fleet. - **E**: Here the Hajduks plunder the gold with loaded wagons. - **F**: Here is the mountain taken. - **G**: Here the mountain is climbed and strongly fortified. - **H**: Here the Hajduks drive the enemy away. - **K**: The Danube River. Historical Context The battle depicted is part of the ongoing conflicts between the Habsburg Monarchy and the Ottoman Empire. The Hajduks were known for their guerrilla tactics and played a significant role in the military efforts against the Ottomans in the region of Hungary and Croatia. This particular battle near Tolna would have been part of the larger struggle for control over Central Europe. The engraving serves both as a historical record and a piece of propaganda, illustrating the victories and valor of the Hajduks in their resistance against the Ottoman forces. For prints published by Paulus Fürst, see T. Hampe, 'Paulus Fürst und sein Kunstverlag', Mitt. aus dem Germanischen Nationalmuseum, Jahrg. 1914/15, pp.3-127 and 1919, pp. 137-70 (no.279). R.Paas, “The Changing Landscape of the Competitive Nuremberg Print...

An antique Portuguese wall relief or sopra porte made of Pinewood, in good condition. The Baroque wall panel was hand carved and is richly ornate wi...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely stunning and totally original, folded iron Ships Anchor dati...

Pair of 19th Framed Century carved lime wood sculptures depicting romantic scenes Swizerland 9.5"H x 8.25"W x 2.25"D framed 5.5" x 8.5"H unframed

17th century French Louis XIII period fire dogs with spit hooks. Hand forged of wrought iron. These French andirons are called 'landiers' in France. This dates from the times the and...

An antique pair of Portuguese Baroque hand carved architectural wall reliefs, enhanced by richly ornate detailed scrolls, in good condition. Original painted patina with partial gilt...

Cabinet features a fall-front writing surface opening to a fitted interior concealing twelve drawers.The rectangular moulded top above a frieze carved with Vitruvian scrolls on figur...

An antique pair of Italian Baroque architectural wall reliefs made of hand carved party gilded Pinewood, in good condition. The detailed richly ornate wall panels are enhanced by the...

circa 1680 17thC Italian Cedar Wood Coffer sku 1833 W124 x D63 x H69 cm Weight 30 kg

An antique Italian medieval square marble relief carved as a grotesque mask with big ears surrounded by grapes and leaves, in good condition. It was used in the Renaissance period as...

A wonderful 17th century French Arte Populaire Padelle - Copper Pan. A Padelle is a large copper vessel used in large wood burning ovens to make nut oils. Wonderfully crafted in ve...

Royal House Antiques Royal House Antiques is delighted to offer for sale this important, Museum Quality German safe circa 1680-1720 attributed to Johann Gottlied Dittman and Sigmund Gatchen Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price Where to begin, if you are looking at this listing then the chances are you know something about antique safes, if you do, then you will recognise just how rare this piece is, I have in all my online research only found one other that was in a terrible condition, it sold in the Sotheby’s Carlton Towers sale on the 4th November 2009, the sale price was £73,250 plus commission which at the time was 30% making the final sale amount £95,225 This example was missing the original key, all the silver finish had polished off and it was rusty, mine by comparison is in absolutely sublime order throughout The original key is present, it operates the exceptionally heavy top lock which has 22 separate locks, each lock works independently so if a thief tried to force one open, it would have no affect on the remaining 21 locks The front of the safe depicts a bird possibly an eagle, the top has a medieval locking plate cover which splits down the middle to reveal the entrance to the lock, it looks similar to a fleur de lis, it springs closed when the key is removed and has its own lock, it has a secret to unlock it, if you don’t know it, you can never fit the key. The sides have oversized handles as they need to be, the safe must weight in excess of 100kgs, the rear has a similar medieval crest The finish is sublime, truly exquisite, this is a work of art and will be the centre piece and pride of any collection, I have absolutely no desire to sell it whatsoever, if it stays in my collection forever so be it, I will never have the chance to own such a piece again and it is an absolute pleasure to see it each day For a similar strong box signed to the interior by Dittman and Gatchen and worthy of comparison see a very fine example from The Alphonse de Rothschild Collection which was sold on the 26th of March 1973 at the De Rede sale in Monaco as lot 167. The Rothschild box...

Called portière, these antique wall hanging tapestries were handwoven in Aubusson, France in the late 17th Century (c 1680s). They both feature floral and foliage decor in a beige pa...

circa 1670 17thC English Oak Coffer sku 1834 W98 x D33 x H55 cm Weight 21 kg

Panoramic View of Isfahan in the Late 17th Century by J.C. Haffner The translation of the German text on the engraving: "A. The Meidan or Great Market and Promenade Square in front...

Extremely nice and Rare piece from the Kangxi Period. Lovely potted and moulded in a chrysanthemum shape, the clear white body painted in vibrant washes of underglaze cobalt with sha...

⁠It's 17th century chinese porcelain, Ming period, made for the Japanese market. This unusual Kosumetsuke plate was used for the tea ceremony. Very nice With storage box.⁠ Addition...

Very nice edo period, example. With a Mandarin Duck Scene Unmarked at the base. Additional information: Material: Porcelain & Pottery Japanese Style: Arita, Imari Region of Origin:...

circa 1670 17thC Dutch Oak Draw-leaf Centre Table sku 1816 With Extended leaves W243 cm W134 x D74 x H73 cm Weight 63 kg

A very charming Louis XIII Farm Table from the South of France. Soundly constructed from beautifully patina’d oak with nicely turned legs.

Having a rectangular top with a rounded molded edge and a dentile molded bottom molding atop a conforming case with with four paneled doors, the doors hinged to fold open and fold ba...

17th century French Louis XIV period fireplace trammel. The trammel is hand forged of wrought iron. It is beautifully decorated and carved. The trammel was used for cooking to regul...

An exceptional and outstanding 17th century Oil On Canvas Painting from Madrid, Spain. Wonderfully executed in the style of Velazquez, depicting a M...