Caucasian More Carpets

50299 vintage Turkish Oushak rug with bungalow craftsman style. This hand knotted wool antique-washed vintage Turkish Oushak rug features an oversized diamond-shaped center medallion...

A vintage Turkish flat-weave Kilim accent carpet handmade during the mid-20th century. Measures: 6' 10" x 9' 7" Flat-weave rugs & carpets: Knotted pile rugs are just one small part of a vast universe of textile techniques suitable for heavy use. If you can imagine it, some weaver has tried it out. Pieces can be roughly divided into those reversible from the start and those never, or at least not initially, reversible. Thus, kilims are considered reversible, while everything else is not. Kilims are tapestry woven rugs with both sides the same, in either slit technique where colors change, or with various methods of avoiding slits. Slit tapestry weave goes back to ancient times and Coptic Egyptian weavers used it for ornaments on garments and larger wall hangings. Slits can be avoided by dovetailing of colors (warp sharing) or by interlocking the wefts. The Navajo weavers of the Southwest practice the first while the Fine shawl weavers of Kashmir and Kerman employed the second. Interlocking produces a one-faced fabric, with smooth and rough, ridged faces. The typical Turkish, Caucasian, or Persian rustic Kilim shows slits, but never long ones. Aubusson French carpets are also slit tapestries and the long color transitions are sewn up as part of the regular maintenance. Some kilims are very Fine. The best antique urban Sehna (Senna) kilims on wool, cotton or silk warps approximate the comparable rugs in refinement and are the most desirable of all Persian kilims. Although the various flatweave techniques are usually expressed in geometric, simple, often repeating, patterns, Sehna kilims demonstrate that even the most intricate designs can be effectively rendered in flat-stich. The term ‘Kilim’ has been extended to cover any pileless, weft-faced heavy textile. Thus, the sectioned and joined northeastern Persian horizontally striped wool rugs are called ‘kilims’. So are the plain-weave end finishes of pile rugs. All these are weft-faced, weft patterned flatweaves. These sectioned pieces are woven not on a frame loom, but one steadied by the weaver at one end and with the warps fastened down at the other. Only relatively recent have these tribal pieces become available. They are used as floorcoverings, hangings, room dividers, furniture covers. They are mostly bitonal in shades of natural dark brown and beige. Some more recent pieces show weaver innovations with ikat and moire effects. Work proceeds quickly and a skilled weaver can complete a thirty foot strip in almost no time. Wefts, the elements added as weaving progresses, play an essential part in what is a flatweave. The best-known example of an extra-weft, wrapping technique is on Caucasian and tribal Persian Soumaks, where a pattern weft wraps around the fixed warp, changing as weaving progresses. Soumaks can be large carpets, Kuba in the Caucasus, small bag faces (Caucasian and Persian Shah Savan saddle bags), or cover scatter rugs (Persian Afshars). The Soumak technique is fast, and a weaver can work much more quickly than tying knots. The left-over wefts are cut off on the back, so the front and back are initially different. As a Soumak on the floor gets used, these weft yarns wear away and the two sides converge although the exact texture remains distinct. There are other ways of pattern by weft. Often on smaller tribal pieces, the pattern weft(s) is (are) part of the weft structure, moving in an out, and holding the whole thing together. These wefts can be complementary or added (supplementary), continuous across the flatweave or cut off as they travel unneeded across the verso. Supplementary weft flatweaves are often very compact and substantial. The nomadic Turkmen and Balouch tribes employ both supplementary and complementary weft techniques on their pieces. Supplementary wefts are often raised on the recto (front) while complementary wefts are flat to the surface. Tribal Kurds employ this extra-wefting technique. The Balouch of Pakistan use complementary wefts almost exclusively on their small woven paraphernalia like salt bags. Flatweave techniques may be combined on a single piece. Afshar rugs employ plain-weave end strips, preceded by Soumak bands, with pile sections between. The large Bakhtiari saddlebags feature Soumak work, pile “islands” an areas of plain-weave. Qashqai rugs and kilims frequently displays checkerboard end strips in continuous, complementary wefting. Another distinct flatweave type is the jajim (jijim, cecim) in which a pattern is added with colored wefts as the weaving of the plain-weave ground progresses. Here the wefts are discontinuous and the pattern stands proud from the voided ground. Often made in two pieces on narrow looms and edge-sewn together, these may have geometric patterns. The term ‘jajim’ also refers to the assembled warp-faced strip and stripe covers from the Shah Savan of northwest Persia, the pattern is defined by warps alone, usually in plain stripes, but sometimes in designs of ladders, snakes, human figures and various animals. Here the color changing warps are continuous. Most are wool, a few are silk. Better to call these something else. Indian ‘Dhurries’ are all cotton kilims and ‘shatrangis’ employ wool wefts on cotton warps. Dhurries are slitless. The cotton texture is more appropriate to the humid and warm climate of the Indian subcontinent. Modern Dhurries...

74372 Vintage Brown Turkish Oushak Rug, 08’09 x 11’09. In this hand-knotted wool vintage Turkish Oushak rug, the marriage of Biophilic Design and earth-tone elegance creates a captiv...

51095 Vintage Turkish Kilim Rug with Feminine Industrial Style, Flat-weave Kilim Rug 06'05 X 09'04. With a bold geometric pattern and striking appeal, this hand-woven wool vintage Tu...

A delightfully fresh take on traditional kilims, the playful En Avant collection celebrates color and pattern. Made of hand spun yarns, these hand knotted and flat-weave rugs include...

51921 Distressed Vintage Turkish Sivas Rug with Rustic English Traditional Style 03'00 x 06'03. Lovingly timeworn with understated elegance, this hand knotted wool distressed Turkish...

50129 Vintage Turkish Oushak Rug, 03'05 x 06'09. Steeped in Anatolian heritage, this hand-knotted wool vintage Turkish Oushak rug is a resplendent display of traditional artistry and...

51075 Vintage Turkish Striped Kilim Rug, 07'06 x 13'03. Woven with the essence of Anatolian tradition, this handwoven wool vintage Turkish kilim rug is a masterpiece of simplicity an...

50245 Antique Turkish Sivas Rug, 04'03 x 06'06. With warm spice-tones and lovingly rustic appearance, this hand knotted wool antique Turkish Sivas rug embraces English Manor style. I...

Vintage hand-knotted wool Turkish Oushak rug with modern tribal style featuring a hexagon shape center medallion in an abrashed brick red field with blue quarter panels surrounded by...

74173 Late 19th Century Antique Green Turkish Oushak Rug, 14'02 x 15'07. Woven in the twilight of the Ottoman Empire, this rare hand-knotted wool Turkish Oushak rug from the Late 19t...

50998 Vintage Turkish Oushak rug with French Rococo style, Kitchen, Foyer or Entry Rug. French Rococo Romanticism meets t...

A vintage Turkish Anatolian rug handmade during the mid-20th century with a field in several shades of light and dark brown and white dots. The ivory medallion consists of a yellow a...

This elegant handwoven wool area rug was constructed in the late 20th century around 1980 in Turkey. The design features cream, brown, blue and rust colours that make up the fantasti...

The Rapture Collection is the exception to our hand-woven only rule. Woven Concepts purist philosophy focuses on the creation of hand-made, high-end rugs. The Rapture Collection rugs...

52720 Distressed Vintage Turkish Oushak Runner with Romantic Georgian Style 03'05 x 08'11. Romance and rusticity collide in this hand knotted wool distressed vintage Turkish Oushak r...

50107 Vintage Turkish Oushak Rug Runner, 03'04 x 10'10. Enter a realm where tribal enchantment and Anatolian charm intertwine, weaving this hand knotted wool vintage Turkish Oushak r...

51906 Zeki Muren Distressed Vintage Turkish Sivas Accent Rug with Rustic Arts & Crafts Style 02'09 x 05'07. This hand-knotted wool distressed vintage Sivas rug features a floral latt...

74233-73535 Pair of Matching Antique Turkish Oushak Rug Runners. Exuding both character and an air of timeless elegance, this hand-knotted wool antique Turkish Oushak rug runner effortlessly blends tradition with contemporary appeal. Its design showcases a captivating lattice pattern adorned with an array of intricate motifs, including palmettes, leafy tendrils, rosettes, and delicate vines, meticulously spread across the rustic clay pot...

52178 Vintage Turkish Oushak Gallery Rug, 04'06 X 10'11. Rooted in the grandeur of Anatolia’s weaving traditions, this hand-knotted wool vintage Turkish Oushak rug unfolds like an he...

50004, vintage Turkish Oushak Gallery rug with neoclassic style, wide hallway runner. Elegant and captivating, this hand knotted wool vintage Turkish Oushak gallery rug features five Chinese Cloud collar...

60640 Rustic Vintage Turkish Striped Kilim Rug, 09'07 x 12'11. A vivid symphony of Anatolian color and craft, this handwoven wool vintage Turkish kilim rug is a celebration of rural ...

74643 Vintage Turkish Oushak Rug, 07'09 x 09'08. Like an ember preserved in loom and lore, this hand-knotted wool vintage Turkish Oushak rug radiates warmth, power, and ancestral mem...

Turkish vintage Kilim with Embroidered rug with Tan, taupe, brown, and Lt. Blue. Keivan Woven Arts / rug EN-179481, country of origin / type: Turkey / Kilim, circa 1950 This vintage...

A Primitive early 20th-century Turkish Kars Village Rug with an open field design on a abrashed red ground dated 1906 Details rug no. j2516 size 6' 7" x 8' 6" (201 x 259 cm)

52253 Vintage Turkish Oushak Gallery Rug with Traditional Style, Wide Hallway Runner 04'08 x 10'04. Warm and inviting, this hand-knotted wool vintage Turkish Oushak gallery rug featu...

50911, Vintage Turkish Oushak Accent Rug, Entry or Foyer Rug with Rustic Bungalow Style. This vintage Turkish Oushak rug features a modern traditional style. Immersed in Anatolian hi...

51034 Vintage Turkish Oushak Rug, 06'00 x 08'04. Turkish Oushak rugs, originating from Turkey's esteemed Oushak region, epitomize exquisite craftsmanship and cultural heritage with t...

71257 Antique Pink Turkish Sivas Rug, 13’06 x 22’00. A Sivas rug is a type of Turkish rug originating from the city of Sivas in central Anatolia, Turkey. These rugs are known for their high quality and intricate designs. Sivas rugs typically feature geometric or floral patterns, often with a central medallion motif. They are handwoven using techniques passed down through generations. Sivas rugs are prized for their durability, beauty, and cultural significance, and they are sought after by collectors and enthusiasts worldwide. ​Step into a world of enchantment with this oversized hand knotted wool antique Turkish Sivas rug, where Regencycore elegance meets Art Nouveau opulence. Adorned with the graceful allure of Bridgerton style, this grandeur Turkish area rug unveils a visual symphony of captivating hues and intricate patterns. Behold as the arabesque motifs dance gracefully across a soft pink field, exuding an air of refined sophistication. Each geometric element whispers tales of elegance, while ivory spandrels and delicately detailed florals weave a story of timeless beauty. Follow the meandering paths of curvilinear vine scrolls, reminiscent of a secret garden waiting to be explored. Framed by a regal navy blue border, this masterpiece commands attention with its unparalleled allure. Immerse yourself in a world where every petal, every curve, tells a story of romance and refinement. Let your gaze wander along the intricate borders, each line a testament to the exquisite craftsmanship that defines this antique Turkish Sivas rug. With every glance, discover new layers of enchantment and decorative allure, transporting you to a realm of timeless charm and sophistication. Rendered in a variegated shades of blush pink, deep navy blue, creamy ivory, and gentle baby blue with other accent colors.​ Abrash. Hand-knotted wool. Made in Turkey. Measures: 13’06 x 22’00. Hotel Lobby Size Carpet 14 x 22 Rug...

51153 Zeki Muren Distressed Vintage Turkish Sivas Rug with Shabby Chic Cottage Style. Lovingly timeworn with cottage charm and Gustavian grace, this hand knotted wool distressed Turk...

A contemporary Turkish flatweave Kilim large room size carpet handmade during the 21st century in shades of cream and black. This patchwork style rug consists of hand-weaving togethe...

An antique Turkish Oushak rug in runner format handmade during the early 20th century. Measures: 2' 8" x 10' 9" Turkish rugs & carpets: Until the Great Persian Carpet Revival in the later 19th century, the “Oriental rug” was Turkish. For nearly six centuries, Turkish rugs, both scatter, room size, and even larger, thoroughly dominated the European import market. Whereas the Persian carpet can be divided into urban, village, and tribal types, in Turkey and its predecessor the Ottoman Empire, rugs almost exclusively came from village weavers and from a small number of urban workshops. Ninety percent village, nine percent city, one percent tribal. Turkish weavers have, with very few exceptions, always worked with the symmetric (Turkish) knot. Wool foundations are standard practice among both town and village weavers. The exceptions, very finely woven 20th century and recent Herekeh silks from near Istanbul, and early 17th century Ottoman Court rugs from Bursa, constitute only a tiny part of the total. Always pricey, they appealed and still appeal to the clients who want lots of knots and perfect execution instead of individual personality. The urban workshops have been centered around the western Turkish city of Oushak and its attendant port town of Smyrna. Oushak weaves with the trends in fashion. When color saturated medallion carpets were needed, Oushak was ready in the 17th and 18th centuries. When coarse red and blue carpets were required, Oushak and Smyrna in the 19th century wove them by the boatload. When tastes changed again, and the European dealers in Smyrna wanted room size carpets with lighter and unusual colors, and with Persianate designs, production ramped up in nearby Oushak. Those antique, all-wool construction turn-of-the-century carpets are still in high demand with designers. Antique carpets with allover, roughly drawn patterns on grounds of shrimp, rust, straw, cream, pale blue, and pale and pea green, hitherto unavailable colors, are in such demand today that contemporary Oushaks have attempted to mimic them with soft palettes, extra-large scale drawing and coarse weaves. Oushaks woven for the Turkish market, for palaces, houses and mosques were often oversize with large, repeating medallions, all in shades of (Turkey) red, dark blue, light blue-teal, and ivory, with lemon and green accents. Turkey, along with India, invented standard sizes. By vertically repeating the medallion, one could get one medallion, one with two end halves, two, three, etc. medallions, up to thirty or so feet in length. The process spared making new cartoons for each length and allowed a quicker turnaround time. Oushak, from the time of 15th century “Holbein” rugs onward, has always been a commercial center. The prayer niche directional rug is primarily a Turkish development. In the towns and villages east of Oushak, in Ghiordes, Kula, Ladik, Kirsehir, Mucur and Konya, among others, arch pattern scatters with bright palettes and weaves varying from relatively fine to moderate were almost the entire production. Antique examples were particularly popular in America around 1900. Other centers of village weaving were situated on the western coast and adjacent islands with the town of Melas and neighboring villages weaving geometric prayer rugs and scatters with a characteristic khaki green and lots of yellow. The other large region was in the northwest of Anatolia, near ancient Troy, with the sizable town of Bergama at its center. The satellite towns of Ezine, Karakecilli, Yuntdag, and Canakkale all wove colorful scatters with moderate weaves in all wool with geometric designs and cheerful palettes. Near to Istanbul, these were among the first Turkish rugs to reach Europe in the Renaissance. The earliest Turkish pieces depicted in Italian Old Master paintings display the so-called “Memling gul”, an allover panel pattern with hooked and stepped elements within the reserves. This pattern continues for centuries in the Konya area and in the Caucasus as well. Turkey is a land of villages and much of the most interesting Turkish weaving comes from one undiscovered village or another. The Konya-Cappadocia region of central Turkey includes the active towns of Karapinar, Karaman, Obruk, Sizma, and Tashpinar, all weaving Konya-esque scatters and long rugs. Karapinar has been active the longest, since the 17th century. The mosques in and around Konya have preserved locally-made rugs from the fourteenth. In the 20th century, the extra-long pile, many wefted Tulu rug was devised, with limited palettes and color block patterns. These are not really antique Tulus, but they must be a product of long-standing village tradition. There are thousands upon thousands of rural Turkish villages, almost all with easy access to local tribal wool. Rug students are discovering new names and rug types almost daily. The common denominators are bright colors, geometric designs, wool construction, moderate to coarse weaves and symmetric knots. Synthetic dyes hit the Turkish rug industry quickly and hard after 1870, and they penetrated to even the most off-the-beaten-track villages. This development was almost entirely negative. The village weavers used fugitive or overly bright dyes which ruined the color harmonies built up over centuries. Characteristic types disappeared or were negatively transmuted. The Turkish village rug of the 1870 to 1920 period is nothing to be proud of. In the eastern provinces, the semi-nomadic Kurdish tribes, collectively called ‘Yuruks’, weave all wool, geometric pieces with medium to medium-coarse weaves, as well as kilims and other flatweaves. The rugs employ cochineal instead of madder for the reds, mustard yellows, greens, and various blues. They are under-collected like the Persian Afshars. Their rugs are in scatter and long rug formats. The far eastern Turkish town of Erzerum has a long tradition of idiosyncratic, semi-workshop rugs and further to the east is Kars with a tradition of rugs in the Caucasian Kazak manner. One Turkish specialty is the Yastiks or cushion cover, made in pairs for the public living rooms of village houses. These are larger rugs in miniature and good ones are highly collectible. Like other Turkish rustic weavings, ones with synthetic dyes are almost totally undesirable. Only the tribal Baluch make similar cushion covers, known as pushtis or balishts, in the same small, oblong format. Yastiks always have a back, usually in plain weave, so that they can be easily stuffed. When the Imperial Carpet Factory at Herekeh near Istanbul closed in the early 20th century, the highly proficient Armenian master weavers set up in the Kum Kapi district of Istanbul where they wove all-silk, exquisitely fine and elaborately detailed small pieces, sometimes enriched with metal thread, for the most discriminating European buyers. Today the best, signed Kum Kapi pieces, usually in the “Sultan’s head” prayer niche design, can fetch upwards of $100,000. They are strictly for the wall. An Interwar all-silk room size Kum Kapi carpet is both exceedingly rare and stratospherically priced. The workshops closed in the 1930s, but the weaving of extremely fine, all-silk small rugs in Herekeh was revived in the 1960s. There has been a recent vogue for larger Turkish village vintage...

A vintage Turkish flat-weave Kilim room size carpet handmade during the mid-20th century in shades of white. Measures: 9' 1" x 13' 10" Flat-weave Rugs & Carpets: Knotted pile ...

A vintage Turkish flat-weave Kilim small room size carpet handmade during the mid-20th century in shades of red orange. Measures: 7' 10" x 11' 0" Knotted pile rugs are just one...

A vintage Turkish flat-weave Kilim room size carpet handmade during the mid-20th century. Measures: 10' 7" x 13' 7" Flat-weave rugs & carpets: Knotted pile rugs are just one small part of a vast universe of textile techniques suitable for heavy use. If you can imagine it, some weaver has tried it out. Pieces can be roughly divided into those reversible from the start and those never, or at least not initially, reversible. Thus, kilims are considered reversible, while everything else is not. Kilims are tapestry woven rugs with both sides the same, in either slit technique where colors change, or with various methods of avoiding slits. Slit tapestry weave goes back to ancient times and Coptic Egyptian weavers used it for ornaments on garments and larger wall hangings. Slits can be avoided by dovetailing of colors (warp sharing) or by interlocking the wefts. The Navajo weavers of the Southwest practice the first while the fine shawl weavers of Kashmir and Kerman employed the second. Interlocking produces a one-faced fabric, with smooth and rough, ridged faces. The typical Turkish, Caucasian, or Persian rustic kilim shows slits, but never long ones. Aubusson French carpets are also slit tapestries and the long color transitions are sewn up as part of the regular maintenance. Some kilims are very fine. The best antique urban Sehna (Senna) kilims on wool, cotton or silk warps approximate the comparable rugs in refinement and are the most desirable of all Persian kilims. Although the various flatweave techniques are usually expressed in geometric, simple, often repeating, patterns, Sehna kilims demonstrate that even the most intricate designs can be effectively rendered in flat-stich. The term ‘kilim’ has been extended to cover any pileless, weft-faced heavy textile. Thus, the sectioned and joined northeastern Persian horizontally striped wool rugs are called ‘kilims’. So are the plain-weave end finishes of pile rugs. All these are weft-faced, weft patterned flatweaves. These sectioned pieces are woven not on a frame loom, but one steadied by the weaver at one end and with the warps fastened down at the other. Only relatively recent have these tribal pieces become available. They are used as floorcoverings, hangings, room dividers, furniture covers. They are mostly bitonal in shades of natural dark brown and beige. Some more recent pieces show weaver innovations with ikat and moire effects. Work proceeds quickly and a skilled weaver can complete a thirty foot strip in almost no time. Wefts, the elements added as weaving progresses, play an essential part in what is a flatweave. The best-known example of an extra-weft, wrapping technique is on Caucasian and tribal Persian Soumaks, where a pattern weft wraps around the fixed warp, changing as weaving progresses. Soumaks can be large carpets, Kuba in the Caucasus, small bag faces (Caucasian and Persian Shah Savan saddle bags), or cover scatter rugs (Persian Afshars). The Soumak technique is fast, and a weaver can work much more quickly than tying knots. The left-over wefts are cut off on the back, so the front and back are initially different. As a Soumak on the floor gets used, these weft yarns wear away and the two sides converge although the exact texture remains distinct. There are other ways of pattern by weft. Often on smaller tribal pieces, the pattern weft(s) is (are) part of the weft structure, moving in an out, and holding the whole thing together. These wefts can be complementary or added (supplementary), continuous across the flatweave or cut off as they travel unneeded across the verso. Supplementary weft flatweaves are often very compact and substantial. The nomadic Turkmen and Balouch tribes employ both supplementary and complementary weft techniques on their pieces. Supplementary wefts are often raised on the recto (front) while complementary wefts are flat to the surface. Tribal Kurds employ this extra-wefting technique. The Balouch of Pakistan use complementary wefts almost exclusively on their small woven paraphernalia like salt bags. Flatweave techniques may be combined on a single piece. Afshar rugs employ plain-weave end strips, preceded by Soumak bands, with pile sections between. The large Bakhtiari saddlebags feature Soumak work, pile “islands” an areas of plain-weave. Qashqai rugs and kilims frequently displays checkerboard end strips in continuous, complementary wefting. Another distinct flatweave type is the jajim (jijim, cecim) in which a pattern is added with colored wefts as the weaving of the plain-weave ground progresses. Here the wefts are discontinuous and the pattern stands proud from the voided ground. Often made in two pieces on narrow looms and edge-sewn together, these may have geometric patterns. The term ‘jajim’ also refers to the assembled warp-faced strip and stripe covers from the Shah Savan of northwest Persia, the pattern is defined by warps alone, usually in plain stripes, but sometimes in designs of ladders, snakes, human figures and various animals. Here the color changing warps are continuous. Most are wool, a few are silk. Better to call these something else. Indian ‘Dhurries’ are all cotton kilims and ‘shatrangis’ employ wool wefts on cotton warps. Dhurries are slitless. The cotton texture is more appropriate to the humid and warm climate of the Indian subcontinent. Modern Dhurries...

A vintage Turkish flatweave Kilim room size carpet handmade during the mid-20th century. Measures: 9' 11" x 13' 3".

A vintage Turkish Anatolian square room size carpet handmade during the mid-20th century with a large scale tribal design over a solid orange background with light and dark striation...

Oversized Decorative Antique Turkish Oushak Area Rug, Country of origin / rug type: Turkish rugs, Circa date: 1900. Size: 20 ft x 26 ft 6 in (6.1 m x 8.08 m)   

A modern Turkish large room size carpet handmade during the 21st century inspired by Moroccan rugs of the mid-20th century period. Measures: 14' 2" x 18' 8".

A vintage Turkish Anatolian throw rug handmade during the mid-20th century. Measures: 3' 4" x 6' 7".

This is an antique Caucasian Karabagh geometric rug. It is a carpet rug with an excellent color combination and the contrasting gold, purple and ivory colors, look unique on this Ori...

51617 New Modern Turkish Oushak Rug, 10'01 x 12'03. Like the first breath of dawn brushing the Anatolian plains, this hand-knotted wool modern Turkish Oushak rug whispers serenity wi...

An excellent example of Caucasian carpet rug weaving from the Shirvan region. Though these orange-red ground Central Medallion patterned rugs may seem like from a distance, but this ...

This elegant handwoven kilim rug is a vintage Turkish rug woven in the 1980s. The design features a tribal design with diamonds and medallions woven throughout with red, blue, green, and yellow accents. A repeat pattern border has then framed this. The elegant colour palette and sophisticated geometric design make this piece the perfect accent rug for any home. This vintage rug was woven with locally sourced materials, including fine hand-spun wool and cotton that have been dyed with organic vegetable dyeing techniques that have been used for generations. The materials used are of the finest quality making this piece durable and sure to last for generations if cared for correctly. This piece is in excellent condition, clean and ready for use in any home or office environment. Our team source only the finest interior accessories, with years of experience, let our team help you find the perfect accent pieces for your home interior. Our inventory includes a range of modern rugs, vintage rugs and antique rugs. With a huge range of colours and sizes available now. Handmade Kilims antique...

A vintage Russian Bessarabian flat-weave accent rug handmade during the mid-20th century with a pictorial depiction of 2 tigers in a forest setting. Measures: 6' 7" x 9' 9".

An antique Turkish Oushak large room size carpet in square format handmade during the early 20th century. Measures: 13' 1" x 14' 7".

A contemporary Turkish flatweave Kilim room size carpet handmade during the 21st century in shades of white and beige. This patchwork style rug consists of hand-weaving together seve...

A vintage Turkish flat-weave Kilim room size accent rug handmade during the mid-20th century. Measures: 5' 5" x 8' 7".

A vintage Turkish Anatolian room size accent rug handmade during the mid-20th century with a geometric tribal design. Measures: 7' 1" x 10' 2".

A modern Turkish room size carpet with a diagonally hooked pattern in black and white over a beige ground handmade during the 21st century. Measures: 8' 6" x 12' 2".

This bold and beautiful piece is a handwoven Kilim rug, constructed with a vibrant colour palette including orange, yellow, red and blue, that make up the eye-catching abstract desig...

This unique design rug is interpreted by our designers with a mixture of Ararat Rugs’ soft green tone natural dyed hand-spun yarns. This modern rug is reminiscent of a scene in impre...

A vintage Turkish Oushak square room size carpet handmade during the mid-20th century with a large-scale light green cane design of 6 poles over a co...

A modern Turkish flat-woven Kilim room size rug from the 21st century.

A vintage Turkish Anatolian rug from the second half of the 20th century. Measures: 2' 11" x 6' 2"

A vintage Turkish Anatolian room size rug handmade during the mid-20th century. Very much in the style of mid-century modern with its elongated whimsical oval pattern belonging to the period of the atomic art...

A modern Turkish Mohair room size carpet with a dark brown to black-colored long and lustrous pile from the 21st century in the style of minimalism. It may be used as a stand-alone p...

This fine cream wool rug is a handwoven masterpiece. Woven with fine organic materials, the central design features a bold all-over design with a red background and accents of pink, ...