Early 20th Century Khotan Wool Gray Field Antique Pomegranate Rug

An early 20th century full pile antique Khotan rug featuring a watermelon color field and green border. This piece is not worn like other Samarkand rugs found as previous owner kept ...

A highly decorative large antique Khotan rug from the East Turkestan Region with a light blue field, accents in pink. The pomegranate motif is inf...

A colorful fine quality early 20th century antique Khotan rug in vivid red, green and yellow accents Measures: 5'3" x 8'4" Khotan Rugs were produced in Eastern Turkestan. Khota...

Authentic early 20th century Khotan rug with repetitive pomegranate motif on an ivory ground. Dominant accents in apricot and brown, circa 1920 Measures: 5'9" x 11'6" Khotan, a...

Antique Khotan Rug, Early 20th Century Woven in an oasis town of the Tarim Basin in Xinjiang, a Turkic-speaking autonomous region in the far west of China, this piece is remarkably faithful to the drawing of much earlier Khotan...

A beautiful early 20th century East Turkestan Khotan rug with several medallions with stylized flowers woven in muted colors inducing gold, crimson, pink, and brown against a coral c...

An antique East Turkestan Khotan rug in runner format with a pomegranate design handmade during the mid-20th century. Measures: 2' 2" x 7' 6" Central Asian Rugs & Carpets: Central Asia is a vast area stretching from Northeastern Persia to western China, and from northern Afghanistan to the southern edge of Russia. The carpets can be usefully divided into three groups: the nomadic Turkmen rugs of Turkmenistan, northern Afghanistan, and northeastern Persia; the non-Turkmen tribal pieces from Kazakhstan, Uzbekistan, and Kirghizstan; and the urban creations of Khotan, Yarkand, and Kashgar, oasis cities of Western China (Xinjiang Province). Commercially, the most important group is from Khotan, the easternmost of the Chinese Turkestan cities. The craft of rug weaving is primarily in the hands of Muslim Uighurs. Khotan carpets mix purely Central Asian design themes with Chinese elements. Native Khotan devices include pomegranate trees, upright flowers, round medallions, and yellow or red grounds. Chinese motives include triangular fretwork corners, swastika fretwork, and Yun-Tsao Tou (clouds and rain) diagonally striped polychrome borders. Cotton foundations, asymmetrical (Persian) knots, and medium weaves are standard. Some vintage Khotan are in horizontal, pictorial layouts with multiple various vases and plants. Saphs (multiple prayer niche panel carpets) are also a Khotan specialty. Others employ stepped and layered lozenge medallions, singly or in pairs. Still others, almost all antique, feature a stylized version of the allover Persian Herati design. Many of the oldest pieces employ brown wool wefts. Antique and vintage Khotans are almost always in the k’ang (double square) layout, conforming to the local household plans. Only relatively recently has the 6’ by 12’ or 7’ by 16’ format been replaced by the 9’ by 12’ size. As a result, an antique room size Khotan carpet is very uncommon. Reds are cinnamon, tomato and rust, never wine reds, crimson, or scarlet. Yarkand, farther west on the old Silk Road specializes in multi-medallion long carpets while Kashgar, farthest west and most under Persian influence, has traditionally knotted allover pattern pieces with finer weaves, often with silk piles, and enriched with medal thread, on cotton foundations. Extant Kashgars go back to the 17th century, but the carpet craft in Chinese Turkestan must be much older as fragments have been recovered from local tombs of the early C.E. period. Kashgars are the rarest of all East Turkestan rugs. Most available vintage East Turkestan carpets are interwar Khotans, many with pleasingly soft decorative palettes. The non-Turkmen nomads include the Kazakh, Kirghiz, Uzbek, and Karakalpak groups. Like the Turkmen, they were once all seasonally migratory, dwelling in round felt tents (yurts), but have been settled, at least partially, in the villages, and have taken up crafts and agriculture instead of sheep herding. As a result, carpet production has transitioned from domestic tent use to commercial sale, but the roots of long traditions are still evident. The Uzbeks weave...

A handsome early 20th century Central Asian Khotan rug with three circular medallions in the center amidst a field of stylized flowers and trees-of-life surrounded by a border contai...