An 18th-Century English George III Hand-Carved Mahogany Open Armchair

An 18th Century Silver Mounted Mogul Hand-Carved and Beveled Rectangular Jade Box. The jade is the finest quality with a natural even green tone. It is beautifully hand-carved and ...

A Magnificent, Exceptionally Rare, Museum Quality Pair of 18th Century English Ormolu Mounted, Hand-Carved and Hand-Polished Carrara Marble Cassolettes, By Matthew Boulton. These beautiful ormolu-mounted white marble cassolettes are by Matthew Boulton (1728-1809) and John Fothergill (1730- circa 1782) published in their Pattern Book No. 1 (page 171, figure t) and reproduced in Sir Nicholas Goodison's Ormolu: The Work of Matthew Boulton (New York, 1974, page 383, figure 161). Josiah Wedgwood (1730-1795) was a close friend of Boulton's and his patterns are thought to be the source for the medallions used on the plinths of these. Boulton's medallions of classical figures are almost identical to the cameos and intaglios made by Wedgwood and his partner James Tassie. Molds for these examples can be found in the Wedgwood Collection at the Victoria & Albert Museum. All derive from the same classical source of Renaissance gems. Many gem collections in Europe were widely published at this time and Boulton's library contained A. F. Gori's Museum Florentinum (1731-1766), in which gems from the Medici collection were engraved. The subjects of the medallions on this pair are: Pomona, a Roman goddess of fruit trees, gardens, and orchards, and depicted carrying a basket on her head overloaded with fruit, tumbling to the ground, shown once on each vase. Hygeia, once on each, with an olive branch in her right hand, as seen in Tassie's reproduction of Valerio Belli's gem, and holding a snake in her left hand over an altar. This was produced by Wedgwood both as an intaglio and as a cameo. Venus & Cupid, only on one vase, showing Venus leaning against a column with a pike, and giving a helmet to Cupid. Aesclepius, Greek GD of medicine, only on one vase, depicted with a snake wrapped around his staff .The last medallion subject is either Diomedes or Perseus, shown once on each vase, depicted as a conquering hero. Boulton asked patrons to choose from a limited repertoire of motifs, and therefore each vase or pair of vases is adorned with their own combination. Boulton used nine medallion subjects on recorded vases of this type. PROVENANCE & COMPS Another pair of this model, with slightly less elaborate lids and finials, from a private collection are illustrated in Goodison's Matthew Boulton: ORMOLU, (page 379, figure 153). A further example is in a private New York collection. This pair, which was acquired from Hotspur in 1981, was formerly in the Collection of Marjorie Wiggin Prescott, sold Christie’s, New York, 31 January 1981, lot 76. The Prescott Collection was one of the most important English furniture collections of its time. The sale consisted mostly of late 17th and 18th century English furniture...

An Incredible and Rare 18th-Century Italian Baroque Carved & Giltwood Mirror with Inlaid Hardstones. The oval-shaped frame is richly ornamented with a winged cherub mask at the crest...

Beautiful pair of antique 18th century George II chinoiserie English carved giltwood mirrors with candleholders. These magnificently hand-carved giltwood mirrors are meticulously detailed and adorned with acanthus leaves flourishing throughout the frame with flowers and vines blossoming all around. On each mirror has a double arm gilt metal candleholder held up by acanthus vines growing upwards out of the plane of the mirrors, the primary wood is pine. From an Important and old NYC...

A late 18th to Early 19th Century George III Mahogany upholstered Armchair with X stretcher leg joints. Very sturdy antique condition with newer upholstery. Measures 21.75" in width,...

Pair of 18th century Chinese Chippendale-style armchairs with newly upholstered seats and backs in green damask fabric. This pair of chairs features blind fretwork on the arms and le...

This is a finely carved 1760 English George III armchair. The George III period was named after the English monarch of the time. It was popular among the elite and mercantile class of people, due to its excellent material and intricate carvings. Due to the multiple King Georges, each George developed its own look. The George III period is also referred to as the Chippendale style. This period was often characterized by drawing on both the Rococo and Gothic styles. Pieces sported curves, arches, Chinese influences, and cabriole legs. This chair has been entirely carved out of mahogany; a premiere wood choice known for its durability, longevity, and rich coloring. The back has an elegant splat, a principal element of eighteenth-century English chairs. Splats are the center support for a chair’s open back and originated from the importation of Chinese Ming Dynasty chairs...

A superb pair of George III polychrome decorated open armchairs, attributed to Gillows, Circa 1785 in date. Each is superbly decorated with hand painted garlands, ribbon tied foliate trails, patera, bellflower pendants and demi-lune fan medallion. The chairs have shield shaped back with vertical medallion splats raised on square tapering front legs and splayed rear legs. They are beautifully upholstered in a cream floral patterned and buttoned fabric. Footnotes: A virtually identical mahogany open armchair, albeit one with carved rather than polychrome detailing to its frames, is illustrated in S. Stuart, Gillows of Lancaster and London, 1730-1840, Vol. I, 2008, Woodbridge, pl. 124, p. 165. A closely comparable design appears alongside, with the description: 'The five-splat chair...