Metal Armchairs

Egg Chair was designed by Arne Jacobsen in 1958 for the SAS Hotel in Denmark. and is made with a birch plywood frame covered with foam and fabric padding, a technique pioneered by Ja...

Restored Oval Table, Functionalism. Made by Kovona. Source: Czechia (Czechoslovakia) Maker: Kovona Period: 1960-1969 Material: Walnut, Chrome-Plated Steel Made by Kovona, a ...

Step into the grandeur of the late 19th century with our exquisite pair of French armchairs, meticulously handcrafted from solid wood. Each chair, reflecting exceptional craftsmanshi...

An pair of authentic marco zanuso senior chairs, Arflex, Italy, 1960s. These chairs have been reupholstered in a premium, ivory, 100% mohair velvet. Fast shipping worldwide.

Rare original edition of a pair of Cône C8 armchairs by Terence Conran for Conran Furniture 1954. The set is in good condition. The willow baskets have bee...

Original armchair from the 60s, fabric with floral motif. Italian design. Comes from an old country house in the Chianti area of Tuscany. As shown in the photographs and videos, ther...

Zanuso Senior armchair midcentury Italian design wool fabric 1950s brass feet.

Incredible set of five collectible 'Skaala' lounge armchairs by Yrjo¨ Kukkapuro for Avarte, made in Finland, circa 1970. Featuring original burgundy red leather seat cushions, birch and tubular steel frames with sleigh legs capped with rubber feet. *NOTE*, we have sold 2 chairs, so we have 3 left at this time. This listing is priced individually. There is so much that make these chairs great. First, the birch wood backs and arms are so cool - making the chairs excellent to float within a room where the backs can be seen. Consider using as office guest chairs...

Pair of 'Presidencial' lounge armchairs, circa 1959-1965, by Polish-Brazilian architect and designer Jorge Zalszupin (1922-2020). These lounge chairs can be displayed with or without their original mustard colored nubuck leather cushions. Base formed of tubular steel and black lacquered metal slats, large thermoformed seat in a shape of an arc of hardwood veneer, backrest of profiled hardwood veneer slats. Manufacturered by L'Atelier, labeled. Literature: Jorge Zalszupin - Design Moderno No Brazil, Maria Cecilia Loschiavo des Santos...

Mid-Century Modern leather lounge / armchairs by Adriano Piazzesi, Italy 1970s. A pair of Adriano Piazzessi Italian 1970's generously proportioned brown tufted leather lounge chai...

Produced by JOC, Vetlanda, Sweden, 1970s. Original brown leather. Good condition with small signs of usage and patina.

Art Deco style bar stool with a black laquered metal feet with gilded metal finish and a comfortable mustard velvet seat padded back. Elegant,...

The very comfortable "Inca" chair in original buffalo leather. Designed by Arne Norell, produced by Norell Möbel AB in Aneby, Sweden.

This elegant executive armchair was designed by Martin Stoll for the Swiss manufacturer Stoll Giroflex during the 1960s. The molded, rounded frame is made of bent wood and finished in a warm colored walnut with visible regular grain. The seat, armrest and backrest are upholstered in black natural leather. The rotating five-armed leg is made of metal. The armchair is very comfortable. It is a classic design, which in its form refers to the icon of design: the lounge chair by Ray and Charles Eames. The history of the Stoll Giroflex company dates back to 1872, when Albert Stoll...

A clean outdoor set by Tropitone, Ca. consisting of a pair of lounge chairs with ottomans and a matching side table. Very good original condition, original paint and matching rubber ...

Stylish vintage pair of armchairs for the home or office in the mid-century modern style Rare survival of vintage office furniture. Bearing ...

Materials: aluminum, upholstery, fabric and naval rope. Dimensions: 98 cm wide x 88 cm deep x 91 cm high.

Like a warm embrace, Charlie armchair welcomes you to stay within and relax. An elevated homage to postmodern design that radiates through its unusual proportions and strong curves w...

Stack is Gandiablasco’s most free-and-easy collection of outdoor furniture. Inspired by aesthetics from the world of sailing, it is refreshingly reminiscent of the retro elegance of ...

Customizable club chair by Mauser Werke, Waldeck, Germany, c. 1939. Chrome plated tubular steel, leather upholstery and lacquered wood. Delivery time c. 8-10 weeks.

Rare Lounge chairs designed by Tjerk Reijenga and Friso Kramer for Pilastro in 1965. The chair itself was designed by Tjerk Reijenga for Pilastro in 1965 and the seating part was des...

Very rare pair of Danish Fritz Hansen armchairs dating from the 1970s. This pair of jump seat armchairs is undoubtedly from a theatre, cinema or opera. Indee...

Guglielmo Ulrich Lounge Chairs inWalnut , Fabric, and Brass, Italy 1930s The renowned architect Guglielmo Ulrich designed a pair of two lounge chairs in Italian classicism, a produc...

Pair of vintage LC2 Corbusier armchairs. Original leather and chrome frame.      

The BICA chair is a comfortable stackable steel dining armchair made from recycled and recyclable steel, finished with our premium selection of powder-coating colors, in this case in...

Pair of midcentury easy armchairs model 310 by Arne Hovmand-Olsen They are made in Denmark in the 1960s most likely by Komfort in Randers The frames are made of solid teak with b...

“401 Break” leather armchairs by Mario Bellini for Cassina. Rigid metallic structure covered in cognac leather. Italy, 1980s. This design is included in the ...

The DOBRA chair is part of the Dobra furniture line which is designed with the concept of a continue steel bar folded to create legs and frames for the different components. "Dobra" ...

Made in Italy, 1950s. These lounge chairs feature a solid ebonized walnut frame, a pinkish tan satin upholstery and brass feet caps. They might show slight traces of use since they a...

"Made by Mücke Melder, an influential modernist furniture manufacturer that specialised in tubular steel designs. It has been restored and reupholstered by our professional refurbi...

Pair of limited edition Little Tulip swivel chairs by Pierre Paulin for Artifort, Netherlands, 1965. The chairs are produced as a limited edition in gold faux leather. The swivel ...

Spanish Colonial style armchair, having leather seat and backs brass nailheads and a beautiful patina throughout, 19th century or earlier. Measures: Height to the arm: 25.59 in.

Restored Bauhaus Folding Chair. Style: Bauhaus Period: 1930-1939 Source: Czechia Seat height: 48 cm / 17.72? Material: Beech Plywood, Chr...

A fine example of a large 18th century vernacular lambing chair. Originating from the Fylde coast and built from a combination of patinated elm, pine and fruitwood. Sitting on its or...

ISA Bergamo Italian midcentury armchairs velvet gold old, 1950s.

"Boomerang" model chair, design Carlo de Carli, 1950s production made of wood on a black lacquered metal frame, seat and back upholstered in cream-colored skay, original of the ti...

Four beautiful stackable Mid Century bistro armchairs. Beautiful Italian design of the 1950s. Metal tube frame. Backrest and seat are made of wood. Acc...

21st century Art Deco Elie Saab Maison Marino Acqua fabric Elite armchair, Italy Rich and powerful, Elite is a timeless classic able to distinguish itself through exclusive details ...

PAIR of similar Hungarian Art Deco club chairs with walnut frames featuring circular backs and armrests upholstered in distressed brown leather with brass nailhead trim, resting on f...

Pair of English Regency Style (20th Century) bergeres with curved mahogany frames, scroll arms, leather upholstered backs and armrests, the front and seat upholstered in an urn-theme...

Set of two restored beech Bauhaus Armchairs designed by Mart Stam. Style: Bauhaus Designer: Mart Stam Maker: Robert Slezak Period: 1930-1939 Source: Czechia Material: Beech, ...

Stylish aesthetics are paired with comfort. Characteristics of the Chaise Atã that place it as a protagonist in contemporary soul decor. The long-lined structure expresses the lightn...

Richly carved and raised upon claw feet with superior leather hides. Finely made by Theodore Alexander.

Lloyd Accent chair by Crump and Kwash Solid wood frame / hand rubbed oil finish / brushed brass or bronze rungs / leather wrapped back support / ...

Armchair blue wing right with structure in solid wood cover with blue velvet fabric. With gold finish round base frame. Also available in red velvet fabric.

Imagining how an Italian industrialist’s private jet would be equipped in the 1970s resulted in the creation of this armchair. It has a refined shape accen...

Gianfranco Frattini for Cassina rare pair of lounge chairs model 831 with frame in mahogany veneer and bent plywood with brass mounts, and camel leather upholstery, Italy, 1955.. The...

A true statement of luxury Combining the finest and ancient craftsmanship with luxurious levels of design, quality, and comfort. Nazaré Armchair, Modern Collection, Walnut Wood,...

'Left At The End of the Corridor' conversation piece by Lionel Jadot for Everyday Gallery, 2020 Collectible Design / Functional art, Lionel Jadot for Everyday Gallery, Belgium 2020 Born in Brussels in 1969, Lionel Jadot is an interior designer, artist, designer, filmmaker, adventurer. But all at once, preferably. Lionel Jadot is firing on all cylinders. ‘I never throw anything, I pick up everything. Not having a green thumb, I’m trying cuttings, weddings against nature. I never forget a line.’ He’s inviting us in subtle, off-beat worlds, on the edge of reality. Its material is made of dilated time. A wandering spirit, he seeks a protective balance in a hostile world. It is his constant questioning: what happens to the place where we live? For Lionel Jadot, everything is object, everything is history. He draws from other places, other times, and seeks what’s linking them. He sews, stitches, unpicks, blends materials, combines eras. He will enshrine some wood essence in metal, some mineral in a plant, the old in the new. ‘I take extra care to the joint between two materials.’ With him, there is always some play in the parts, as in a piece of machinery. From a kingdom to another, he provokes organic, viral growths, generating energy. Linking past and future, he never forgets a line. ‘I accumulate them.’ He’s inviting us in subtle worlds, off-beat, on the edge of reality. Are we in 1930 or in 2030? Both, no doubt. Its material is made of dilated time. The eye goes hand in hand with the ear. ‘When I walk into a place, I listen to the good (or bad) it does to me. An ineffable feeling.’ He recreates mutant buildings, like the future Royal Botanique, a 5 stars hotel housed in the Church of the Gesu, a former convent behind a 1940 façade. He talks about a ‘hotel object’, which he holds and turns around in his hand. A wandering spirit, he’s flirting with retro-futurism. The Jam, another hotel, is intended for urban travelers, fans of swiftness, fluidity and hospitality. He designs interiors as a set of objects: a motorcycle cut in concrete becomes a bar counter. He finds gothic cartoon echoes, from the likes of Moebius, Alejandro Jodorowsky, Enki Bilal, sets from Garage Hermétique and Blade Runner, a protective balance in a hostile world. Discovering Jadot’s little cosmos of collected and accumulated goods, it becomes clear that every element has its own story. I tried to collect them and in turn, devour them in the coming paragraphs. But first: the show is best experienced seated, barring the distinction between object of use and object of attention, they invite for different types of conversation. The seats, chairs, thrones all make us think of our own physical comportment, and of how the seat lends grandeur to the person sitting on it, by crowning its presence. The crackling floor, the felt walls and the diffuse light slow you down into an oddly absorbing environment, in which you are left puzzled. In the eclectic collages of objects, bits and pieces collected all over the world come together in ways practical, and logical, though possibly only in the artist’s mind. All his finds eventually seem to fall into place. Starting with the mere conception of a chair, rather than with a set-out plan or sketch, the works are intuitively construed out of an archive that one can only imagine the dimensions of. Things forgotten by others, precious for him, were all once designed for their own purpose. Here they find their fit as a base, a closing system or a balancing element. The first piece that opens the exhibition, the most throne-like of all seats in the show, builds around a chair of his grandmother, protected by mops, and harassed with bed springs. As you enter the space, you pass by a shell leaning over a yellow seat that stems from his old Mustang, and find a white stool piece with Mexican leather dog training whips— the white building blocks of which turn out to be dried molding material, as found and broken out of a bucket by workers every morning. Further, the stone piece that reminds one of the stone age, is indeed made of 400 million old rocks, and the soft seats are lent from construction, where these strokes of textile carry up the heaviest goods. In the corner — but as you walk this walk please be seated on any of the thrones and experience the work for a moment— the green fluffy cover is made by XXXX who remakes cartographies of warzones, one of which is here mounted on a flexible fishing chair. On an experience level, the conversation chair enhances self-confidence, while putting you literally in a good spot with the person you’re conversing with. The lamp perfectly shows the playful Cadavre Exquis...

A true statement of luxury Combining the finest and ancient craftsmanship with luxurious levels of design, quality, and comfort. Nazaré Armchair, Modern Collection, Walnut Wood,...

A rare pair of armchairs designed by studio A.R.P founded in 1950 by Pierre Guariche alongside Motte and Mortier. A lacquered steel base made of square tubing support an upholstered ...

Giuseppe de Vivo sofa, 1935. Beautiful padded velvet sofa by Giuseppe de Vivo. The chromed tubular steel support, with curved lines, turns it in a very interesting piece. The v...

Swivel armchair influenced by the style of the 1960s. Design that pays homage to the enveloping and rounded volumes, characteristic of the style of that decade. Upholstery: Velvet Base: Swivel 50 mm tube and 8 mm thick metal sheet base. Handmade in Europe. We do our best to expedite production and to ship and deliver product within the listed lead time, however current lead times might be longer due to global shipping backlog and delays. These delays are out of our control and cannot be a reason to cancel an order.

Martin Eisler designed this sculptural armchair in 1955. This piece is considered one of the most iconic armchairs of Brazilian Modern Design. The uniqueness of this armchair lies in...

Pair of midcentury American high back mahogany armchairs upholstered in burgundy red leather with rolled arms, brass caps, arched feet and a cut out profile. (Pace Collection) (PRICE...

Thonet S 411 tubular steel cantilever armchair with fabric upholstery, designed by the Thonet Company in 1932. This original tubular steel cantilever armch...

The very comfortable "Inca chair" in patinated brown original buffalo leather. Designed by Arne Norell, produced by Norell Möbel AB in Aneby, Sweden. Please note: the inside of one...

A fabulous Savonarola chair with perfectly worn red velvet cushions with quality tassel ties. Decorative brass finials contrast the hand forged iron...