Mid-Century Teak Armchair Model 221 by Kurt Olsen for Slagelse Mobelvaerk

This pair of mid-century armchairs is an embodiment of Scandinavian design excellence, crafted by the esteemed Arne Norell, with a provenance rooted in 1960s Sweden. They showcase th...

Set of two Midcentury Teak "Paper Knife" Armchairs designed by Kai Kristiansen for Magnus Olesen. These iconic pieces are a testament to the sleek, organic design that typifies mid-c...

The pair of teak 'Paperknife' armchairs, Model 121, designed by Kai Kristiansen for Magnus Olesen, is a testament to the finesse of Danish mid-century modern furniture design. Crafte...

Sseries 7 armchair, Arne Jacobsen design, plywood vinyl lined in blue, produced by Fritz Hansen. Metal structure, seat, armrests and back are made of molded plywood. It's signed unde...

Set of four model 223 armchairs by Kurt Olsen for Slagelse Møbelværk (1950s, Denmark). Ideal for desk, dining, or occasional use. Black leather is original and shows good age / patin...

This “Model 215” easy chair was designed by Danish designer and architect Kurt Olsen, and unifies some of the best characteristics of mid-century Danish design and craftsmanship. ...

This rare and iconic armchair was designed by Kurt Olsen in 1955 and produced by Slagelse Møbelfabrik in Denmark as model no. 221. A standout piece of mid-century Danish design, it showcases Olsen’s signature sculptural lines and refined craftsmanship. Generously proportioned, the chair features a distinctive wing-shaped backrest that offers both exceptional comfort and an enveloping, supportive feel. The sharply angled back legs create a dynamic silhouette, drawing the eye forward to the elegantly curved solid oak armrests. The legs are crafted in solid teak. This chair has been professionally refinished and reupholstered. The interior upholstery has been renewed, while the exterior is in a luxurious grey tweed fabric by Élitis. The textile boasts a nuanced, multi-tonal palette—subtle flecks of ivory, grey, brown, and pale blue lend depth. Often affectionately referred to as Kurt Olsen’s “Papa Bear...

A beautiful early example, freshly reupholstered in finest quality wool fabric, as closely as possible to the original color scheme of two shades of grey.