Pair Antique French Painted Carved Walnut & Needlepoint Upholstered Armchairs

Pair Antique French carved walnut upholstered bergeres / Armchairs, Circa 1880.

Pair of Antique French carved walnut sage & Ivory upholstered armchairs, Circa 1860. These nicely carved armchairs would fit in a traditional or contemporary setting.

Pair Antique French country carved walnut arm chairs, Circa 1800s.

Pair Antique French walnut needlepoint armchairs, circa 1860-1870.

Gorgeous pair of hand carved armchair, quality updated upholstery. Sued like backing and trimming, classic French Style elegance. The chair nicely firm cushioned and comfortable The ...

This regal seat dates to the 16th century. The square seat and back contrasted by the blocked barley twist turnings that comprise the arms legs and stretcher. Well-carved recumbent l...

A French pair of timeless and elegant Louis XVI style armchairs from the 19th century. This antique pair of chairs from France each features a shapely, upholstered back, with elegantly arched crest rail, all framed within molded wood trim. Carved wood arms, with manchette pads for comfort, terminate into scrolled knuckles. Front arm supports are embellished with acanthus-leaf carvings. And the skirting mimics the simplistic trim of the back edges, with flower-head carved accents just above the profiled knees. The chairs are raised on four rounded and flute carved legs, which taper gently and sit on toupie feet. This pair of 19th century French Louis XVI style fauteuils...

A fine, large, late 17th century, Flemish, open armchair in the style of Daniel Marot with an upholstered seat This fine, armchair is an, unusually, large size and the carving is of exceptional quality reflecting the status of the owner it was made for. It is sturdy and in usable condition. Chairs of this type, with tall, intricately carved backs, were placed in rows against a wall forming part of the decoration of a room. The carving of the back of this chair is French in style and was based on decorative prints by Daniël Marot The cresting carved with a profusion of acanthus leaf scrolls. The back with fine, pierced carving. The mid-section with a central flowerhead with scrolled shields above and below ornamented with flowerheads acanthus leaf crestings. Two pairs of carved ‘S’ scrolls ornamented with acanthus leaves either side. The tapering turned sections surmounted by ionic capitals and supporting back of the scroll arms carved with acanthus leaf ornament. The front arms supported by baluster and tapering turned sections ornamented with acanthus leaf carving. The legs joined by a shaped ‘H’ stretcher with central finial, on bun feet. The upholstered seat reupholstered in a bargello woven in tones of blue, green, red and gold faced with braid and brass studwork. The back of the chair has an incredible, 19th century, oak support from the cresting to halfway down the back, which has been beautifully carved to conform with the open sections of the back, and two braces down the length of the back. There are also two oak supports behind seat blocks at the top of the legs. These repairs are sensitive to the model of chair and have become part of its character and features in their own right and they are very interesting from a conservation history perspective. There are two old repairs to a small break in the cresting on the right hand side and the hairline cracks are visible, an old repair to a small break in the top right of the central splat with a small piece added and a visible hairline crack. The right side of the back has noticeable worm damage on the right seat block which is probably the root cause of the break on the block on this side from impact as the chair probably fell backwards at some point and either onto its right side or it hit something on that side and the block weakened by worm gave way as the damage to the chair is localised on the far right side. Because the backs are high on these Daniel Marot chairs they are top heavy and invariably do have damage to the backs and crestings from impact damage so this is not unusual. The right block has been repaired thoroughly and is stable and there is no live worm in the chair. It would be possible to disguise these repairs but I have left them as they are consistent with the 19th century date of the supports and conform with museum standards. A full set of photographs...