Studio Made Sedia Chair by Enzo Mari
About the Item
- Creator:Enzo Mari (Designer)
- Dimensions:Height: 33 in (83.82 cm)Width: 20 in (50.8 cm)Depth: 18 in (45.72 cm)Seat Height: 19 in (48.26 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1970s
- Condition:Wear consistent with age and use. Fair condition, weathering throughout. This chair is not meant for daily use, but rather as a sculptural piece. Wear consistent with age and use. See pictures for details.
- Seller Location:Chicago, IL
- Reference Number:1stDibs: LU7152240503192
Enzo Mari
Enzo Mari was an influential industrial designer and a beloved curmudgeon who revered Marxism. His vintage mid-century modern designs are simple, functional and poetic. Widely known Mari-designed objects include desk accessories, such as the Formosa perpetual wall calendar, vases, cocktail tables and chandeliers.
Enzo Mari's work is embedded within the city of Milan, the Italian capital of all things design. In fact, the traffic bollards he devised are part of the city itself: Shaped like "panettone" cakes, they simultaneously direct traffic and provide seating for pedestrians.
In 1974, Mari published Autoprogettazione? (roughly translated as self-design), a Marx-inspired, anti-industrial, do-it-yourself handbook for the everyday person to use to build furniture without the assistance of a glitzy designer or knowledge of complex joinery. Mari’s intent with the publication was to remove the alienation of the creator and manufacturer from the end product by teaching anyone to develop a critical eye for production.
Artek relaunched kits based on the blueprints in the manual in an exhibition at Spazio Rossana Orlandi in 2010. The subsequent collectability of his work was reportedly irksome for Mari because he abhorred the industrial production for which he was becoming known.
Mari’s meager upbringing heavily influenced his politics, and even in childhood, he would come up with ingenious ways to support the family financially. As a designer, the desire to envision and build significant pieces was more important to Mari than devising new marketing and retail sales tactics. He optimistically believed objects could change the world. This view went against the rising consumer mania for every next trend that surfaced in the late 20th century. Not surprisingly, his ecological and economical stance led him to produce fewer objects.
Mari's philosophy did not stop people from desiring his creations, nor prevent other designers from wanting to collaborate with him. Following World War II, he worked for companies like Danese, Olivetti, Artemide, Driade and Alessi, who brought his prodigious designs to the public, and Mari’s work was widely celebrated.
The Golden Compass, Italy's highest honor for industrial design, was awarded to Mari four times before he died from COVID in 2020, and New York’s Museum of Modern Art has a permanent collection of his objects on display.
On 1stDibs, find a collection of Enzo Mari decorative objects, folk art and serveware.
- ShippingRetrieving quote...Shipping from: Chicago, IL
- Return Policy
More From This Seller
View AllVintage 1960s American Mid-Century Modern Chairs
Fabric, Wood
Mid-20th Century Dutch Mid-Century Modern Chairs
Wood
Vintage 1960s Danish Mid-Century Modern Chairs
Leather, Oak
Vintage 1960s American Mid-Century Modern Side Chairs
Wood
Vintage 1980s French Mid-Century Modern Chairs
Cotton
Vintage 1960s Italian Mid-Century Modern Chairs
Plastic
You May Also Like
Vintage 1960s Italian Mid-Century Modern Side Chairs
Pine
Mid-20th Century Mid-Century Modern Dining Room Chairs
Pine
Vintage 1950s French Mid-Century Modern Chairs
Beech, Paint
Mid-20th Century Indian Mid-Century Modern Chairs
Cane, Teak
Vintage 1970s Portuguese Mid-Century Modern Chairs
Wood
Vintage 1970s Italian Mid-Century Modern Chairs
Wood, Beech
