Jurgen Bey "Kokon Furniture" Chaise Longue -Droog

A beautiful example of Pacific craftsmanship by Thomas P. Lynn.Similar examples were exhibited in California Design 10 at the Pasadena Art Museum.Very low production,possibly a uniqu...

An unusual and possibly unique combination. Estelle and Irwin Lavernes' Champagne shells perched on top of their chrome. Lotus bases.

A rarely seen pair of lounge chairs. Comfortable and stylish.

Edward Wormley design swivel lounge chairs for Dunbar, model #5609 Refinished and reupholstered in a cotton velvet fabric.

Chaise Longue Cherlon by Camilo Andres Rodriguez Marquez (aka CarmWorks) Rattan / Burnt wood or natural Each piece is made to order and hand crafted by the artist. Dimension...

Black ash chaise longue sculpted by Lupo Horiokami Dimensions: D 80 x W 250 x H 72 cm Materials: Black ashwood “The artwork [...] arises when the mind is willing to accept reality as it was the first time it meets it” (“aesthetics of the void”, g. pasqualotto, marsilio). And if the futurists no longer wanted to have any relationship with the past but to concentrate on the dynamic present, lupo horiokami, with his art, seems to want to focus on the theme of continuous impermanence. East and west in comparison, in a synthesis where space (emptiness) and time (inconsistent) are the masters, where relativity and emptiness (“mu” in zen buddhism) merge with heidegger’s planning of “dasein”. Lupo’s emancipation naturally translates into space. Empty space, in the most eastern sense of the term, devoid of mental conditionings (“mushin” in japanese), a preliminary presupposition for manifesting, producing, originating from “nothing”. Empty space to accentuate the innate temporary beauty of things: from the traditional japanese tattoo...

Chaise Longue Cherlon by Camilo Andres Rodriguez Marquez (aka CarmWorks) Fique and copper fabric / Burnt wood or natural Each piece is made to order and hand crafted by the art...

A William IV rosewood chaise longue attributed to Gillows, with deeply carved scroll terminals and arms, and turned tapering legs on disguised castors.