Italian Living Room Sets

1970s Living Room Set, Attributed to Vivai del Sud The set includes: • Pair of armchairs in rattan and Vienna straw with leather bindings • Sofa in rattan and Vienna straw with leath...

Excellent quality Mid-Century Modern bamboo and rattan lounge set of Italian design. The oversized lounge chairs and matching two-seat sofa feature the traditional four strand bentwo...

Vivai Del Sud Bamboo Living Room Set with Dedar fabric cushion – mod. “A Joy” Product Details Pair of armchairs + sofa + coffee table. • Pair of curved bamboo armchairs, chestnut wood with leather details. • Curved bamboo sofa, chestnut wood with leather details. • Curved bamboo coffee table...

This pair of armchairs were designed and produced by the famous Italian company Giorgetti, they are in lacquered solid beech and armrests in polished Pau Ferro, the seat and back pad...

Splendid and rare living room, production "Casa & Giardino", designed by Gio Ponti, 40s Composed of a three-seater sofa and a pair of shell-shaped armchairs , upholstered in burgund...

Milanese architect Luca Scacchetti designed the Hydra Castor line for Poltrona Frau in 1992; its upholstered components came in a variety of silhouettes from clean-lined to baroque. ...

Splendid living room with sofa and pair of armchairs, "zelda" model, designed by sergio asti for poltronova in 1962 The sofa measures 210 cm in length, 80 cm in depth and 60 cm in...

Tito Agnoli attributed modular sectional soft leather sofa by Arflex, Italy 1970 The sofa consists of 7 modules (3 corner modules and 4 basic modules) and a footstool It can be...

Rare splendid 40s living room, made in the style of Casa & Giardino by Gio Ponti, consisting of a two-seater sofa and a pair of armchairs, wooden structure and upholstery in Cintz c...

Afra & Tobia Scarpa "Soriana" chaise longue and ottoman, green velvet and steel, Italy, 1969. Although technically designed in the 1960s, the "Soriana" model by the Italian duo Tobi...

Spectacular patio or garden set in wrought white enameled iron which includes a round dining table and 4 chairs. This charming set was ...

The I.S.A. (Industria Salotti e Arredamenti) manufacture also known as ISA, ISA Bergamo and ISA Italia was founded in the late 1940s near Bergamo in Ponte San Pietro. It produced a s...

Gorgeous and iconic set of six chairs and round table in polished nickel with purple backs and seat cushions designed by Warren Platner for the firm Knoll International, 1960.Design...

Pair of folding chairs model B751 designed at the beginning of the 20th century by Thonet, manufactured in the early 1960s at the Thonet factory in Radomsko (central Poland). Chairs ...

This incredibly comfortable Le Corbusier for Cassina 'LC2' three-seat sofa (authentic signed and earlier year production example with low number production number stamped on the fram...

Mid-20th century Italian living room. Sofa and two shell-shaped armchairs attributable to Gio Ponti, Casa e Giardino production, with fabulous lines and pleasant furnishings. Finishe...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a three-seater sofa and an armchair. It features o...

The Sesann lounge chair was designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. This set is composed of two lounge chairs upholstered in tobacco and chocolate brown alpaca velvet. Sesann is characterized by an organic and informal shape and is defined by the tubular metal detail that wraps around the soft, upholstered seat. In the 1970s, the Cassina catalogue...

Modern Versailles Sofa Cream Leather Handmade in Italy by Fendi Plaza Versailles Materials Frame: Wood padded with Polyurethane and Fiberfill Seat: In...

Beautiful three-seat sofa from 1940 attributed to Franco Albini in rosewood. The fabric used for the padding of the sofa Franco Albini is original of t...

Transport yourself back to the sleek and sophisticated 1980s with this sofa set. The ultra rare set exudes an air of luxury and refinement. Outstanding design is exhibited throughout...

A vintage Mid-Century Modern pair of Italian lounge chairs and a kidney shaped ottoman, stool made of hand crafted polished Walnut, designed by P...

Art Nouveau Mahogany Living Room Set, 1910, Set of 3 This parlor set, crafted in Italy, beautifully embodies the graceful aesthetic of Art Nouveau. At the...

Set of four Italian 1970's lounge chairs, beautifully proportioned with olive green upholstered bases and backs, with seat and front back support upholstered in a taupe colored cotto...

Fantastic Italian Mid-Century organic sofa and matching coffee table, fully made in bamboo, leather, and maple wood. The coffee table is completed by its original smokey bronzed glas...

A stunning pair of armchairs made in Italy in the 1970s. The seat is very comfortable and supportive. The pads are still original and in very good condition. Original natural leather...

Salotto in bamboo e rattan composto da un divano curvo due poltrone ed un tavolino con piano in vetro. Design Italiano, anni 50. CONDIZIONI: In buone condizioni, presentano segni d'...

We present this fantastic vintage living room set (circa 1980s) consisting of a three-seater sofa and an armchair. This set made in Italy is characterized by a design in the style o...

1970s Bamboo Living Room Set: Four-Module Sofa + Bamboo Coffee Table With Wooden Shelves Product Details Sofa complete with original cushions. Dimensions of each module: 80 W x 60 H ...

The Flexform Happy Armchair & Footstool by Antonio Citterio epitomizes contemporary elegance with a minimalist edge. Crafted with a sleek, tubular metal frame, the chair features lux...

Upholstered armchair in Free Life® fabric (available in different colours) and wooden legs. Perfect seating for living and kitchen spaces. Features Chair with upholstered seat an...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features black leather upholstery and a chrome tubular cage as s...

This newly reupholstered pair of club chairs by Claudio Salocchi for Sormani, circa 1970s, features graceful chrome frames with nubby white bouclé fabric. Signed with 1960s/ 1970s Sormani label as shown in photo gallery. *Note, we have the matching sofa available in another listing. The graceful frames share a design quality with Cassina's LC2 / LC3 design by Le Corbusier, as they are 'buckets of cushions' in similar fashion and comfort. However these Sormani lounge chairs feature some unique subtle details, such as the slight "twist" in the rear legs (see photos). Signed with a Sormani label, this particular rare design is attributed to Claudio Salocchi. While there were several other famous designers who created works for Sormani in this time period, the style best matches Salocchi's work. For collectors looking for something unique and rare within a collection of 1960s/ 1970s Italian designs, this pair of easy chairs are an amazing opportunity. These Cassina LC2 / LC3 style chairs...

This extraordinary and finely carved five piece suite comprising of one sofa, two armchairs and two single chairs with original gilding. It's part of an eleven piece s salon set pub...

Bench, braided straw, stained beech, natural fiber, Italy, circa 1950 This lovely bench will come forward nicely in a relaxing surrounding, like a patio or a studio space. The bench...

Beautiful living room set in black leather and wood consisting of a sofa and two armchairs designed by Giuseppe Raimondi in the 1970s. Dimensions of sofa: H: 66 cm W: 211 cm D: 77 cm...

Dining room set ‘’Tapiolina’’ designed by the Finish designer Ilmari Tapiovaara for Fratelli Montina. Italy, 1970s. Ilmari Tapiovaara’s work is characterized by the most radical fun...

“Down” sofa set by Carlo Bartoli for Rossi di Albizzate, 1970s Italy. Part of the Down series this set consists of one 3-seater, one 2-seater and a coffee table. Satin black lacquere...

Maralunga Set by Vico Magistretti for Cassina, Italy 1970's Has been upholstered in a gray and black striped fabric, making this a very unique set. Set consists of (1) loveseat &...

Marzio Cecchi was an Italian designer of great talent and innovation who left an indelible mark on the world of design. He was an assiduous participant in the artistic and cultural movements of his time, and unfortunately died prematurely in a tragic car accident in New York. Prominent among his most iconic and futuristic achievements is the Serpente sofa prototype with certificate, a work of art consisting of several modules held together by a tube and totally swiveling. This sofa is extremely rare and has reached high quotations in the world's most important auction houses. We are dealing with a piece of exceptional importance, as it is a prototype that never entered the market and always belonged to the designer's family. The sofa is certified and documented and has a certain provenance. Moreover, it is in perfect original condition, never restored and carefully preserved in its original condition. A unique and extraordinary piece of historic Italian design of the 1900s, with great historical importance and with room for growth even at the investment level. The sofa is made of leather and consists of 6 modules for a total of 6 seats. It is a work of art of Italian...

A fine pair of Italian 19th century Rococo style giltwood carved armchairs; the arched upholstered paneled backs with foliate scroll cresting and similar borders, having padded arm s...

set of 4 very rare "pagrù" model armchairs 1P production based on a design by Claudio Vagnoni, 1968 gray velvet upholstery they measure 73 cm in height, 75 cm in width, 105 cm ...

Splendid "sofo" living room, original Poltronova production from the 1960s, designed by the Superstudio team, adolfo natalini, cristiano toraldo from france, roberto magris, alessand...

Dining or center table, marble, Italy, 1960s This exceptional dining table, crafted in Italy during the 1960s or 1970s, is a testament to the era's dedication to pure, timeless desi...

Marvelous pair of Mid-Century Modern bar stool in gilt curved brass with an off white cotton fabric seat. This wonderful pair of stools were designed in Italy during the 1950s and ar...

Excellent quality Mid-Century Modern bamboo and rattan lounge set of Italian design. The oversized lounge chairs and matching two-seat sofa feature the traditional four strand bentwo...

The Sesann lounge chair was designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. This lounge chair features a chocolate brown alpaca velvet upho...

Sesann armchair, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features khaki brown velvet upholstery and a chrome tubular cage as stru...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Early 20th Century Venetian Rococò armchairs and sofa by Atelier Cadorin Venice in hand-carved walnut and leather upholstered, wax polished Al...

Space Age vintage authentic modular sofa Le Bambole by Mario Bellini in purple and lavender striped colors from textile fabric 1970s, Italy. A great design icon modular sofa elements Le Bambole by Mario Bellini designed 1972 for B & B Italia consists of two ( 2 ) corner elements and one ( 1 ) seater. Two modular elements show labels, all elements show underneath original jute fabric stamped with company´s name. Beautiful original striped textile fabric in purple and lavender colors. These modular sofa elements gives a lot of options for installing a space and could perfectly create a thrilling contrast with contemporary environments. The condition is fair, it shows signs of age and use like stains, abrasions, fading, damages at the fabric and worn corners. Perfect for design connoisseurs, who love and appreciate preloved authentic design icons. Images are part of the description approx. measures: 2 corner elements: width 90 cm, depth 87 cm, height 71 cm, seat height 44 cm 1 one seater: width 79 cm, depth 87 cm, height 71 cm, seat height 44 cm Mario Bellini ( 1935 ) Italian architect and designer Mario Bellini designed many important furniture designs throughout its organic and complex shapes as Le Bambole Sofa, Amante or CAB Chair. This sofa design Le Bambole features cuddly and organic spirit and helps B & B Italia to earn many awards. Also the provocative advertising campaign with the female model Donna Jordan...

Afra & Tobia Scarpa “Soriana” Lounge Set for Cassina, Italy, Burgundy Velvet, 1969, Set of three. Although technically designed in the 1960s, the "Soriana" model by the Italian duo ...

I offer a set of four folding chairs model B751 designed at the beginning of the 20th century by Thonet, manufactured in the early 1960s at the Thonet factory in Radomsko (central Po...

Mario Bellini "Pianura" two armchairs, three-seater sofa and squared coffee table for Cassina, argilla fabric and wood, Italy, 1972, set of four. The “Pianura” living room set is a ...

Mario Bellini for B&B Italia, 'Le Bambole' sofa, brown patinated leather, Italy, 1972. This piece is one of the very rare prototypes or early editions, and still 100% original, read ...

Mid-20th century Italian living room. Sofa and two shell-shaped armchairs attributable to Gio Ponti, Casa e Giardino production, with fabulous lines and pleasant furnishings. Finishe...

Pair of armchairs Original impressed leather covers Milan, circa 1750 They measure: 40.94" high [18.11" to the seat] x 21.65" in deep x 27.55". 104 cm high (46 to the seat) x 55 ...

living room sofa and armchairs piano Norman design luciano frigerio from Desio '68 "Piano" wood structure, suede leather upholstery The sofa measures 230 cm in length, 103 cm i...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a three-seater sofa and an armchair. It features o...

Beautiful pair of "Chiavarine" high-backed chairs, expertly made in the 1950s in Chiavari by S.A.C. in the style of Gio Ponti. Made with French-polished beech wood in mahogany color ...

Antique pair of Dante chairs and sofa in solid ebonized walnut hand carved and shaped , from 19th century. Florentine Renaissance. Period: 19th century Material: solid walnut hand-...

Introduce a striking piece of post-modern design to your living space with this exquisite four-seat sofa with matching lounge chair by Natuzzi, a renowned Italian furniture manufacturer. Crafted in the 1990s, these sofas feature original black leather upholstery that exudes sophistication and timeless style. The high back design offers excellent support and comfort, making it perfect for lounging. These pieces are highly reminiscent of the design ethos of Pierluigi Cerri, who was known for his work with Natuzzi during this era. The sofa showcases clean lines and a minimalist aesthetic, characteristic of Cerri's design language. The leather upholstery has unique stitching details, creating a subtle yet distinctive pattern that adds visual interest and texture to the piece. Constructed with the quality and attention to detail that Natuzzi is famous for, this sofa set not only provides exceptional comfort but also stands as a statement piece in any modern or contemporary interior. Its robust frame and durable leather ensure it will remain a cherished part of your home for years to come. Perfect for a chic apartment or a stylish living room, this post-modern sofa set by Natuzzi is a testament to Italian craftsmanship and innovative design. Natuzzi, founded in 1959 by Pasquale Natuzzi, is Italy's largest furniture manufacturer and a global leader in leather upholstery. The company began in a small workshop in Taranto, Italy, and quickly grew due to Pasquale Natuzzi's vision and dedication to quality and innovation. By the 1980s, Natuzzi had expanded its reach to the United States, revolutionizing the American leather furniture market with competitively priced, stylish products. Today, Natuzzi continues to be a leader in the furniture industry, known for its high-quality materials, meticulous craftsmanship, and elegant designs that cater to a global market​. ---Dimensions--- Width: 90 in / 228.6 cm Depth: 38 in / 96.52 cm Height: 31 in / 78.74 cm This larger than life set of Natuzzi sofas...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a two-seater sofa and two armchairs. It features...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

The Sesann lounge chair was designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. This lounge chair features a chocolate brown alpaca velvet upho...

This iconic sofa was designed by Willy Rizzo in 1969 and is published in many of the interior design journals of the period. This design was illustrated in Casa Vogue's feature on Rizzo's own home in St Tropez,France in their October 1974 issue. The sofa is finished in brown suede. We have a further selection of these Willy Rizzo sofas...

Carlo Bartoli for Rossi di Albizzate, pair of two-seat sofa with pair of lounge chairs and coffee table, model 'Blop', original ve...

Carlo Bartoli for Rossi di Albizzate, pair of two-seat sofas and coffee table, model 'Blop', original velvet, lacquered wood, Italy, 1972 A postmodern design by Italian master of ar...

The Flexform Happy Armchair & Footstool by Antonio Citterio epitomizes contemporary elegance with a minimalist edge. Crafted with a sleek, tubular metal frame, the chair features lux...

Afra & Tobia Scarpa “Soriana” easy lounge chair for Cassina, Black Leather, Italy, 1969. Although technically designed in the 1960s, the "Soriana" model by the Italian duo Tobia an...

Timelessly iconic Le Corbusier LC2 set of 3-seater sofa and armchair in chrome tube steel and black leather. Made in Italy by Alivar, a highly collectible licensed / authorized produ...

Iconic Italian set attributable produced in Italy during 1960s. This midcentury set is made of a double seat sofa, two armchairs and a coffee table in rattan and bamboo...

Mid-Century Modern Bamboo Chairs and Table Set – Italy, 1960s This elegant set of bamboo and rattan chairs, accompanied by a matching round coffee table, showcases the refined craft...