Lounge Chairs

A new interior seating piece, reminiscent of an ultimately-refined adirondack chair.  This lounge and ottoman have been handmade using old growth black walnut, finished in oil.    T...

Make a statement with these wonderfully designed and great looking pair of teak wood folding porch, garden lounge or deck chairs with grey weathered patina. Great for indoor or outdo...

Circa 1950s rawhide woven Adirondack style chair by Vermont Tubbs Snowshoe company designed by Gropius trained architect Carl Koch for his Tech...

An amazing oversized lounge chair by Tomlinson, upholstered in a pinkish-red damask fabric. The custom-made pillows are included, as shown. The pillow's intricate trim work showcases...

Wonderful pair of 20thc Adirondack arm chairs. Great color. We had these re- tightened for strength. These are comfortable and amazing to sit on. Great for outdoor or around a pool a...

A sculptural pair of comfortable highback lounge chairs crafted from high-quality materials, and their style is reminiscent of the work of Danish designer Henning Kjærnulf. Armrest c...

Beautiful armchair taken over by an elite Venetian bourgeois family, whose design is also an inspiration. The armchair is made of gilded wood in the mighty frame, with 4 supporting f...

Gorgeous Baroque throne armchair made of full nutwood in Italy. The armchair was completely new upholstered inside / outside with red velvet, the cushi...

Vintage Adirondack Old Hickory Style Tree Branch wood Frame Rattan lounge chairs - a Pair. Item features woven rattan back and seats, nice wide frames, hal...

Pair of Tufted Cerused Lounge Slipper Chairs upholstered in a velvet fabric. The chairs have cerused oak legs with the front legs having casters.

Extraordinary and exquisite set of original Louis XV salon gold gilded chairs with curved wood edges, intricately carved surfaces and Grey Green Pat...

Pair of Westport style Adirondack chairs, circa 2000s. We had these chairs custom made for a client based on the Westport chair, which was originally designed by Thomas Lee in 1903 f...

Early Westport chair by Thomas Lee and produced by Harry Bunnell. Signed with branded manufacturer's mark to the backside.

Original antique Adirondack " Westport Chair " designed by Thomas Lee in 1903 for his summer home in Westport, NY and produced by his friend and local c...

A large, vintage, country house, knole armchair upholstered in a kelim textile A Classic country house piece with the high back and wings creating a ...

Wonderful example of Art Deco stick rattan lounging armchair with beautiful large arched arms. Stick wicker, rattan, bamboo, lounge chair, arm chair, club chair. Arm h: 24 Seat...

Vintage French bergère lounge/ armchair in orange mohair Large, comfortable lounge chair with ornate gilted detailing throughout. Has buttons...

Pair of Italian 19th century Baroque carved arm throne chairs. The pair with figural carvings and putti sleeping on beds of leafs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Andrea Brustolon (20 July 1662–25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-1680 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall Stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the 18th century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the Baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

A pair of French 19th-20th century Baroque style carved walnut and needlepoint upholstered hall throne armchairs with raised carved armrests and fluted conjoint legs. The tapestries ...

A pair of rawhide and bent ashwood armchairs by Vermont Tubbs Furniture.

This antique sofa, skillfully crafted by a skilled Danish cabinetmaker in the early 1900s, stands as an exemplar of timeless elegance and expert craftsmanship. The upholstery, adorne...

This fine tightly woven wicker chair in old black painted surface has a vintage black and white faded ticking cushion. This cushion is down and feather...