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Børge Mogensen Pair of 'Spanish Chairs' in Oak and Cognac Leather

About the Item

Børge Mogensen for Fredericia Stolefabrik, pair of 'Spanish Chairs,' oak, leather, brass, Denmark, design 1958 This well-known design by Børge Mogensen has a very strong appearance. The sincere construction and type of upholstery, give the chair a character of its own. Due to the great proportions and well-sized armrests the chair provides great comfort. Mogensen drew inspiration from a trip to Spain in 1958. He modernized the shape, eliminating the elaborate carvings while retaining the important feature: the broad armrests that give the chair character and provide a practical place to put a glass or cup. These chairs are Mogensen's interpretations of a traditional type of chair often found in areas influenced by ancient Islamic culture. A nice patina is visible on the leather seating, emphasizing the rustic character. The seat and backrest are secured to the frame by several brass belts. Børge Mogensen (1914-1972) was a Danish designer. His designs are defined by being high-quality, simple and functional. Mogensen can be seen as a democratic and idealistic designer. He aimed to solve basic problems in residential living. This meant that he designed for the middle-class and everyday use instead of for the more exclusive costumer. Contrary to his contemporaries in other countries such as Le Corbusier, Mogensen did not work with new modern materials such as steel and glass. Instead he chose to work with tested materials such as leather and wood. Being trained by Kaare Klint, he was very focussed on the human body and his ideal was to create comfortable furniture, not furniture that would end up in a museum. His designs are therefore honest, functional, simple and production friendly. Mogensen was extremely productive: hundreds of his designs went into production in his lifetime. Please note that these chairs are in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.

Creator:

Børge Mogensen (Designer),Fredericia Stolefabrik (Manufacturer)

Dimensions:

Height: 26.97 in (68.5 cm)Width: 32.29 in (82 cm)Depth: 24.22 in (61.5 cm)Seat Height: 12.01 in (30.5 cm)

Sold As:

Set of 2

Style:

Scandinavian Modern (Of the Period)

Materials and Techniques:

Brass,Leather,Oak

Place of Origin:

Denmark

Period:

1950-1959

Date of Manufacture:

1950s

Condition:

Wear consistent with age and use. Every item Morentz offers is checked by our team of 30 craftspeople in our in-house workshop. Special restoration or reupholstery requests can be done. Check ‘About the item’ or ask our design specialists for detailed information on the condition.

Seller Location:

Waalwijk, NL

Reference Number:

Seller: 501129041stDibs: LU933136050982

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Børge Mogensen

Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials.

While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved.

Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest. His 1945 Spokeback Sofa, with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogenson’s Shell chair, designed in 1949, can be seen as a novel take on early 19th century Empire side chairs.

Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used chrome steel for the frames and legs of their pieces. The brawny oak frames and slung leather seats and backrests of Mogensen’s Hunting chair (1950) and Spanish chair (1958) display the same hefty construction and appreciation of natural materials seen in the work of Charlotte Perriand and Sergio Rodrigues.

As you will see from the furnishings on 1stDibs, Børge Mogensen designed for function more than sculptural effect. While his chairs may not be the first pieces in a décor to draw the eye, they are often the first to draw in those looking for a comfortable seat.