Carboni for Arflex "Dolphin" Lounge Chair, Italy, 1950s

Charming Italian Mid-Century lounge chair with soft and well designed silhouettes. The legs are wood. Was upholstered in a metallic gold leather for the 2018 Kips Bay...

Curvaceous Mid-Century lounge chairs by ISA Bergamo with brass feet. Recovered in an off-white boucle fabric. Price for the pair-sold individually on request. Condition: Minor wear ...

Pair of Italian Mid-Century armchairs recovered with an ivory boucle fabric and with tapering wood feet. Price for the pair-can be split on request. Condition: Excellent vintage con...

Italian midcentury armchairs in the style of Gio Ponti $6,900.00 Chic Italian midcentury armchairs in the style of Gio Ponti with a slit back and tapering brass legs. Recovered ...

Erberto Carboni for Arflex, Italy, circa 1955. A "Delfino" or "Dolphin"armchair. Velvet upholstery in seafoam green, likely not original but nor is it newly reupholstered. Steel fram...

A rare piece, this elegant and comfortable "Lucania" easy chair by Giancarlo De Carlo has an upholstered body supported by an iron frame. It is perfect for reading, conversing, or re...

Stunning early edition martingala chair by Marco Zanuso, manufactured by Arflex, Italy, circa 1950. The chair is newly upholstered in high quality ...

Erberto Carboni 'Delfino' Lounge Chair designed in 1954 for Arflex, Italy. New, Current production. Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature. The Delfino armchair has a strong personality, with a very evident graphic sign, that makes it perfect for both home and hospitality space. This wonderful chair is available in a wide range of upholstery options. Please ask us about the possibilities. Designed by Erberto Carboni: Graphic designer, poster designer and illustrator (Parma 1899 - Milan 1984). Graduated in architecture at the Accademia di Belle Arti in Parma (in 1921, earning an honorary diploma), he immediately started working as a graphic designer, opening a studio in his hometown (he developed advertising material for some local companies). He also began to work as an illustrator, collaborating with some publishing houses in setting up the iconography of volumes of consumer fiction and beginning to work with some magazines, such as "Lidel", "Novella", "Dramma", "Emporium", "Le Grandi Firme". In 1932 he moved to Milan, where he came into contact with Studio Boggeri and Olivetti Advertising...