Carboni for Arflex "Dolphin" Lounge Chair, Italy, 1950s

Italian midcentury lounge chairs by Lenzi $7,500.00 Striking Italian 1950s lounge chairs by Lenzi with a sleek design and sophistica...

Pair of Marco Zanuso style lounge chairs, Italy, 1960s $6,500.00 Italian midcentury armchairs in the style of Marco Zanuso character...

Gio Ponti armchair manufactured by Cassina in the 1950s. In original condition with ebonized frame, green leather covering and brass feet. Condition: Good vintage condition, minor...

Charming Italian Mid-Century lounge chair with soft and well designed silhouettes. The legs are wood. Was upholstered in a metallic gold leather for the 2018 Kips Bay...

"Delfino" armchair by Erberto Carboni for Arflex.

The iconic Delfino lounge chairs, designed by Erberto Carboni for Artflex in 1955, stand as iconic pieces of furniture. The original early versions of these chairs showcase beautiful...

Iconic original "Delfino" lounge chair with matching Ottoman, designed in 1954 by Italian artist, sculptor and designer Erberto Carboni (1899-1984) for Arflex, Italy. Prefabricated u...

Erberto Carboni 'Delfino' Lounge Chair + Ottoman 1954 for Arflex, Italy. New, Current production. Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature. The Delfino armchair has a strong personality, with a very evident graphic sign, that makes it perfect for both home and hospitality space. This wonderful chair and ottoman are available in a wide range of upholstery options. Please ask us about the possibilities. Designed by Erberto Carboni: Graphic designer, poster designer and illustrator (Parma 1899 - Milan 1984). Graduated in architecture at the Accademia di Belle Arti in Parma (in 1921, earning an honorary diploma), he immediately started working as a graphic designer, opening a studio in his hometown (he developed advertising material for some local companies). He also began to work as an illustrator, collaborating with some publishing houses in setting up the iconography of volumes of consumer fiction and beginning to work with some magazines, such as "Lidel", "Novella", "Dramma", "Emporium", "Le Grandi Firme". In 1932 he moved to Milan, where he came into contact with Studio Boggeri and Olivetti Advertising...